'night, Mother starts out innocently enough: A young woman asks her mother for some old towels and bedsheets and a bucket. But then she asks for a gun.

I have a confession: Since discovering my passion for the theatre, I've intentionally avoided the works of Anton Chekov. So many of my theatre friends consider Chekov to be the pinnacle of playwrights, placing him even higher than Shakespeare, yet fearing that I'd be excommunicated should I not like his works, I stayed away from them altogether. But now, after seeing the opening-night performance of Augustana College's The Seagull, I must form and share my opinion. So here it is: It turns out I like Chekov. A lot.

 

Kyle Bornheimer(The following is Mike Schulz's interview with Curtainbox Theatre Company co-founder Kyle Bornheimer, written for the area organization's Web site TheCurtainbox.com.)

 

At the end of my recent interview with Kyle Bornheimer - the Curtainbox Theatre Company co-founder who stars on the new ABC sitcom Romantically Challenged - I asked the actor if he was hoping, one day, to trek from California to the Midwest in order to see one of the organization's stage productions.

"Oh, definitely," he said. "I'm so impressed with what Kim [Furness] has done with the company. We would sit in her living room and all dream about taking this thing to the next level, and she's done that, so I definitely want to make it out there."

In the meantime, of course, Bornheimer has kept himself more than busy out there.

Don Denton, Erin Churchill, Janos Horvath, Liz J. Millea, and Bret Churchill in Miss Nelson Has a Field DayIt's been more than 20 years since I read Harry Allard's series of "Miss Nelson" children's books, but it's hard to forget Viola Swamp, "the meanest substitute teacher in the whole world." Miss Nelson Has a Field Day, currently playing at the Circa '21 Dinner Playhouse, features Swamp (Liz J. Millea) as the no-nonsense alter-ego of Miss Nelson, the kindly math teacher at Horace B. Smedley Elementary School. The show is as funny as I remember the books being, and judging from the laughter that was constantly erupting from the audience of mostly elementary-school students at Friday's matinee performance, I wasn't the only one who thought so.

Jackie Madunic and Angela Rathman in Marvin's RoomSaturday night's performance of Marvin's Room marks the first time I'd seen a Richmond Hill Players production. When previously invited to see one of their shows, I cited reasons not to attend, mostly balking at the seemingly long drive out to Geneseo. I spent much of Saturday's intermission chastising myself for not making the shorter-than-expected trip sooner.

Danielle Colby-Cushman (center) and the women of Burlesque Le' MoustacheFor many, LeClaire resident Danielle Colby-Cushman is best known as a co-star of the History Channel's hit reality series American Pickers, and the office manager for the city's collectibles shop Antique Archeology.

Yet for some, she's perhaps better-known as the director/founder of, and a featured artist in, the area's only practicing burlesque troupe, for which Colby-Cushman performs comedy routines, dances, and (yes) removes her apparel under the stage name Dannie Diesel.

And for those who have either not heard of this unique company of entertainers - performing at Davenport's Capitol Theatre on April 24 - or are unsure of what it is they do, Colby-Cushman offers an example, taken from troupe member Birdie Belleville's 2009 striptease debut.

Tristan Tapscott and Steve Lasiter in RentIn the program's director's notes, Matthew Helton reveals that he stepped into the role of director for the Harrison Hilltop Theatre's production of Rent hours before the first rehearsal, not giving him enough time to do much more than reproduce the Broadway staging of the show. The replication is arguably forgivable, given his time constraints, but also unfortunate, as little of the performance possesses the mark of being the local theatre's own take on composer Jonathan Larson's work. That being said, however, the production lives up to and even exceeds expectations, due to the singing ability of its cast, and the high energy of its band.

Megan Baumunk, Patrick Joslyn, and Riley Hantz and Jake's WomenThe phrase "glorified high school" came to mind when I saw Jake's Women - the Neil Simon comedy that opened last week at Scott Community College - and that's not meant as an insult. Rather, it's a commentary on the limited space and resources the SCC theatre department has to work with, which are a mere step up from those available to local high-school drama departments. Performances are held in the auditorium of the Student Life Center on a proscenium stage fringed by red curtains and flanked by American flags on eagle-topped poles; a rudimentary sound system hangs overhead, beside a single row of lights. (I expected, at any moment, to see Sam the Eagle stride into a scene and deliver a political speech.) Admittedly, the visuals were a bit of a sleep-inducer, but director Steve Flanigin's casting choices kept me awake.

Licia Watson, Nicole Savitt, and Nancy O'Bryan in Church Basement Ladies 2: A Second HelpingThe sequel to Church Basement Ladies, the Circa '21 Dinner Playhouse's best-selling show (ever!), opened last weekend. And if this second installment, Church Basement Ladies 2: A Second Helping, isn't enough "Uff da!" for audience members, don't worry: Circa '21 is already considering upcoming performances of Away in a Basement and A Mighty Fortress is Our Basement, the next scripts in the series.

Jaci Entwisle and Andy Koski in Troilus & CressidaIf there's anything at which the Prenzie Players excel - and the theatre group excels at quite a few things - it's the ability to convey the meaning of Shakespeare's words to those who may have trouble following the dialogue and, therefore, the plot. (I.e. me.)  And that strength is all the more important in the Prenzies' current undertaking, Troilus & Cressida.  While watching the opening-night performance, I rarely understood what exactly was going on by way of what was said. But thanks to the passion behind how it was said, I was neither bored nor disinterested.

Pages