DeadrootsMusic

Deadroots' Farewell Concert

The Redstone Room

Saturday, January 10, 8 p.m.

 

Steve Braddy, bassist and singer/songwriter for the Quad Cities musicians of Deadroots, has a lot of fond memories from gigs played by the band he co-founded just over 15 years ago. Like this one:

"One time, we got a show out in the middle of nowhere. I couldn't even tell you what town it was in. But you know that scene in The Blues Brothers where they get in there and have to play behind the chicken wire? It was kind of like that without the chicken wire.

THE WOMAN IN BLACK 2: ANGEL OF DEATH

For those keeping track, the newly annual tradition of each film year opening with a horror sequel continues, thanks to the release of The Woman in Black 2: Angel of Death. But I should mention that, beyond the presence of the titular ghost, director Tom Harper's follow-up doesn't share many traits with the original. There's no Daniel Radcliffe, for one thing. And instead of taking place in the London outskirts of the Edwardian era, this one is set during World War II. And ... . Um ... . Wow. Does anyone recall anything else about the original?

Wa-a-a-a-ay back at the tail end of 2009, my editor Jeff Ignatius and I thought it'd be fun to compose lists of our 100 favorite movies of the millennium. That, of course, led to a completely predictable fight over which year the millennium actually started in ... .

But once we put that past us, it was a lot of fun. So we decided, with five additional years behind us, to do it again - if, in Jeff's case, slightly differently this time around. Creature of habit that I am, though, I stuck to a good-ol'-fashioned ranking of 100 favorites in preferential order. In doing so, I also made some interesting discoveries.

Jack O'Connell in UnbrokenUNBROKEN, THE IMITATION GAME, and BIG EYES

Among other titles, Christmas Day brought with it the area releases of Angelina Jolie's Unbroken, Morten Tyldum's The Imitation Game, and Tim Burton's Big Eyes. Each of them opens with a title-card variant on "This is a true story." Each of them ends with a series of title cards informing us what happened to characters after the films' narratives concluded. And each of them, for occasional better and more frequent worse, feels absolutely, 100-percent Hollywood.

Emily Blunt and James Corden in Into the WoodsINTO THE WOODS

"Do you know what you wish? Are you certain what you wish is what you want?" - lyrics from Into the Woods

Chuck Murphy at Thirsty's on Third"Hey, Jeff!"

"Hello there, Mike. All done?"

"Yep! Just finished this week's What's Happenin' pages - my last official writing duty of 2014!"

"Good for you."

"As usual, we're actually calling these the 'What's Happenin' on New Year's Eve' pages, as they'll list all the information we have, as of press time, regarding the area venues hosting live music or karaoke or DJs on December 31!"

Rosario Dawson and Chris Rock in Top FiveTOP FIVE

Chris Rock is on-record as being a fan of Woody Allen movies and Richard Linklater's Before Sunrise/Sunset/Midnight trilogy, and the comedian's funny and thoughtful Top Five - Rock's first film as a writer/director since 2007's I Think I Love My Wife - is like a 100-minute blend of those influences. Then again, Allen, and certainly Linklater, would be much less likely to cap a scene with the image of a naked man getting a Tabasco-soaked tampon shoved up his ass.

Cameron Diaz, Jamie Foxx, Quvenzhane Wallis, and Rose Byrne in AnnieANNIE

Sony's last-remaining grab for the holiday box office, the much-downloaded reboot of Annie, opened this weekend, and it must be said that as a musical - especially as a musically faithful interpretation of the stage show - it kind of sucks. The choreography's a shambles and the mixing is poor and the original numbers are terrible, while familiar, enjoyable Annie tunes such as "Little Girls" and "Easy Street" are merely sampled, their melodies and lyrics awkwardly woven into new pop and hip-hop arrangements. (Three of the film's myriad producers are Jay-Z and Will and Jada Pinkett Smith, so I guess we should just be grateful that the titular orphan is played by Quvenzhané Wallis and not Willow. Or Jaden.)

the Circa '21 Dinner Playhouse's Irving Berlin's White ChristmasIf you're new to this almost-annual recap, what follows is my conversation with Reader theatre reviewer Thom White about the area's stage stage over the past 12 months.

If you're not new to it, you know the drill. Clear some time, grab a snack, and enjoy!

Christian Bale in Exodus: Gods & KingsEXODUS: GODS & KINGS

You can tell a lot about a movie by its trailers. I don't mean the trailers for the movie itself, although that's also, usually, the case. I'm talking about the ones that play before the main attraction - the previews for future releases that generally share a genre or overall flavor with whatever film you're paying to see, collectively acting as a sort of "Because you watched ______" recommendation list on Netflix.

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