Serving as concert headliners in the venue's “'90s Alternative Night,” the folk-punk musicians of Brett Newski & the No Tomorrow play Davenport's Redstone Room on November 2, with New Noise magazine saying of the band's Milwaukee-based frontman, “He manages to come off as vulnerable (without all that emo baggage), extremely witty ('D.I.Y.' is one of the finest songs ever written about the realities of playing a show), and smart without pretention.”

Praised by Rolling Stone for their “gutbucket rock & roll and soulful boogie” and by NPR Music for being “fresh, original, and truly pledged to rock and roll,” the Philadelphia-based musicians of Low Cut Connie headline a pair of Moeller Nights concerts on November 2 and 3, revealing why the Los Angeles Times wrote, “Their ferocious live show … is unmatched in all of rock right now.”

Continuing its 2018-19 season of Masterworks presentations, and held in celebration of the ensemble's 104th season of classical performance, the Quad City Symphony Orchestra will deliver of trio of sublime compositions in the November 3 and 4 concert event Rachmaninoff's Third Piano Concerto, named after the climactic, intensely challenging piece to be played by piano virtuoso Wei Luo.

A Peabody Award-winning comedian and popular television presence brings his national tour to Davenport on October 26, as the Rhythm City Casino Resort hosts an evening with former talk-show and game-show host Craig Ferguson, the Scottish-American sensation that inspired the Los Angeles Times' Robert Lloyd to write, “Ferguson was not the best known of the late-night hosts, but he was the most singular and, for my money, the best.”

Hosted by River Action and themed “Our Watershed: Working Together for Healthy Waters and Flood-Resilient Communities,” the 11th-annual Upper Mississippi River Conference will be held at Moline's Stoney Creek Inn Convention Center on October 24 and 25, an event focusing on floodplain issues facing the Mississippi River watershed that covers all or part of 31 states in the nation.

A fun, safe, and eagerly anticipated Halloween event for families returns to the area on October 27, as the District of Rock Island hosts the 2018 Fright Night in the District, an evening boasting trick-or-treating, a scavenger hunt, a costume contest, and more presented by Modern Woodmen of America, Rock Island Parks & Recreation, the Rock Island County Project, Girl Scouts of Eastern Iowa & Western Illinois, and the Martin Luther King Jr. Center.

Presenting an address on the importance of “Making Words Count,” Iowa Poet Laureate Mary Swander serves as the keynoate speaker for the Midwest Writing Center's fall fundraiser Celebration of the Literary Arts 2018, an October 25 even held at Moline's CityView Celebrations that will also boast a buffet dinner, cashg bar, 50/50 raffle, and the presentation of the annual David R. Collins Literary Achievement Award.

Delivering a special presentation co-sponsored by River Action and Chris and Marty Rayburn, the widely fêted environmental artist Mary Miss serves as the special guest in an October 25 Artist Talk at Davenport's Figge Art Museum, discussing the reshaping of boundaries between sculpture, architecture, landscape design and installation art, and how artists can play a more central role in addressing the complex issues of our times.

Praised by Marquee magazine for their “dynamic presence” and for “continuously pushing the genre of bluegrass and their legacy within the genre,” the Yonder Mountain String Band plays Davenport's Redstone Room on October 24 in support of their latest album Love. Ain't Love, a work in which, according to LiveForLiveMusic.com, the chart-topping group “finds plenty of new twists on the way to making a stellar record.”

With Juilliard School chairman Raymond Mase calling them “an outstanding young group bringing fresh ideas to brass chamber music,” the five gifted musicians of the Gaudete Brass Quinet serve as the latest guests in Quad City Arts' Visiting Artist series, their October 25 and 27 concerts sure to demonstrate why Time Out Chicago praised the group's “individual player prowess convincingly consolidated into a pentagram of tonal color.”

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