Ryan Collins"I think everyone has a complex relationship with where they're from," says Ryan Collins, the Moline native currently serving as Quad City Arts' poet-in-residence. "Especially if you've left and come back, which I've done more than once. But the prevailing opinion seems to be that there's nothing to do here. That it's kind of an in-between sort of place, you know?

"We're like a crossroads," he continues. "A place in between places. There's the state capital, the University of Iowa ... . These things are close, but, like, what's here?"

The question of "What's here?" in the Quad Cities is both directly and indirectly addressed in Collins' new chapbook, Complicated Weather. And the answer, as expressed in this thoughtful collection of poems, is as complex as the author's feelings about the area.

Adam Overberg, Chris White, John VanDeWoestyne, Greg Bouljon, and Mary Bouljon in Around the World in 80 DaysIn the back of any Richmond Hill Barn Theatre program, you'll find a chronological listing of which shows have been produced at the theatre over its past 40 seasons. And while this catalog of titles is nothing if not varied, the assorted comedies, dramas, thrillers, and such do share a common link: Not one of these plays is one you'd feel compelled to attend with young kids in tow. (The Barn did house the holiday comedy The Best Christmas Pageant Ever in 2007, but that was a bonus offering added to the venue's annual six-show lineup and isn't mentioned in the program's inventory.)

Michael Moore in Capitalism: A Love StoryCAPITALISM: A LOVE STORY

Watching the early scenes of Capitalism: A Love Story, I found myself thinking, none too happily, that the bloom was finally off the rose, and that my fondness for Michael Moore documentaries had, at last, reached its end.

Drew Barrymore, Ellen Page, and Kristen Wiig in Whip ItWHIP IT

In case you hadn't heard, the coming-of-age comedy Whip It marks the directorial debut of Drew Barrymore, and it's an ideal project in a Baby's First Directing Gig way; the film is exactly the kind of earnest, peppy, relentlessly formulaic Hollywood outing in which a novice helmer can get her feet wet without causing too much damage. The surprise of the movie, though, is that it's so enjoyable, especially considering that so far as its storyline goes, nothing in it is the least bit surprising.

Cooking Up a MysteryEvent

Food for Thought: Cooking Up a Mystery

Rock Island Main Library

Thursday, October 8, 5 p.m.

 

Some newspapers co-sponsor walk-a-thons and fun runs; some help raise money for disease research and scholarships. Leave it to your friends at the River Cities' Reader to co-sponsor an event in which attendees are encouraged to drink ... at the library.

Anna Maria Perez de Tagle, Cody Longo, Paul Iacono, Kay Panabaker, and Asher Brook in FameFAME

Not long into Kevin Tancharoen's remake of Fame, there's a brief sequence that completely underscores the difficulty - if not impossibility - of successfully updating Alan Parker's R-rated musical drama from 1980 for young audiences in 2009.

Olympia DukakisIn the years since she received a 1988 Academy Award for Moonstruck, Olympia Dukakis has appeared in more than four dozen feature films, television movies, and miniseries, and has continued to be a widely respected theatre actor and director. So it seems somehow prophetic that her illustrious career began, as she says during a recent phone interview, with a production that blended the stage and celluloid.

Steve Quartell and James Bleecker in The Zoo StoryRunning a brisk 60 minutes, the Harrison Hilltop Theatre's presentation of Edward Albee's The Zoo Story is energetic and entertaining, and with James Bleecker and Steve Quartell portraying the two men in Albee's two-man tragicomedy, the production was all but guaranteed to be well-performed. And it is.

Matt Damon in The Informant!THE INFORMANT!

 

The film's madcap trailers -- to say nothing of the exclamation point in the title -- don't accurately capture the tone of Steven Soderbergh's The Informant! But I'll be damned if I know what kind of trailers would suggest the feel of this altogether remarkable corporate comedy, which starts off amusingly arch, becomes more funny and fascinating as it progresses, and winds up flat-out hysterical, with your laughter tempered by righteous anger, unanticipated pity, and stunned disbelief.

Tom Dugan in Simon Wiesenthal: Nazi HunterIn 2007, when Los Angeles-based actor/playwright Tom Dugan was first booked as a Quad City Arts Visiting Artist, it was as the star of his self-written, one-character performance piece Robert E. Lee: Shades of Gray. When he returned as a Visiting Artist in 2008, it was as the author and director of another one-man show, Frederick Douglass: In the Shadow of Slavery.

Now, with Broadway director Jenny Sullivan at the helm, Dugan returns for his third stint with Quad City Arts in Simon Wiesenthal: Nazi Hunter, another solo vehicle that the busy stage and film actor both wrote and stars in. And, it should go without saying, Dugan recognizes that audiences hesitant about attending productions on the Civil War and slavery may be even more leery of one concerning the Holocaust.

"When anyone is preparing to go see this," says Dugan during a recent phone interview, "I'm sure there's this feeling like, 'Aw, man ... do I want to sit through this?' And I'll tell you, when I sat down to write the play, I thought, 'Aw, man ... do I wanna write this play?'"

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