the Holly Jolly Christmas ensembleNo show that opens with 10 sharply dressed, great-looking, terrifically talented performers dancing a spirited tap number can be all that bad, which is a good thing for Holly Jolly Christmas, the musical revue currently playing at the Circa '21 Dinner Playhouse. Considering, however, that the production has no loftier purposes beyond entertaining crowds with familiar holiday tunes and spreading a little yuletide cheer, I think audiences could be easily forgiven for turning to their theatre-going companions after the curtain call and saying, "Well, that was nice... but what the hell was it?"

Morgan Lily and John Cusack in 20122012

After 2012 - the movie, not the year - it will be exceedingly difficult for Roland Emmerich to deliver yet another of his expensive, apocalyptic disaster cartoons. So, you know, I guess we should be grateful for small favors.

Frontier RuckusMusic

Frontier Ruckus

The Redstone Room

Thursday, November 12, 8:30 p.m.

 

The first full-length CD by the indie-folk musicians of Frontier Ruckus - playing Davenport's Redstone Room on November 12 - was 2008's The Orion Songbook, and the band's press materials state that the "Orion" of the title is pronounced "OR-ee-un." Of course, I live in the Quad Cities, so I wasn't aware that there was another way to pronounce it.

Laila Haley, Andrew Hall, Sydney Crumbleholme, John Weigandt, Alyssa Castro, and Katie Moore in Papa's AngelsThe Playcrafters Barn Theatre's current, holiday-themed family presentation Papa's Angels begins on a note - or rather, a bunch of notes - of incredible sweetness.

Disney's A Christmas CarolDISNEY'S A CHRISTMAS CAROL

For the most part, Disney's A Christmas Carol - the third of director Robert Zemeckis' features to employ the process of performance-capture animation - is a strong, serious, stunningly well-designed piece of work, and an unexpectedly resonant take on Charles Dickens' holiday classic. But I do feel compelled to ask Mr. Zemeckis a question: Must everything be transformed into a Hollywood thrill ride?

Michael Jackson's This Is ItMICHAEL JACKSON'S THIS IS IT

For a film that seemed to have "commercial exploitation" written all over it, Michael Jackson's This Is It is an intensely loving and even indispensable piece of work -- a joyous celebration of performance drive, hard work, and a fearsome amount of skill. Culled from roughly 100 hours of rehearsal footage from the late star's planned concert tour, director Kenny Oretga's behind-the-scenes account doesn't offer much in the way of insight, nor is it meant to. Yet it's still a first-rate spectacle that, at times, provides an almost ridiculous amount of pleasure; somehow, miraculously, Ortega and his editors have shaped their footage into a documentary that boasts the kineticism, excitement, and boundless ebullience of a kick-ass movie musical.

Broken LizardComedy

Broken Lizard

Englert Theatre

Saturday, November 7, 8 p.m.

 

"Hey, Shawn!"

"What's happenin', Mike?"

"That's funny. I'm actually here to chat about the What's Happenin's. I'm writing one on the comedy troupe Broken Lizard, playing Iowa City's Englert Theatre on November 7, and I thought we could discuss the layout. I know we don't have a lot of space."

"Well, you do tend to ramble in those things."

Jonathan Kasch in Haunted LivesScott Community College debuted its fall theatre offering(s) on Thursday, a pair of John Pielmeier one-acts under the blanket title Haunted Lives. And while I'd prefer this article not be read as a traditional review - because, for understandable reason, the production wasn't really in any kind of shape to be reviewed - I'll preface with perhaps the highest compliment I can give its participants: They made it through.

Duffy Hudson as Edgar Allan Poe in In the Shadow of the Raven"It must have been around Halloween," recalls actor/playwright Duffy Hudson. "I was nine, and my father came into my room and started reading 'The Raven' to me. And I remember thinking, 'What the heck is this story about? What's this bird doing in this guy's room? And who is Lenore?'

Hilary Swank and Richard Gere in AmeliaAMELIA

As barrier-breaking aviatrix Amelia Earhart in director Mira Nair's Amelia, Hilary Swank is stylized yet approachable - exactly the kind of down-to-earth, pre-feminist spitfire that a squarely reverential bio-pic calls for. Her Katharine Hepburn cadences take some getting used to, but Swank charges through her scenes with natural authority and winning gumption, and when she smiles, the whole of Earhart's glorious aerial experiences seems to shine through her toothy grin. It's a lovely, sincere Earhart impression, and might've really been something if the actress wasn't being continually undermined by the direction, the script, the score, and most of her co-stars.

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