THE DANISH GIRL

Yes, I’m reviewing director Tom Hooper’s The Danish Girl again, even though my previously published review is really all the film merits. (For those who missed it, the critique ran in my movies-of-2015 article under the “10 Least Favorites” header, and consisted of 19 words: “Everything irritating about period movies, ‘prestige’ movies, issue movies, and Eddie Redmayne all rolled into one carefully tucked package.”) Yet due, no doubt, to the four Oscar nominations the drama received, one of which it actually deserved, Hooper’s latest has finally landed on area screens, so I suppose a few more words are in order – just enough of them to purge the loathing I’ve felt for Hooper’s latest these past four weeks.

THE REVENANT

As you may have heard, The Revenant – given its bloody violence, grisly survival tactics, and almost complete lack of levity – is strong medicine. It also inspires the same reaction that strong medicine does; you’re glad it exists, but ugh, the taste. There are images and battle sequences in Alejandro González Iñárritu’s neo-Western that I didn’t think movies were even capable of, let alone capable of making transcendently beautiful and utterly horrifying in equal measure. Yet all that beauty and horror turn out to be in the service of a dispiritingly one-note, unduly protracted revenge saga that, miraculous visuals aside, could have easily starred Charles Bronson in his mid-1970s heyday. It’s Death Wish in fur coats – or, more accurately, The Passion of the Christ if Jesus survived his crucifixion and was determined to get even with that bastard who hammered the nails.

THE HATEUL EIGHT

Its opening credits remind us that the vengeance-minded Western The Hateful Eight is “the 8th film by Quentin Tarantino.” That’s actually helpful. Because by the time the closing credits roll some two-and-three-quarter-hours later (the movie’s 70-millimeter “roadshow” version lasting some 20 minutes more), you’d swear it was at least the 28th film by Quentin Tarantino. I admire the man’s output to no end, and five of his seven previous features are firmly entrenched amidst my 10 favorites for their particular years. But despite its flashes of brilliance, I found myself as annoyed with The Hateful Eight as I was with 2012’s Django Unchained, and for much the same reason: its auteur, by now, appears so immersed in the act of loving Quentin Tarantino that he leaves almost no room for us to love him, or his films, back.

During my extended holiday stay in the Chicago area, I saw a fantastic movie, a sizable disappointment, and an utter clunker. But as Carol, Legend, and The Danish Girl aren't currently playing at a theater near you (at least if you live in the Quad Cities region), let's instead focus on the other fantastic movie, sizable disappointment, and utter clunker I saw.