Cody E. Johnson, Stacy Phipps, and Tim Stompanato in Dakota Jones & the Search for AtlantisEvery year, St. Ambrose University's theatre department produces four mainstage shows over the nine months that school is in session. It's somewhat surprising, then, that given the myriad authors to choose from, the university opted to reserve half of the slots in its 2011-12 season for works by a single playwright.

Yet what's more surprising is that the author in question isn't one of the usual theatrical suspects - Shakespeare or Williams or O'Neill. Rather, it's St. Ambrose student Aaron Randolph III, a 32-year-old pursuing additional degrees after graduating in 2002 from the school's music department. His family musical Dakota Jones & the Search for Atlantis will be staged in the university's Galvin Fine Arts Center December 3 and 4, and his comedy The Plagiarists runs February 24 through 26.

Sunshine Ramsey as Junie B. JonesOn November 25, the Circa '21 Dinner Playhouse will debut Junie B. in Jingle Bells, Batman Smells, a holiday comedy based on one of the many children's books featuring author Barbara Park's feisty, funny, and unpredictable first-grader Junie B. Jones. It's the second Junie B. title that Circa '21 has staged in the past three years, and if you attend this new show and think you recognize its star from 2009's Junie B. Jones & a Little Monkey Business, you do: Sunshine Ramsey will again be donning Junie's dress to play a character some 25 years younger than the actress is.

Marc Ciemiewicz, Kristen Jeter, Courtney Washington, Jillian Prefach, and Nancy Evans in NuncrackersOf all the installments in the Nunsense series, which includes six sequels and three spinoffs, the Christmas musical Nuncrackers - currently running at the Circa '21 Dinner Playhouse - seems to me the most palatable. For one thing, it has the added benefit of its Christmas theme; there's just something about the holidays that puts you (or at least me) in a cheery mood, which, in turn, makes it easier to forgive the show's shortcomings. And when you add the merry goofiness of the Little Sisters of Hoboken, it's hard not to be in good spirits throughout the show.

Tom Morrow, Sandy Glass, Hannah McNaught, and Dana Moss-Peterson in Leaving IowaIt doesn't happen often, especially if you attend a lot of local theatre - where the on-stage faces tend to become familiar ones. But every once in a while, you'll be at a production that you're really enjoying, and gradually realize that you're routinely focusing on one performer above the others - and asking yourself, with a grin, "Who is that?"

Pam Kobre, Hannah  McNaught, Don Faust, Dana Moss-Peterson, and Taylor Apple in Leaving IowaDescribed by the Chicago Sun-Times as "simultaneously hilarious and touching," the road-trip comedy Leaving Iowa is the final presentation in the Playcrafters Barn Theatre's 2011 season. Leaving Iowa is also the first presentation in Black Hawk College's 2011-12 theatre season, but don't chalk that up to either coincidence or some sort of Moline-based rivalry; the productions are actually one and the same.

John Donald O'Shea and Susan Philhower in Sex Please, Weire 60As suggested by the title, the Richmond Hill Barn Theatre's current offering, Sex Please, We're 60, involves men and women of a certain age and their libidos, but thankfully it maintains a modicum of decency by placing the "action" off stage. The piece also features many clichéd jokes and absurd situations, but while I cringed at the images conjured by the title, it's when the work is at its (relatively) raunchiest that the play and the cast work best.

Analisa Percuoco and Sonya Womack in The War of the WorldsI find it easy to like Scott Community College's production of The War of the Worlds, an adaptation of H.G. Wells' tale of alien invasion, presented here in the radio-drama style of Orson Welles' Mercury Theatre. The performance may not be the best you'll see in the Quad Cities, but the show features so much heart - such simple pleasure in performing - that it's refreshing to sit and watch the show's young men and women play on stage.

Tim Bedore"A guy once sent me this story," begins comedian Tim Bedore. "He had a great muscle car from the '60s, and he had it all waxed and polished to this beautiful shine, and he had it parked under a tree. And this squirrel started dropping nuts onto his hood, over and over again.

"He finally moved the car underneath a different tree, because he wanted to keep the car in the shade and not ruin his perfect wax job. But after he did, the squirrel jumped over to the other tree, and started dropping nuts on the hood. It could've dropped them anywhere, but it had to drop them onto the hood of his car. It was a purposeful thing.

"Now, biologists could probably come up with some explanation for this. It liked the sound. Or it thought the car was an enemy. Or," Bedore suggests, "it just wanted to piss off a human. I mean, why not just go to the simpler explanation?"

Jalayna Walton, Mercedes Padro, and Christina Arden in Real Girls Can't Win!If I were a college (or even high school) student of the female sex, I might find playwright Merri Biechler's Real Girls Can't Win! poignant and, if not life-changing, at least food for thought. I'm not, though, so while I appreciated Augustana College's cute presentation of the piece, I found the play itself to be rather pretentious, and annoyingly preachy.

Christina Myatt and Kelly Lohrenz in ChicagoI really like Chicago. Its tuneful score, uniquely vaudevillian presentation, and delightfully naughty nature make it one of my favorite stage musicals. There's one number in the show, however, that tops them all for me: "Cell Block Tango," which is sexy, fun, and what I consider the benchmark for the overall production. And on Friday night, my entertainment needs would've been met, and then some, had the District Theatre's production actually ended after this number, even thought it's only the fourth song in the piece.

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