Seth Kalwasser and Matt Mercer Before attending St. Ambrose University's production of God's Favorite, I had neither seen nor read Neil Simon's 1974 comedy - based on the Biblical book of Job - in which a wealthy, devout husband and father is tempted into renouncing God, refuses to do so, and subsequently suffers the loss of home, health, and family. I now consider the 34 years between the play's debut and Saturday's presentation the happiest years of my life, as I never had to endure what might be the single most irritating and unfunny comedy I've ever sat through.

Rachel Weisz and Ryan Reynolds in Definitely, MaybeDEFINITELY, MAYBE

If anyone's keeping track, writer-director Adam Brooks' Definitely, Maybe is the third romantic comedy of 2008 to climax with its protagonist taking a hasty cab ride to an inevitable romantic clinch and subsequent Happily Ever After. And that's about the only conventional element in it. I'm a little staggered by just how wonderful this movie is, as nothing about the film, from its cutesy setup to the presence of leading actor Ryan Reynolds, appeared to suggest anything more than the latest spin on a tireless (and, by now, tiresome) genre. Yet Definitely, Maybe is sensational, so smart and witty and refreshingly grown-up that, hours after seeing it, you may still find yourself in a great mood; the only times I stopped smiling at the movie were when I was laughing out loud.

WoolEye

Bent River Brewing Company

Saturday, February 23

 

Katie McCarthy and Ben Webb in The Fantasticks About a half hour into Augustana College's opening-night presentation of the deservedly beloved musical romance The Fantasticks, Brian Bengtson made his first appearance as the aging ham Henry, and I can't recall the last time I was so relieved to see an actor on stage.

Kate Hudson and Matthew McConaughey in Fool's GoldFOOL'S GOLD

At one point during Fool's Gold's opening sequence, Matthew McConaughey's fortune-hunting hero is seen slo-o-owly hopping along the ocean floor, and for the next 110 minutes, the whole movie seems to be moving at the exact same speed. I understand that director Andy Tennant's (supposed) comic adventure isn't meant to be anything more than a featherweight romantic diversion - an excuse to watch the perfectly tanned McConaughey and Kate Hudson swap barbs while being photographed against intoxicatingly pretty Key West locales - and many in the audience appear content to accept it as such. But, good God, aren't these viewers at all bothered by how mind-numbingly lethargic the pacing is?

Shooting Spires

Mixtapes

Sunday, February 17, 6 p.m.

 

Jessica Alba and Parker Posey in The EyeTHE EYE

You know the expression "It's the little things in life"? Well, it's the little things in B-grade American remakes of Asian horror flicks, too, which is why I can't dislike The Eye as much as I probably should.

Moonalice

The Redstone Room

Wednesday, February 6, 9 p.m.

 

Mel Johnson Jr. as Frederick Douglass Last winter, in conjunction with his impending Visiting Artist residency with Quad City Arts, I had the opportunity to interview Los Angeles-based actor/director/playwright Tom Dugan. He was heading to our area to perform Robert E. Lee: Shades of Gray - a self-written solo production in which he portrayed the Confederate general under the direction of Mel Johnson Jr. - and during our phone conversation, Dugan recalled the process by which much of the play was written: In the back of a van, surrounded by books, while touring On Golden Pond with Jack Klugman.

Mel Johnson Jr.Though a familiar television presence through such series as The Practice, The Fresh Prince of Bel-Air, and Star Trek: Deep Space Nine - in which the actor played the Cardassian Broca in the program's final two episodes - Mel Johnson Jr. is primarily a stage actor, with more than 30 years of professional credits on Broadway, off-Broadway, and in regional theatres and touring productions across America; most recently, he portrayed Hoke Colburn in an acclaimed presentation for Hartford TheatreWorks of Driving Miss Daisy (which the New York Times called "a splendid 20th-anniversary revival").

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