Helen Mirren in Eye in the SkyEYE IN THE SKY

Eye in the Sky concerns an impending act of drone warfare on a seemingly peaceful village in Kenya, and it’s one of the few films of its type released since 1964’s Fail-Safe: a pulse-pounding, nerve-racking inaction thriller. One scene after another finds individuals or cloistered rooms of military officials doing little more than staring at screens – in governmental war rooms, in flight simulators, on iPhones – and awaiting orders from higher-ups before they themselves can make any decisive moves. Yet the experience of director Gavin Hood’s thoughtful nail-biter is nonetheless spellbinding. The seconds feel as though they last many minutes (in the best way), and the cumulative 100 minutes feel like they’re over in a flash.

Tom Hiddleston in I Saw the LightI SAW THE LIGHT

The opening credits for I Saw the Light reveal that writer/director Marc Abraham’s bio-pic was adapted from Colin Escott’s book Hank Williams: The Biography. That “Just the facts, ma’am” title would’ve been perfectly fitting for Abraham’s staid, logy, passionless movie, too – although Hank Williams: The Skimming of the Artist’s Wikipedia Page would’ve been even more appropriate.

Jeff AustinMusic

Jeff Austin Band

Redstone Room

Friday, April 1, 8 p.m.

 

On April 1, Davenport’s Redstone Room celebrates its 10th year of delivering exhilarating live performances to local audiences. In conjunction with this milestone, the venue will be treating patrons to a gift, and considering the traditional present for a 10th anniversary is tin, you’d certainly have reason to worry that cans or cookware might be in the offing. But fear not: You’ll definitely appreciate this particular gift of tin ... given that it’s prefaced by “Jeff Aus”! (Editor’s note: Clever, Mike. Now move it along.)

Adriana Zabala, performing at the April 2 and 3 Masterworks concertsFor many, the word “symphony” evokes the names of famed composers such as Brahms, Mahler, and Tchaikovsky, each of whose talents will be duly represented in the springtime repertoire for Quad City Symphony Orchestra (QCSO) musicians.

But if you have young children, it’s entirely possible that the word “symphony,” for them, will soon bring to mind a whole new set of names, among them Mary Poppins, Pocahontas, and Mulan.

Henry Cavill in Batman v Superman: Dawn of JusticeBATMAN V SUPERMAN: DAWN OF JUSTICE

Batman v Superman: Dawn of Justice never gets better than its wittily imagined, narratively essential scene of mass destruction five minutes into the movie. It never gets worse than the thunderously oppressive, soul-draining two hours and 20 minutes that follow.

Zöe Kravitz, Shailene Woodley, Ansel Elgort, Theo James, Miles Teller, and Maggie Q. in AllegiantALLEGIANT

Over the past seven months, YA-lit adaptations have arrived in the forms of Maze Runner: The Scorch Trials, The Hunger Games: Mockingjay – Part 2, The 5th Wave, and now Allegiant, the first part of the second sequel (yeah, I know ...) to 2014’s teen-dystopia thriller Divergent. And in each one of these releases, we’re taken to a hidden facility where our heroic youths are trained in combat and wartime procedures, sleep in bunk beds, eat in mess halls, and don nearly identical outfits designed, one presumes, to give them a collective sense of unity, purpose, and pride.

Jennifer Garner, Queen Latifah, and Kylie Rogers in Miracles from HeavenMIRACLES FROM HEAVEN

If you’ve seen its previews, which appear to give away every nanosecond of its plot, you’d be right in guessing that the inspirational drama Miracles from Heaven is not for those who like surprises. (Although you won’t realize it until you see the film, even the narrative’s climactic shot is given away in the preview.) But as wholly surprise-free outings go, director Patricia Riggen’s adaptation of Christy Beam’s memoir is an earnest and effective tearjerker, and sometimes even more than that. On at least three separate occasions, my stomach muscles were aching from withholding those trying-not-to-audibly-sob sobs that can make movie-viewing indistinguishable from a lower-ab workout.

Heart on May 17Events

i wireless Center

March through June

 

Shall we commence? If you’re a staff member at Moline’s i wireless Center, the only answer to that question is “Heck, yeah, we shall!” Because in its season featuring two-dozen events open to the public, a full 11 of them are commencements, as students and their families – from May 15 to June 5 – celebrate graduations from area colleges (Augustana, Scott, Black Hawk), universities (St. Ambrose, Western Illinois), and high schools (Rock Island, Pleasant Valley, North Scott, and Davenport North, West, and Central). Consequently, a bunch of you will already be spending time at the i wireless at least once this spring. But I urge you to also consider several additional visits, considering how many springtime engagements will leave patrons with the urge to cheer and throw their hats in the air.

Brushville @ RIBCO - March 19MUSIC

Thursday, March 17 – The Beggarmen. A St. Patrick’s Day concert with the Celtic musicians. Coralville Center for the Performing Arts (1301 Fifth Street, Coralville). 7:30 p.m. $10-15. For tickets and information, call (319)248-9370 or visit CoralvilleArts.org.

Friday, March 18 – Spring-Queening. Tribute concert to Queen featuring Alan Sweet as Freddie Mercury, Bret Dale as Brian May, David Abdo as John Deacon, and Erik Wilson as Roger Taylor, plus The Dawn delivering a David Bowie tribute. Redstone Room (129 Main Street, Davenport). 9 p.m. $16.75-20. For tickets and information, call (563)326-1333 or visit RiverMusicExperience.org.

Friday, March 18 – Bucktown Revue. Celebration of Mississippi River Valley culture through music, storytelling, poetry and humor; with emcee Scott Tunnicliff and special guests. Nighswander Theatre (2822 Eastern Avenue, Davenport). 7 p.m. $13 at the door. For information, call (563)940-0508 or visit BucktownRevue.com.

Saturday, March 19 – Brushville. Concert with the nationally touring country musicians. Rock Island Brewing Company (1815 Second Avenue, Rock Island). 9 p.m. For tickets and information, call (309)793-1999 or visit RIBCO.com.

Saturday, March 19 – Téada. Internationally touring Irish musicians in concert, with a performance by dancer Brian Cunningham. Ohnward Fine Arts Center (1215 East Platt Street, Maquoketa). 7 p.m. $13-25. For tickets and information, call (563)652-9815 or visit OhnwardFineArtsCenter.com.

Sunday, March 20 – The Billy Foster Quartet. A 6 p.m. concert in Polyrhythms’ Third Sunday Jazz & Matinée Series featuring pianist Billy Foster and vocalist Renee Miles-Foster, preceded by a 3 p.m. “Demystifying Jazz” workshop. Redstone Room (129 Main Street, Davenport). $10-15 concert, $5 workshop (free for kids). For information, call (309)373-0790 or visit Polyrhythms.org or RiverMusicExperience.org.

John Gallagher Jr., Mary Elizabeth Winstead, and John Goodman in 10 Cloverfield Lane10 CLOVERFIELD LANE

If your biggest complaint about a movie lies with its title, that movie is probably pretty great, and director Dan Trachtenberg’s 10 Cloverfield Lane is pretty great – a splendidly acted, hugely entertaining nail-biter that continually surprises despite its claustrophobic setting and cast of characters that can be counted on the fingers of one hand. But while it may lure fans of 2008’s astoundingly irritating “found footage” monster mash Cloverfield, did that title really need to be baked into this one, effectively establishing Trachtenberg’s outing as some kind of sequel or prequel? Theoretically, the thrill of 10 Cloverfield Lane lies in our not knowing where its true threat lies. It’s a measure of the film’s success that it works despite a title implying exactly where that threat lies.

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