T Bone Burnett, John Mellencamp, and Stephen KingStephen King. John Mellencamp. T Bone Burnett.

Three instantly recognizable names. Three iconic artists with enormous fan bases and lengthy lists of professional accomplishments. And, taken together, three of the last people you might expect to find collaborating on a musical for the stage.

T. Hardy MorrisMusic

T. Hardy Morris

Rozz-Tox

Thursday, October 24, 9 p.m.

 

Founding Dead Confederate musician T. Hardy Morris performs a special concert at Rock Island's Rozz-Tox on October 24, and in reviewing the singer/songwriter/guitarist's solo debut Audition Tapes this past summer, Paste magazine wrote, "It's like Morris abandoned the 'shrooms in favor of a nice Americana-nodding spliff." The review went on to call the CD's title track "a simple slice of alt-country pie" with "a scoop of emo melting across the molasses-drenched crust," and the album itself "an all-ages potluck" and "worth a toast."

Gosh, that's an awful lot of food references. Are we sure it's not the Paste author who favored that nice Americana-nodding spliff?

Tom Hanks and Mahat M. Ali in Captain PhillipsCAPTAIN PHILLIPS

We've all seen movies that begin spectacularly well but seem to slowly, sadly lose their inspiration as they progress, leaving you to wonder, by their finales, what it was that initially had you so jazzed about them. Paul Greengrass' dramatic thriller Captain Phillips, I'm happy to say, is not one of those movies. Actually, it might be the exact opposite of one of those movies: a work that starts out distractingly shaky yet gradually morphs into something utterly spectacular - so spectacular, in truth, that you can barely remember how off-put you were by the comparative bummer of its early scenes.

Sandra Bullock and George Clooney in GravityGRAVITY

Alfonso Cuarón's space thriller Gravity opened this past weekend, and if you haven't seen it yet, you really should. Like, now. I'm serious. Step away from whatever electronic device you're using to read this and get in line at the cineplex - or, if the cineplex isn't currently open for business, drive over there and wait. Don't be one of those people who procrastinates until the movie hits home video and then whines about missing it on its initial release. Because I'm telling you: You're gonna want to catch Cuarón's latest on the big screen, and preferably on the biggest screen possible with your 3D glasses firmly in place. No kidding, folks: This thing is going to blow your mind.

Sarah JaroszMusic

Sarah Jarosz

Rozz-Tox

Wednesday, October 16, 8 p.m.

 

Singer/songwriter Sarah Jarosz plays Rock Island's Rozz-Tox on October 16, and in recent years, the bluegrass, country, and folk musician has been the beneficiary of some truly excellent reviews. The Austin Chronicle called her "a songwriter of uncommon wisdom." American Songwriter magazine wrote, "Jarosz invites us along with her into a growing sonic space of collaboration and artistry." Paste magazine praised her gift for "conjuring soundscapes, erotic tableau, and enough tension to hold listeners transfixed."

And my inner frustrated artist is now doing his damnedest to contain his resentment, considering that Jarosz wasn't alive in the freaking 1980s.

Joseph Gordon-Levitt and Scarlett Johansson in Don JonDON JON

Writer/director/star Joseph Gordon-Levitt's Don Jon casts its auteur as a New Jersey bartender obsessed with pornography, and you can view the film as an extremely raunchy romantic comedy, or an untraditional coming-of-age saga, or a mostly lighthearted exploration of the perils of addiction. But I prefer to think of Gordon-Levitt's sprightly, confident filmmaking debut more as a modernized Pinocchio, in which, through lessons learned and a touch of magic, a creature made of wood - or rather, one sporting wood - eventually becomes a real live boy.

Chris Hemsworth and Daniel Bruhl in RushRUSH

While experiencing the technical craftsmanship of director Ron Howard's Rush, with Slumdog Millionaire cinematographer Anthony Dod Mantle working at peak ability and the sound effects and editing exquisite throughout, I was frequently tempted to say, "Wow." Too bad that the film's overall presentation more often had me asking, "Why?"

Jake Gyllenhaal in PrisonersPRISONERS

Prisoners, which features Jake Gyllenhaal as a feverishly driven detective, is the most exciting and emotional cop thriller we've been treated to since last fall's End of Watch, which Gyllenhaal also starred in. Beyond that, director Denis Villeneuve's effort is probably the most suspenseful, evocative, and disturbing procedural thriller since David Fincher's 2007 Zodiac ... which also boasted Gyllenhaal in a leading role. I'm generally skeptical about the effectiveness of good-luck charms, but if the actor cared to accompany me the next time I buy a lottery ticket, you wouldn't hear me complain.

Texas Hippie CoalitionMusic

Texas Hippie Coalition

Rock Island Brewing Company

Tuesday, September 24, 8 p.m.

 

The Southern-rock and heavy-metal musicians of Texas Hippie Coalition will play the Rock Island Brewing Company on September 24, and on the band's TheOutlaw.com Web site, frontman Big Dad Ritch described the group's hit song "Damn You to Hell" thusly: "It has such drive and intensity that it's like a mixed-martial-arts event, like UFC pay-per-view, like someone being grounded and pounded on."

As a suggestion of the Texas Hippie Coalition style, that description seems so close to perfect that I'm tempted to just end this piece right there.

Robert De Niro and Michelle Pfeiffer in The FamilyTHE FAMILY

Robert De Niro fans will likely want to catch director Luc Besson's The Family, as it showcases one of the actor's finest, most alert leading performances in years. Michelle Pfeiffer fans (and I'm a huge one) will definitely want to catch this new gangster comedy, as it gives the eternally radiant performer the closest she's had to a fully fleshed-out character in over a decade, and Pfeiffer - returning to her mob-wife roots of the Scarface and Married to the Mob era - plays the role spectacularly well.

Yet there's one demographic for whom The Family should be absolutely must-see viewing: anti-Francophiles. Though it has its problems, several of them major ones, I'm betting that most of its viewers will enjoy the film. But if you're the sort who's prone to make hostile remarks about the French with little or no provocation, or have ever referenced "freedom fries" completely without irony, this is, without question, the movie for you, which makes this latest effort by Parisian filmmaker Besson not just cheeky but downright subversive.

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