It's about 15 minutes into my phone conversation with jazz vocalist Margaret Murphy-Webb. She's energetic and engaging and boasts an infectious laugh, and every once in a while she calls me "baby," which I like a lot. And then, knowing that the artist is pursuing a music degree at Chicago State University after nearly 30 years of performance, I ask her if, because of tuition and other costs, she has to supplement her income with any additional jobs.

"Oh, baby, you don't know!" she exclaims. "I'm a Chicago police officer! August 1 will be my 20th year!"

I actually did not know this (nor, for the record, would any other visitors to MargaretCMurphy.com, where that information is noticeably absent). I apologize for my ignorance and ask if it's cool to mention her career in print, and she says, "Oh yeah! I just assume people know, but I try not to tell people. That's dirty laundry." She laughs. "But they don't boo me when they know I'm a police officer!"

Of course, I'm betting that the musician doesn't ever deal with booing, given her gorgeous phrasing and vocals, and her presence that the late, great jazz saxophonist (and Murphy-Webb's former mentor) Von Freeman said "reminds you of Betty [Carter] and Billie [Holiday] in that, from the moment she steps onto the stage, she has the audience enraptured."

Garrett Music

G. Love & Special Sauce

The Redstone Room

Thursday, July 3, 9 p.m.

 

On July 3, Davenport's Redstone Room hosts a special evening with the alternative hip-hop and blues artists of G. Love & Special Sauce, performing in support of their recent album Sugar. On that recording, you'll find the song "Too Much Month," the band's ode to being desperately short on funds. And among its lyrics, you'll find the following: "I got too much month for the end of my money / And not enough money for the end of the month."

This is ordinarily when I'd make some crack, such as "And boy, do we Reader employees know what that's like!" But I'm angling for a raise, so the timing doesn't seem right.

Danielle Brothers, John Chase, and Grant Brown in An Inspector CallsPrior to last Thursday, I had seen 40 productions at Mt. Carroll's Timber Lake Playhouse, and somehow, during all those visits, I had never been there when it rained. Yet rain it did on Thursday, and it rained hard, and I couldn't imagine more fitting weather for the venue's opening-night performance of An Inspector Calls, an eerie, succulent psycho-drama (with laughs) that made the literal storm clouds a spectacular match for the figurative ones on-stage.

Vincent Piazza, Erich Bergen, John Llyod Young, and Michael Lomenda in Jersey BoysJERSEY BOYS

Jersey Boys, Clint Eastwood's film version of 2005's still-running Broadway smash, is a big, bizarre, cornball, clever, terrible, wonderful movie. It's hard to fathom what, beyond its inherent appeal, made Eastwood want to take on the project; this bio-musical about 1960s pop sensations the Four Seasons seems so clearly designed for Scorsese that's it's almost some kind of joke that it instead wound up in the hands of a man who, stylistically and temperamentally, is Scorsese's polar opposite. Yet somehow, astonishingly, the damned thing works. Its parts may be stronger than the whole - at least if you're allowed to cherry-pick the parts - but the film is affecting and entertaining and alive, and exudes more sheer joy than any other title on Eastwood's 43-year directing résumé.

Jonah Hill and Channing Tatum in 22 Jump Street22 JUMP STREET and HOW TO TRAIN YOUR DRAGON 2

This past Friday was my birthday. (Aw, thank you for asking! Belated gifts can be sent care of the Reader!) And like a present delivered specifically for me, the day brought with it not only two movies featuring Jonah Hill - even if one only features the voice of Jonah Hill - but two follow-ups I wasn't at all dreading: 22 Jump Street, the sequel to a comedy I loved, and How to Train Your Dragon 2, the sequel to an animated adventure I liked just fine. I suppose it was both fitting and inevitable, then, that I wound up liking the former just fine, and the latter ... well, I didn't love it, but I did enjoy it a heck of a lot more than the original.

Sena EhrhardtMusic

The Sena Ehrhardt Band *

Rascals Live

Friday, June 13, 7:30 p.m.

 

This year, Father's Day lands on Sunday, June 15. And two days prior, when Minnesota-based singer/songwriter Sena Ehrhardt performs her concert at Rascals Live, she'll actually share the stage with her own dad Ed Ehrhardt, who's the guitarist for his daughter's blues ensemble the Sena Ehrhardt Band. In other words, this Father's Day, Sena will be able to give her pop the one gift all parents most want from their children: a paycheck.

Melissa Weyn in Joseph & the Amazing Technicolor DreamcoatFewer than 90 minutes after it began, the Timber Lake Playhouse's season-opening production of Joseph & the Amazing Technicolor Dreamcoat ended, appropriately, with a blast of exuberant, life-affirming color. Yet at the curtain call for this fantastically well-sung presentation of composer Andrew Lloyd Webber's and lyricist Tim Rice's beloved biblical musical, it became clear that the stars of the show weren't the gifted performers portraying Joseph, the Narrator, or any of director James Beaudry's 19 other cast members. The real stars, it turned out, were the streamers.

Ansel Elgort and Shailene Woodley in The Fault in Our StarsTHE FAULT IN OUR STARS

The first words heard in the romantic tearjerker The Fault in Our Stars come from Shailene Woodley's cancer-stricken teen Hazel, who tells us, in voice-over narration, that Hollywood movies are never honest in their depiction of sad stories, and promises that when it comes to the sad story she's about to relate, "This is the truth." And in retrospect, the film lost me with those four little words, because almost nothing that happened over the next two-plus hours felt even close to true.

Angelina Jolie in MaleficentMALEFICENT

Disney's Maleficent is director Robert Stromberg's re-imagined fairy tale told from the perspective of, and with much empathy for, the sorceress who put the "Sleeping" in Sleeping Beauty. If this is the beginning of a trend - one in which the studio, in effect, remakes its animated classics so that their evil villains are no longer evil or villainous - I can't wait to see what's in store for us next. A baby Scar who seeks vindication after other lion cubs make fun of his unfortunate birthmark? A young, svelte Ursula the Sea Witch driven to malice and gluttony when her sister is turned into caviar?

High on Fire

Music

High on Fire

Rock Island Brewing Company

Thursday, May 29, 8 p.m.

 

On May 29, the Rock Island Brewing Company hosts an evening with musicians who, according to the UK's The Guardian, "have been blowing amps and minds for more than a decade." AllMusic.com declared that their music "rolls like sinister thunder across the landscape." And SputnikMusic.com called their most recent album "a ferocious and captivating listen that twists and turns through the deepest, darkest depths while pushing forward into new sonic territory."

Ladies and gentlemen, put your hands together for ... the Osmonds!

Whoops. I mean High on Fire. I keep getting those groups confused.

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