At heart, the 1990 tragicomedy The Big Funk is less a theatrical production than a wrestling match, one between its playwright, John Patrick Shanley, and ... John Patrick Shanley.

Lora Adams and Kimberly Furness in Swimming in the ShallowsTruth be told, playwright Adam Bock's Swimming in the Shallows - currently being produced by New Ground Theatre - is a bit of a mess. If, however, a show is fortunate enough to feature Pat Flaherty and Susan Perrin-Sallak as a bickering married couple, Eddie Staver III performing an underwater pas de deux in scuba gear, and a tuxedo-clad shark dancing the Macarena, it doesn't much matter if the script falls apart.

Katie Featherston and Micah Sloat in Paranormal ActivityPARANORMAL ACTIVITY

It's not often that you witness an image in a horror movie (or in any movie, really) that you instinctively recognize as iconic. The last one I can think of in the scare-flick genre would probably be Heather Donahue in The Blair Witch Project, with her wool cap, her nose running, and her mouth out of camera range as she videotapes a final, tearful apology. (Seeing that shot for the first time in 1999, you knew it was one that would endure - and be parodied ad nauseam.) But we now have a new addition to the Iconic Image Hall of Fame thanks to Paranormal Activity, which, like Blair Witch, was filmed on a shoestring budget, and which features a shot, like that of Donahue, that will no doubt be instantly identifiable for generations of horror-movie fans.

Carol (voiced by James Gandolfini) and Max Records in Where the Wild Things AreWHERE THE WILD THINGS ARE

Where to begin in describing all the things that could've gone wrong with director Spike Jonze's live-action take on Where the Wild Things Are? And where to begin in describing all the things that have gone magically, even miraculously, right with it?

The KlezmaticsMusic

The Klezmatics

Galvin Fine Arts Center

Friday, October 23, 7:30 p.m.

 

Described by Time Out New York as "the fearless standard-bearers in their field," the Klezmatics will perform at St. Ambrose University's Galvin Fine Arts Center on October 23. Mixing traditional folk stylings with everything from jazz to Latin rhythms to punk, the group will no doubt deliver an exceptional evening of live entertainment, but I'm thinking that the Klezmatics' career arc would also make for a pretty kick-ass movie.

Carlos Ponce, Vince Vaughn, and Malin Akerman in Couples RetreatCOUPLES RETREAT

The trouble-in-paradise comedy Couples Retreat may be criminally inane, yet you can't say that co-writers/co-stars Vince Vaughn and Jon Favreau aren't smart as tacks. Together with collaborator Dana Fox, they scripted a breathtakingly lazy and insipid vehicle that guaranteed them a two-month vacation on locales in Bora Bora and Tahiti, and somehow convinced Universal Pictures to pick up the tab. How ever did they do it? And how can we ensure that they never, ever do it again?

Ryan Collins"I think everyone has a complex relationship with where they're from," says Ryan Collins, the Moline native currently serving as Quad City Arts' poet-in-residence. "Especially if you've left and come back, which I've done more than once. But the prevailing opinion seems to be that there's nothing to do here. That it's kind of an in-between sort of place, you know?

"We're like a crossroads," he continues. "A place in between places. There's the state capital, the University of Iowa ... . These things are close, but, like, what's here?"

The question of "What's here?" in the Quad Cities is both directly and indirectly addressed in Collins' new chapbook, Complicated Weather. And the answer, as expressed in this thoughtful collection of poems, is as complex as the author's feelings about the area.

Adam Overberg, Chris White, John VanDeWoestyne, Greg Bouljon, and Mary Bouljon in Around the World in 80 DaysIn the back of any Richmond Hill Barn Theatre program, you'll find a chronological listing of which shows have been produced at the theatre over its past 40 seasons. And while this catalog of titles is nothing if not varied, the assorted comedies, dramas, thrillers, and such do share a common link: Not one of these plays is one you'd feel compelled to attend with young kids in tow. (The Barn did house the holiday comedy The Best Christmas Pageant Ever in 2007, but that was a bonus offering added to the venue's annual six-show lineup and isn't mentioned in the program's inventory.)

Michael Moore in Capitalism: A Love StoryCAPITALISM: A LOVE STORY

Watching the early scenes of Capitalism: A Love Story, I found myself thinking, none too happily, that the bloom was finally off the rose, and that my fondness for Michael Moore documentaries had, at last, reached its end.

Drew Barrymore, Ellen Page, and Kristen Wiig in Whip ItWHIP IT

In case you hadn't heard, the coming-of-age comedy Whip It marks the directorial debut of Drew Barrymore, and it's an ideal project in a Baby's First Directing Gig way; the film is exactly the kind of earnest, peppy, relentlessly formulaic Hollywood outing in which a novice helmer can get her feet wet without causing too much damage. The surprise of the movie, though, is that it's so enjoyable, especially considering that so far as its storyline goes, nothing in it is the least bit surprising.

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