No matter how many Thin Red Lines or Person of Interests Jim Caviezel makes, he's always going to be identified as He Who Was Jesus in Mel Gibson's The Passion of the Christ – which makes his casting in this political thriller so on-the-nose it may as well be a nostril.

As contemporary romantic comedies go, The Broken Hearts Gallery is like something you'd create from a kit. The instructions are easy to follow, every expected piece is dutifully included, and there's no veering from the manual – what you wind up getting looks remarkably similar to what's pictured on the box. (Or, in this case, the poster.) But a pandemic-era lack of cineplex options can make you inordinately grateful for simple, much-appreciated qualities such as charm and wit and personality, all of which writer/director Natalie Krinsky's debut feature has in abundance.

Given its epically convoluted particulars, cagey metaphysics, and dialogue that's frequently (and most likely intentionally) indecipherable, Christopher Nolan's long-awaited action thriller Tenet boasts a narrative that I couldn't spoil even if I wanted to. And I kind of really want to, if only to explain why, after two-and-a-half hours, my brain was practically bleeding from the strain of trying to figure this thing out.

Michelle Hargrave, CEO and executive director of the Figge Art Museum in Davenport, discusses the venue's operations during this period of social distancing. We previously spoke on March 27, and again on Friday, August 28.