Rob Schneider, Chris Rock, Kevin James, Adam Sandler, and David Spade in Grown UpsGROWN UPS

In basic outline, director Dennis Dugan's Grown Ups is similar to last autumn's Couples Retreat, that witless, odious comedy in which a gaggle of Hollywood stars enjoyed a luxury weekend on a tropical isle and demanded that audiences pick up the tab. (More than $100-million worth of ticket buyers actually did. Staggering.) Beyond their locales, though, the main difference between them is that Couples Retreat starred Vince Vaughn, Jason Bateman, Jon Favreau, Faizon Love, and Malin Akerman, while Dugan's film top-bills Adam Sandler, Kevin James, Chris Rock, David Spade, and the entertainment vacuum known as Rob Schneider. Was this Happy Madison production - written by Sandler and Fred Wolf - going to pull off the borderline-miraculous feat of being the lesser of the two movies?

Ruthie Foster

The numerous plaudits for singer/songwriter Ruthie Foster include O magazine calling her "a blues powerhouse" and Paste magazine raving, "There's no denying the power of Foster's monstrous voice," and she received a 2009 Grammy Award nomination for her CD The Truth According to Ruthie Foster -- which is about as confident a title as one could imagine.

Yet during our recent phone interview, the Austin, Texas-based musician admits that power and confidence were by no means inherent traits.

"I knew early on that I wanted to be in music doing something," says Foster of her professional goals, "but being a singer out front was not my idea of what I wanted to do. I wanted to be support. For anyone. I was kind of shy, so I didn't really see myself doing what I'm doing now.

"So yeah, I wanted to be in music, but to this capacity?" she continues. "I just kind of learned how to be out in front of people and how to entertain. You know, you just keep saying 'yes,' and all these opportunities come up."

Zac Harmon

Growing up in Jackson, Mississippi, in the 1960s and '70s, guitarist and vocalist Zac Harmon says, "The thing about the blues is that it wasn't something you heard and said, 'Oh, I like that.' It was part of the culture, so when I started playing, it was only natural that that's what I played.

"Blues was like air," he adds. "And if you breathed, you was gonna get it."

With JazzNow.com lauding his "soulful vocals and breathtaking showmanship" and the Edmonton Sun describing him as "the closest the blues gets to a heavy-metal star," it's clear that Zac Harmon got it good ... even if it did take a while for people to realize it. Following two decades as a Los Angeles-based studio musician, writer, and producer, Harmon released his first solo CD -- Live at Babe & Ricky's Inn -- in 2002, and four years later, at age 49, received the Blues Music Award for best new blues artist.

"It's kind of funny," says the musician, during our recent interview, of his relatively late emergence in the blues spotlight. "Folks sometimes say, 'Oh, wow -- he's an overnight success!' But overnight in the music business can sometimes be 20 years."

Shirley King"I started gravitating toward the blues in about 1969," says 60-year-old vocalist Shirley King. "What happened was I'd moved to Chicago from California -- I'd been staying with my dad and came back to stay with my mom -- and I was supposed to be getting married to a boyfriend I'd been liking ever since I was small. So I pretty much followed him here to Chicago to get married ... and he decided he'd had a change of mind, and wanted to marry my girlfriend.

"So I think that must've pushed me over to the blues!" exclaims King, with a deep laugh, during our recent phone interview. "Because, man, I got it then!"

Did she ever. For nearly 20 years now, the Chicago-based King has been a staple at area blues clubs; a popular touring artist who has performed in Canada, Italy, France, and even Iceland; and a darling of blues fans and critics, with Prevue magazine describing her as "a musical gem" and the Web site MNBlues.com lauding, "King sings with passion, energy, and power."

But what's surprising about King's reminiscence is that she didn't get the blues before that heartbreak of her youth, considering that her dad is the King of the Blues himself -- B.B. King.

Roswell RuddMusic

Toyota-Scion of Iowa City Jazz Festival

Downtown Iowa City

Friday, July 2, through Sunday, July 4

 

This year's Fourth of July weekend brings with it the annual Toyota-Scion of Iowa City Jazz Festival, and among the scheduled performers is the gentleman in the accompanying photo, jazz trombonist par excellence Roswell Rudd.

Wow. Iowa City's lookin' a little arid this summer, huh?

Toy Story 3TOY STORY 3

Sitting in the packed auditorium for a matinée screening of Toy Story 3, I was unsurprised to find that one of my fellow audience members was an infant who cried almost throughout the entire film. I would've been more irritated by the distraction if, for hefty chunks of the movie's opening and closing reels, I wasn't such a weepy infant myself.

Jaden Smith and Jackie Chan in The Karate KidTHE KARATE KID

The opening scenes in director Harald Zwart's The Karate Kid remake, with the preternaturally confident and magnetic Jaden Smith taking over the Ralph Macchio role, are really good. But your first indication that the movie might wind up being really great - or, at the very least, a really great time - comes with its introduction of Mr. Han, the Pat Morita substitute played here by Jackie Chan.

DeRay DavisComedy

Laughter Relief

Adler Theatre

Friday, June 18, 8 p.m.

 

Feel like a laugh? Davenport's Adler Theatre knows you do, and the venue is planning to deliver wa-a-a-ay more than just one with its June 18 stand-up-comedy concert Laughter Relief - which, ironically enough, is exactly the phrase we Reader employees use to describe our weekly staff meetings.

Of course, in that situation, it's a relief from laughter.

Jonah Hill and Russell Brand in Get Him to the GreekGET HIM TO THE GREEK

It probably says less about the movie than our current movie culture when I say that, for my money, Nicholas Stoller's Get Him to the Greek is the smartest, shrewdest, and overall best film I've yet seen in 2010. The competition, after all, is in no way fierce; if forced to compose a 10-best list at this admittedly early point in this regrettably weak year, I'd include Stoller's raunchy comedy, Roman Polanski's The Ghost Writer, and then respectfully plead the Fifth.

scene from Stefano Brancato's 2009 production of IcarusWhen director/designer Stefano Brancato characterizes his forthcoming theatre workshops as "boot camp," the description is initially surprising, considering that the focus of the week-long area courses is puppetry. After all, as the 30-year-old Brooklyn resident says, "in a lot of puppetry, the performer, the puppeteer, is in a kind of static position," and not necessarily part of a piece's main action.

Yet for the two workshops that he'll be conducting through Davenport Junior Theatre - one designed for ages 10 through 18, one ages 18 and older, and both running June 14 through 19 - "boot camp" does seem an appropriate phrase, as Brancato states that he and Junior Theatre's artistic director, Daniel D.P. Sheridan, were hoping to "break the rules a little bit" in terms of what a puppetry course could entail.

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