THE LOVELY BONES
The Lovely Bones, director Peter Jackson's long-awaited take on Alice Sebold's beloved novel, is a stupefyingly bad movie, the kind of big-screen debacle that makes you wonder if its entire creative team wasn't suffering through some hideous, collective blockage of talent all throughout filming. You can feel it going wrong in the first minutes, when a car's quick swerve results in an unconvincing and inappropriately comedic loss of a hubcap, but the shock of Jackson's endeavor is that practically nothing in it goes right. Tonally, just about every scene here feels a little bit off, and the rest feel way, way off; it's almost as if Jackson, screenwriting collaborators Fran Walsh and Philippa Boyens, and a (usually) wildly gifted cast purposely set out to make the absolute worst Lovely Bones adaptation possible.
DAYBREAKERS
Theatre
As one calendar year ends and another begins, it feels like a good time to give thanks. And amidst the lame romantic comedies and thrill-less thrillers and unending stream of remakes, sequels, and - in the case of Rob Zombie's Halloween II - even the remake of a sequel, there was actually quite a lot that I was thankful for in the movie year of 2009.
Runners-Up to the 10 Favorites: Cloudy with a Chance of Meatballs, District 9, Duplicity, The Hangover, The Informant!, 9 - the animated one, Paranormal Activity, The Princess & the Frog, Public Enemies, Star Trek.
NINE
UP IN THE AIR
"Hey there, Jeff! I hope you and yours are enjoying the merriest of holiday seasons!"
