Performing locally in a special event sponsored by Pierce's Promise, beloved folk singer/songwriter Cody Diekhoff – better known by his recording alias Chicago Farmer – plays an October 2 concert at Davenport's Redstone Room, the artist a soulful crooner and guitarist who inspired No Depression to rave, “If the Midwest is looking for a voice, the search is over.”

Described by DC Metro Theatre Arts as a mystery comedy with “a dizzy, stimulating joy that makes it a whole lot of fun,” the movie and board-game adaptation Clue: On Stage takes residence at Geneseo's Richmond Hill Barn Theatre October 7 through 17, the show a farcical riot that, according to Broadway World, “creates one laugh after another – and a series of 'Ah-hah!'s – as the audience is led on a merry chase.”

A stunningly gifted singer, comedian, and ventriloquist who, at age 13, was the grand-prize winner of the 12th season of NBC's America's Got Talent, Darci Lynne Farmer brings her singular talents and felt-laden pals to Davenport's Adler Theatre on October 10 alongside some of her touring friends, among them the diva-esque rabbit Petunia, the shy and soulful mouse Oscar, and a sarcastic old lady (puppet) named Edna.

Touring in support of the band's recently released third album Walkman, a recording described by Paste magazine as “a jubilant half-hour punctuating a newfound maturity,” the Minnesota-based Bad Bad Hats play Davenport venue the Raccoon Motel on October 13 demonstrating the talents that NPR described as “programmed to fire all neural pathways associated with carefree indie-rock fun.”

An annual, eagerly awaited fundraising event for Gilda's Club Quad Cities that gives ladies a night out to enjoy each other's company, bid on live and silent auction items, and generally let loose, this year's Diamonds & Divas event takes place at Davenport's Hotel Blackhawk on October 7, and will be highlighted by a performance with celebrated comedian – and former Quad Cities resident – Tammy Pescatelli.

One of the most powerful and influential memoirs in American literature will, on October 3 and 4, enjoy a live rendition at the University of Dubuque's Heritage Center, with Richard Wright's iconic Black Boy given theatrical treatment in a Literature to Life solo presentation that premiered at the Kennedy Center – one that boasts actor Tarantino Smith playing more than a dozen of the book's seminal characters.

A sculpture showcase employing repurposed past work and found materials from the recesses of her studio, the installation Jane Gilmor: Breakfast on Pluto will be displayed at Davenport's Figge Art Museum through February 6, with the arresting work – one activated via motion and light – encouraging visitors to contemplate the interplay between light and darkness, the familiar and the strange, and the past and the present.

The celebration of a key artist in the development of printmaking in the 20th century, as well as the artistic community that he created, Robert Blackburn & Modern American Printmaking will be on display at Davenport's Figge Art Museum through January 9, the exhibit a fascinating showcase of a talent who challenged the idea of lithography as a high-craft process.

The rare cinematic achievement that currently holds a perfect 100-percent critical-approval rating on RottenTomatoes.com, the outlandishly inventive horror comedy Der Bunker enjoys an October 1 screening as the latest presentation in the Kinogarten series of acclaimed, German-themed works hosted by Rock Island's Rozz-Tox and Davenport's German American Heritage Center, with the work itself the recipient of the 2015 Fantastic Fest's prestigious Next Wave Award for Best Film.

Winner of Best Documentary and Best Director prizes at the 2015 San Diego Black Film Festival, and a Best Documentary nominee at the American Black Film Festival, the visually breathtaking An American Ascent serves as the latest presentation in River Action's annual QC Environmental Film Series, the movie's October 3 screening at Davenport's Figge Art Museum sure to demonstrate why the MAC Weekly called the work “grand, beautiful, and challenging,” as well as “a mountain of a film.”

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