15
Sep
2009
Music
Promise of the Real featuring Lukas Nelson
The Redstone Room
Tuesday, September 29, 8:30 p.m.
Conceived on a tour bus and born on Christmas Day, Lukas Nelson would seem born into a country song even if he wasn't the son of country-Western legend Willie Nelson. Yet Lukas went on to embrace not only the music of his upbringing, but rock, folk, and the blues as well, and audiences can expect a bit of each when Nelson and his Promise of the Real outfit play their September 29 concert at Davenport's Redstone Room.
David Mamet's Glengarry Glen Ross is arguably, though not that arguably, the author's best-known, best-loved, and all-around best play. (Thanks to 1992's celebrated film version, I have friends - including friends who don't really like plays - who can quote entire scenes verbatim.) And it's no overstatement to say that the cast recruited for the Curtainbox Theatre Company's presentation of this exhilaratingly profane comedy is ridiculously gifted. At one point here, you'll find Michael Kennedy, Pat Flaherty, Eddie Staver III, Louis Hare, and Daniel D.P. Sheridan all sharing the Village Theatre stage, and that's before David Furness and Tristan Tapscott show up.
See How They Run, currently being staged at the Playcrafters Barn Theatre, is described on the venue's Web site as "a classic farce of mistaken identity and slamming doors." But in actuality, only two parts of that three-part statement turn out to be accurate.
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The Circa '21 Dinner Playhouse's latest is Mid-Life! The Crisis Musical, and it's pretty much exactly what you'd expect given the title and exclamation point in the title: a cheeky, kind of forced, kind of obvious song-and-dance revue that pokes gentle fun at memory and hair loss, adulterous urges, prostate exams, and other "wacky" perils of aging.
ALL ABOUT STEVE
At last count, there were a whopping 46 area-theatre productions scheduled between September and December, and included among the titles are A Dog's Life, The Big Funk, Scrooge!, Don't Hug Me, and Mid-Life! The Crisis Musical. It's the season that my editor, Jeff, has been waiting for!
THE FINAL DESTINATION and HALLOWEEN II
As I never tire of telling people, Eugene O'Neill's Long Day's Journey Into Night ranks first on my list of all-time favorite plays, which puts me in league with, I'd imagine, several thousand others over the years. Widely considered the greatest work ever written by the author widely considered the greatest playwright our country has yet produced, O'Neill's autobiographical epic is nothing less than America's answer to King Lear - an incisive, harrowing, and altogether exhilarating study of family conducted with a microscope and a scalpel.
They don't touch, they don't come within five feet of each other, and with one notable exception, they don't share a moment of eye contact. But in the Riverbend Theatre Collective's current production of Hate Mail, Jeff De Leon and Stephanie Burrough exude such combustible comic spark that you wouldn't necessarily want them to interact directly; the Village Theatre might damn well go up in flames.
