With the popularity of television series such as Downton Abbey and The Crown, contemporary audiences have become intrigued by, even addicted to, European aristocracy. I can’t help but think that in comparison to the many works of William Shakespeare, our obsession with binge-worthy TV must be like attending live theatre over 400 years ago. Take, for example, the twisted path of dysfunction, poor leadership, and random acts of stupidity as illustrated in Shakespeare’s tug-of-war tale King John.

Described by TheatreMania.com as “an artful amalgamation of oral history, fashion show, and musical theatre,” Crowns: A Gospel Musical will fill Moline's Black Box Theatre with glorious singing and spectacular style April 26 through May 6, author Regina Taylor's tune-filled play lauded by the New York Times as “wholly theatrical” and “a show that seems to arise out of spontaneous combustion.”

Winner of five 2006 Tony Awards and described by Variety magazine as “irresistible” and “superior, smartly crafted pastiche,” the joyous musical-comedy spoof The Drowsy Chaperone will receive a season-ending staging at Augustana College April 27 through May 6, its feel-good delights suggesting why the New York Times stated that “few productions have ever pulled an audience so immediately and unconditionally on their sides.”

Does sex sell? That question is dissected by every Marketing 101 class every semester on virtually every college campus. Professors will have students review magazine ads, Web-site pop-ups, and television commercials. They study the branding of perfume, women's-underwear slogans, and the sensuality of eating a luscious cheeseburger. I think most can agree that sex does sell. And if theatre is any indication, the older the targeted market, the better it sells! Just check out the Richmond Hill Barn Theatre's Sex Please, We're 60, and you'll know exactly what I mean.