With Blues Rock Review calling him “a contemporary blues master” and Chicago Blues Guide labeling him an artist who “can sooth, stimulate, and in some cases electrify his audiences with his show-stopping performances,” blues singer/songwriter/guitarist Albert Cummings headlines a spirited Redstone Room concert on March 29, demonstrating the skills that led Grammy-winning producer David Z. to rave, “Albert Cummings writes, plays, and sings the blues like nobody else.”

Presenting an intimate, “in the round” evening of seated artists performing in close proximity with their audience, Davenport's Redstone Room, on March 30, hosts a special “Songs and Stories” program with a trio of talented singer/songwriters: R&B and soul musician Alicia Michilli from Detroit, Michigan; Americana artist Shannon LaBrie from Detroit, Michigan; and folk, rock, and country virtuoso David G. Smith, a native of the Quad Cities' neighboring Blue Grass, Iowa.

One of the most beloved and iconic rock operas of all time will enjoy a spectacular new staging by the talents of Quad City Music Guild when Moline's Prospect Park Auditorium hosts the March 22 through 31 run of Jesus Christ Superstar, the Andrew Lloyd Webber/Tim Rice classic boasting such unforgettable numbers as “Everything's Alright,” “Hosanna,” “King Herod's Song,” and the timeless ballad “I Don't Know How to Love Him.”

Wonders of nature and conveniences of modern locomotive travel will both be celebrated in the latest “World Aventure Series” presentations at the Putnam Museum & Science Center, with the Davenport venue hosting two March 19 screenings of Doug Jones' documentary The Great Canadian Train Ride followed by presentations with special guest Sandy Mortimer.

Serving as the latest guest speaker in the venue's “Evenings at Butterworth” series, noted scholar and historian Rolf Achilles will deliver a fascinating program on the art of stained glass – and one of its chief innovators in particular – in the Butterworth Center's March 22 presentation Tiffany & Other Great Midwestern Panes.

Called “one of the top-tier performers of soul and blues music” by Blues Blast magazine and “a strong songwriter and performer with magnetic stage presence” by Elmore, Blues Music Award winner John Németh takes the stage at Davenport's Redstone Room on March 21 in support of his most recent album Feelin' Freaky, a work BluesMatters.com described as “a superb, eclectic, easy-listening release by a man at the top of his game.”

A pair of lauded blues-rock collectives out of the Midwest share co-headliner duties at the Redstone Room on March 22, as the Davenport venue hosts one night with two top-tier ensembles: the Chicago-based talents of The Steepwater Band and the Omaha natives of Nebraska's Kris Lager Band.

With the musical bio-pic Bohemian Rhapsody a recent winner of four Academy Awards that has grossed more than $215 million domestic and $875 million worldwide, Freddie Mercury and Queen may be hotter now than ever – which is sure to be proven by the raucous crowd response on March 24 when Moline's TaxSlayer Center pays tribute to the iconic British rockers in the stage spectacle One Night of Queen, performed by Gary Mullen & the Works.

Lauded by Living Blues magazine as “21st Century blues at its best,” the Memphis-based artists of the Ghost Town Blues Band perform a March 24 concert at the Moline Viking Club presented by the Mississippi Valley Blues Society, treating audiences to the soulful, electrifying effects of, as Living Blues stated, “what can happen when the past is distilled through young sensibilities, voices, and instruments.”

Described by Time Out New York as an “insanely fun mixtape musical” and by Variety magazine as a show that “gleefully apes the worst excesses of the era's pole-dancing, crotch-grinding, big-hair-tossing movies,” the Broadway smash Rock of Ages lands at Davenport's Adler Theatre on March 17, treating audiences to a celebration of 1980s chart-toppers that NY1 called “so cleverly staged and impressively performed that it's an irresistible, offbeat trip of a show that hits all the right notes.”

Pages