From June 24 through 26, the area institution devoted to theatre “for kids, by kids” will celebrate its remarkable 70th anniversary not only with free performances of the hour-long fairytale comedy Imagine That, but with an entire Saturday's worth of events, as Davenport Junior Theatre hosts a lawn picnic and dinner, outdoor games, guest speakers, and the long-anticipated opening of the venue's Junior Theatre History Museum. Imagine that!

This admittedly overlong, overstuffed outing is the most enjoyable Jurassic flick since Jurassic Park and for my money, it provided about the same amount of dopey retro fun as the Tom Cruise smash that most reviewers are turning cartwheels over. At least in this one, we know where they bad guys come from.

Concluding his pre-show announcements with “Enjoy the goopy madness!”, the FilmScene staffer then left us to do just that at Crimes of the Future, and he wasn't kidding – the movie was goopy madness, all right. I just wish I enjoyed it more. More pointedly, I wish its writer/director did.

Our official welcome-back is a rather jolting reminder that time stops for no one – not even Tom Cruise. And had Top Gun: Maverick really embraced that fact, and had its star actually embraced his human fallibility, this corny, retrograde, occasionally quite-entertaining outing might've really been something.

The experience of director Simon Curtis' Downton Abbey: A New Era is nothing if not exceedingly comfortable, even if there's little that's remotely New about it.

Haus of Ruckus fans will be delighted to learn that Green's and Vo's signature nuttiness will remain intact. There will be puns. There will be puppets. This time, however, there will be twice as many of them.

Damned if I didn't grin and giggle at Family Camp from the very start, and damned if I didn't get misty-eyed on a couple of occasions – though given the film's leanings, I should probably be saying “darned." I'll try to remember that if, or more hopefully when, we get a sequel.

Arriving in the midst of a franchise extender almost shockingly bereft of weirdness, one scene in Doctor Strange in the Multiverse of Madness did manage to completely surprise and tickle me.

Martin Campbell's Liam-Neeson-with-a-gun revenge thriller isn't necessarily a good movie, but compared to four-fifths of its Irish headliner's big-screen blood baths, it's definitely an improvement.

The Northman is a period action drama with supernatural leanings that's five times bloodier than Braveheart, nearly as nutty as The Green Knight, and just as divisive as you'd expect from the filmmaker whose two previous features were the talking-goat freakout The Witch and the two-man fever dream The Lighthouse.

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