Paul Dano in Love & MercyLOVE & MERCY

Receiving a wide national release on the same weekend as Inside Out's debut, director Bill Pohlad's Love & Mercy is also an exploration of the brain - specifically, the brain of Beach Boys wunderkind Brian Wilson, alternately portrayed by Paul Dano (during the film's Pet Sounds-era 1960s sequences) and John Cusack (during Wilson's heavily-, and incorrectly-, medicated period in the late 1980s). And rather astonishingly for a work of its type, it boasts numerous scenes in which it really, truly feels like we're allowed to roam around in a legendary musician's head, feeling what he feels and, even more importantly, hearing what he hears.

Nate Karstens, Abbey Donohoe, and Ian Sodawasser in Young FrankensteinOn at least three occasions during Thursday's preview performance, Quad City Music Guild's Young Frankenstein achieved a transcendent silliness - the kind you get with stunning regularity in Mel Brooks' film-spoof inspiration. If you include everything said and done by Nate Karstens' hunchback Igor, it was more like 203 occasions, but in the spirit of this tasty musical confection, let's save the sweetest for dessert.

Chris Pratt and Bryce Dallas Howard in Jurassic WorldJURASSIC WORLD

Hopefully it won't happen for many, many years. But when Steven Spielberg eventually passes away, will any of us be allowed to notice?

MusicMarchfourth!

MarchFourth!

The Redstone Room

Thursday, June 18, 7:30 p.m.

 

According to Iowa City's Little Village magazine, "Some mad scientist somewhere took a bunch of marching-band geeks who died in a bus crash outside his castle, reassembled their bodies, laid them out on a platform, zapped it with a lightning bolt, and brought them back to life as a monster, all the while cackling as he admired his creation."

That's author Yale Cohn's description of the high-energy, genre-defying musical powerhouses of MarchFourth!, who'll be bringing their traveling party to Davenport's Redstone Room on June 18. But your confusion is understandable if you thought that opening paragraph was actually meant for the What's Happenin' below.

Melissa McCarthy, Jason Statham, and Jamie Denbo in SpySPY

Writer/director Paul Feig's Spy opens with an incredibly funny gross joke involving a sneeze, closes with an incredibly funny reveal involving a one-night stand, and somehow manages to stay incredibly funny - in addition to smart and clever and sweet - for most of the two hours in between. It's an action spoof about a gifted yet timidly self-conscious CIA desk jockey (Melissa McCarthy) who finally gets to release her inner Jane Bond, but the numerous vehicular chases and shoot-outs and danglings from helicopters are practically beside the point. Here, the comedy is the action.

Bradley Cooper and Emma Stone in AlohaALOHA

On three separate occasions this past weekend, after mentioning that I'd seen Cameron Crowe's Aloha, I had friends or family members reply with some variant on "Ugh, how bad was it?" That's usually the response I get after telling people I just came back from the latest Happy Madison flick or Paranormal Activity: Yup, We're Still Churning These Out. But to hear that kind of pitying condolence regarding a new Crowe endeavor was troubling. Sure, the reviews were largely dreadful, and the previews leaned toward the achingly twee, and the movie's reputation in the hacked Sony e-mails ("the script is ridiculous") didn't help matters. Beyond all that, though, is the collective disappointment of Vanilla Sky, Elizabethtown, and We Bought a Zoo so pervasive and infuriating that it overwhelms the memory of Say Anything ... , Jerry Maguire, and Almost Famous?

George Strader, Andrew King, and Patrick Adamson"Is that ahi tuna?"

"No. It's a-ha tuna. This is a comedy interview."

So went a not-atypical exchange during my recent conversation with area comedians George Strader, Patrick Adamson, and Andrew King. (It was George who asked about the tuna and Patrick who ordered it. If you were wondering, Andrew had a burger.) But while the jokes and laughs tended to come fast and furious during our chat, there was one thing this trio was dead-serious about: The Quad Cities' comedy scene has, since the beginning of this decade, been enjoying a pretty dramatic renaissance. A pretty inspiring one, too.

Bruce KatzMusic

Bruce Katz

The Muddy Waters

Saturday, June 6, 8:30 p.m.

 

Good news, gang: Summer is fast approaching! As opposed to previous summers, however, we'll have to wait a little longer for this year's Mississippi Valley Blues Festival, the traditional Fourth-of-July-weekend event that's now a Labor-Day-weekend event.

But fret not, blues fans! The Mississippi Valley Blues Society is ready to ease your impatience with a bunch of summertime concerts held at The Muddy Waters in Bettendorf, beginning with the June 6 engagement featuring Bruce Katz. A four-time Blues Music Award nominee for Pinetop Perkins Piano Player of the Year, the pianist, organist, and bass guitarist has been described by JazzTimes magazine as "a multi-directional cat with a lot of music inside him." Much like my parents' cat, but you really don't wanna know what's inside him.

Britt Robertson in TomorrowlandTOMORROWLAND

To the credit of Disney's marketing team, the intriguingly vague previews for Tomorrowland provided just enough (a grizzled George Clooney, "directed by Brad Bird" in the credits, no number at the title's end or colon in its middle) to make the film appear promising without explicitly stating what it was about, or whom it was meant for. Having now seen Bird's futuristic adventure, I know what it's about - mainly because, from its first seconds, Disney's latest live-action endeavor keeps spelling out its themes in big block letters. Whom it's meant for, however, remains a mystery.

Tom Hardy and Charlize Theron in Mad Max: Fury RoadMAD MAX: FURY ROAD

Tom Hardy plays the title character in Mad Max: Fury Road, director George Miller's continuation-slash-reboot of his legendary post-apocalyptic action series that began in 1979, and a movie boasting a central figure who might be the most powerful, intimidating, and deeply empathetic ass-kicker of 21st Century cinema. It's not Hardy, but he's pretty great, too.

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