Presented in partnership with the Figge Art Museum's current exhibition French Moderns: Monet to Matisse, 1850-1950, the Augustana College Teaching Museum of Art showcases artistic creations from the same 100-year period in Världen är Liten: The World is Small – Modern Swedish and Swedish American Works, a November 16 through February 9 exhibit highlighting works in the museum's collection made by Swedish and Swedish-American artists.

Fans of Louisa May Alcott, Elizabeth Taylor, Claire Danes, and/or the comforts of tea can enjoy a trip back in time on November 24, when Davenport's Putnam Museum & Science Center hosts an afternoon tea along with screenings of Little Women, the Alcott classic being shown in both its Oscar-winning 1949 version and its Oscar-nominated 1994 adaptation.

Its impending area engagement sure to be the next best thing to an actual No Doubt reunion, the California-based musicians of tribute band No Duh take over the Rhythm City Casino Resort Event Center on November 23, offering a salute to Gwen Stefani and company that led BeaconStreetOnline.net to call them “awesome” and rave, “We definitely recommend checking them out.”

Praised by PopMatters as musicians who “pull off the neat trick of straddling the line between small-scale touches and anthemic choruses,” and by Paste magazine as artists who “bring to mind the best of Tom Petty and the more fun aspects of Father John Misty and The War on Drugs,” the indie rockers of The Artisanals headline a Moeller Nights concert on November 24, performing in support of their self-titled debut album released a mere two months ago.

“Ever wonder what a traditional lounge singer would sound like backed up by a punk band?” asked the Los Angeles Times. “The Smoking Popes take that concept one step further: They've created a unique kind of music that some listeneres are describing as 'hyperkinetic tear-jerkers.'” That description is as accurate today as it was during the band's early-'90s beginnings, as The Smoking Popes will prove when the pop-punk and alt-rock musicians play Davenport's Redstone Room on November 29 in support of their October release Into the Agony.

Best known for their hit TruTV series Impractical Jokers – a reality/comedy program that the New York Post's Linda Stasi called “possibly the funniest, most ridiculous show I’ve seen in years” – the touring comedians of The Tenderloins bring their senses of humor and camaraderie to Moline's TaxSlayer Center on November 19, treating fans to the verbal wit, sketch comedy, and slapstic antics of “The Cranjis McBasketball World Comedy Tour.”

Independent musicians and stand-up comedians from across the country and the Quad Cities region will gather for the Village of East Davenport's autumnal Gas Feed & Seed Festival – a three-day, genre-hopping celebration hosted by Moeller Nights and featuring concert and comedy sets at Davenport venues The Stardust and the Triple Crown Whiskey Bar & Raccoon Motel.

Lauded by Elmore magazine as “particularly adept at a smooth, funky, groove-laden type of blues that requires a mastery of both musical timing and on-stage rapport,” the Texas-based Peterson Brothers Band plays a local concert co-presented by the Mississippi Valley Blues Society, their November 15 engagement at the Moline Viking Club sure to prove why The Examiner called them “the new rising stars on the Austin music scene.”

Touring in support of the band's sophomore album Lightning Round – an August release in which, according to Rolling Stone, its musicians “refine and polish the blend of indie-pop, folk, and rock that they introduced on their 2015 debut” – the Minnesota-based Bad Bad Hats play a Village Theatre concert on November 15, demonstrating the talents that NPR described as “programmed to fire all neural pathways associated with carefree indie rock fun.”

Labeled “one of the most distinctive and expressive vocalists to come around in a while” by the Pheonix Blues Society, Davina Lozier and her band of Vagabonds returns to Davenport's Redstone Room for a concert of blues and jazz on November 16, sharing the signature stylings of a lead vocalist who, according to the Minneapolis Star-Tribune, “has a sort of hard-mattress comfort to it that’s part Bonnie Raitt, part Etta James, and a little Amy Winehouse.”

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