NON-STOP
Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary - Tom Donahue's Casting by - devoted to the subject, and Woody Allen, whom one would've thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I'm personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond - casting directors for the enjoyably ludicrous Non-Stop - for the prize. To be sure, it doesn't take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave's abused slave Patsey opposite Downton Abbey's rigid Lady Mary? Now that's witty.
POMPEII
When it comes to the films and individuals that win Academy Awards, it's easy to get defensive, and even a little pissy, about voters' collective choices. "How could those people ever vote for ______," you find yourself asking, "when ______ is so obviously better? Don't they have any integrity at all?!"
Music
ROBOCOP, ABOUT LAST NIGHT, and ENDLESS LOVE
THE LEGO MOVIE
Music
Fans of Jules Verne's 20,000 Leagues Under the Sea - either the novel or 1954's live-action Disney movie - should be excited to attend Davenport Junior Theatre's debuting stage version of the adventure classic, running February 15 through 23. Just as long, says playwright Aaron Randolph III, as those 20,000 Leagues fans aren't also 20,000 Leagues purists.
LABOR DAY






