A timeless holiday classic is set to get an immersive and unforgettable makeover at Davenport's Outing Club from December 4 through 13, with the professional talents of Ballet Quad Cities delivering their brand-new yuletide offering The Nutcracker in a Round a series of holiday dance vignettes that employ Tchaikovsky's legendary The Nutcracker as inspiration, but pay tribute to that ballet in never-before seen, or heard, ways.

The animated-comedy sequel The Croods: A New Age is like an elongated, best-ever episode of The Flintstones, and I mean that as a compliment even though I never really cared for The Flintstones.

This morning, a New York Times article stated that eBay has seen a 215-percent increase in the sales of chess sets and accessories since the October debut of Netflix's limited series. If it's indeed true that The Queen's Gambit is responsible for the uptick, I wouldn't be surprised if similar sales spikes are soon reported for mod mini-dresses, digital compilations of '60s pop hits, and boyfriends who look like Dudley Dursley from the Harry Potter movies.

Even in its one-joke way, the premise sounded promising: a high-school slasher flick in the guise of a body-switching comedy. (Or perhaps it's the other way around.) Unfortunately, though, the mild fun of writer/director Christopher Landon's Freaky pretty much ends with its set-up, and once that central conceit is established, what transpires is so oddly dull that it's like being disappointed by the same movie twice. I was hoping for Halloween meets Freaky Friday. What we get is closer to Prom Night meets Vice Versa.

Is it possible that, in our pandemic era, the cineplex experience won't be saved by young audiences for presumed blockbusters that may or may not open, but rather by dedicated groups of older moviegoers who are happy with simple stories well and elegantly told?

No modern horror movie, not even last November's mostly decent sequel Doctor Sleep, should have to be compared to Stanley Kubrick's 1980 masterpiece The Shining. Writer/director Jacob Chase's Come Play, however, is pretty much begging for the comparisons, given that its child lead, in many shots, looks uncannily like the tormented Danny Torrance, and its title – one that instantly conjures images of creepy twin girls in a hotel hallway – all but demands to be followed by “... with Us, Danny.” Needless to say, though, Come Play is not The Shining. Sadly, despite boasting a bunch of fine elements, it's not even Doctor Sleep.

In these current times in which it's all too easy to feel grim, Davenport Junior Theatre, from November 7 through 15, will be treating kids of all ages to something delightfully Grimm – six live (and free) virtual presentations of Junior Theatre's mainstage-season opener Snow White 2.Zoom, an original online performance that celebrates its classic storybook characters in ways both familiar and new.

What's the most subversive thing about Sacha Baron Cohen's anarchic comedy sequel Borat Subsequent Moviefilm? Cohen's jackass journalist, in disguise as Donald Trump, interrupting a Mike Pence speech to offer the vice president Borat's 15-year-old daughter as a gift? Borat, this time in Texas disguised as a rotund country crooner, inspiring a group sing-along about the “Wuhan flu” and chopping up journalists “like the Saudis do”? Rudy Giuliani, in a widely discussed scene, caught on camera tucking in his shirt (or “tucking in his shirt”) while lying on a hotel bed in front of a young female reporter?

For more than a decade, Rock Island's professional dance company Ballet Quad Cities has traditionally staged, for its October presentation, a one-act production of Dracula, with the titular vampire always played by popular guest artist Domingo Rubio. As Rubio is a resident of Mexico, however, his nearly annual trek to the Quad Cities was impossible in this pandemic year. But that hasn't stopped Ballet Quad Cities from delivering a different kind of Halloween treat in Dancing for Dracula & You!, a series of holiday-themed vignettes being performed at Davenport's Outing Club on October 30 and 31 (reservations due October 27) – and with Rubio himself making a virtual appearance.

With the exceptions of 12 Angry Men and maybe the first two Godfather flicks, I literally can't think of another movie so abundant with exceptional ensemble acting in juicy character roles; you could expand the Oscars' Supporting Actor roster from five nominees to 10 and still pack it solely with deserving Chicago 7 performers.

Pages