Like a few dozen other optimistic souls, I attended Saturday's Genesius Guild production of Twelfth Night hoping that the threatened thunderstorms would bypass the Quad Cities, or at least Rock Island's Lincoln Park, for three hours or so. Alas, Shakespeare's game was called on account of rain (and some major lightning) at roughly 8:30 p.m., so those of us who were willing and able were invited to return to see the rest of the show, and its opening half-hour again, on Sunday.

DAWN OF THE PLANET OF THE APES

Following a brief, artful prelude introducing us to the film's post-viral, post-apocalyptic setting, Dawn of the Planet of the Apes opens with an extreme closeup on the eyes of Caesar, the highly evolved chimpanzee memorably portrayed (with CGI enhancement) by Andy Serkis in 2011's Rise of the Planet of the Apes. An extreme closeup on Caesar's eyes will also be the final image in director Matt Reeves' sequel, yet the differences between these cinematic bookends are as wide and varied as the differences between Rise, a half-great, half-clumsy hit, and Dawn, which is, hands down, the most exciting, resonant, and humane Hollywood blockbuster of the summer, if not the millennium.

July 2, 10:40 a.m.-ish: My screenings begin with the demonic-possession thriller Deliver Us from Evil, and I notice, during the "found footage" prelude, that the action begins on the Fourth of July. So, clearly, the film is being released at the right time. Ninety minutes later, I notice, during the climactic exorcism, that the action ends on 4/20. So, clearly, the filmmakers were high.

If you're the parent of a child who's a voracious consumer of comic books, don't make the mistake of worrying that he or she won't grow up to be anything. That child could, after all, grow up to be an artist. Or an educator. Or a detective. Or ... a superhero.

At least, those are a few of the career titles held by Dominic Velando and Jarrett Crippen, two adult comic-book lovers who will be presenting workshops at this year's QC Planet Comic & Arts Convention on July 13. The fifth-annual event will, of course, boast dozens of comic-book, action-figure, and graphic-art vendors with publications and collectibles for sale, plus adult and children costume contests and a silent auction held throughout the day. But it will also feature educational presentations by Velando and Crippen, who, in a pair of recent interviews, shared some thoughts on public art, eccentric teachers, Stan Lee, and the perils of aging into one's Spandex.