Michael B. Jordan and Melonie Diaz in Fruitvale StationFRUITVALE STATION

Marvel Studios' recent spate of superhero movies has trained us - or tried to train us, at any rate - to stick around for at least the first few minutes of the end credits, offering the promise of a bonus scene designed to build excitement for comic-book adventures yet to come. (Not to give the details away, but Marvel's new The Wolverine features a happy doozy of one promoting 2014's X-Men: Days of Future Past.) Yet while they couldn't possibly have been expecting this same sort of credit cookie at the independent drama Fruitvale Station, the audience members with whom I saw the film stayed similarly glued to their seats, almost as though none of them was quite ready for the experience to be over. Given how haunting and emotionally overpowering writer/director Ryan Coogler's debut feature is, it would be impossible to blame them.

Patrick Wilson, Lili Taylor, Vera Farmiga, and Ron Livingston in The ConjuringTHE CONJURING

I was about halfway through my screening of The Conjuring when I noticed that I was having a most unusual reaction to director James Wan's haunted-house opus: For the life of me, I couldn't stop smiling.

Kevin James, Adam Sandler, and Chris Rock in Grown Ups 2GROWN UPS 2

I'm presuming that you're reading this while seated. But just in case you aren't, you might want to grab the nearest chair, because in Grown Ups 2, the strongest, funniest, and damn near only performance in the movie is given by Taylor Lautner.

Yes. Taylor Lautner.

And the apocalypse just got a little bit closer.

Johnny Depp and Armie Hammer in The Lone RangerTHE LONE RANGER

Youll have to wait more than two hours for it, but in director Gore Verbinski's The Lone Ranger, you'll finally be treated to a scene that makes sitting through this hugely budgeted action-adventure-Western-comedy totally worth your ... .

Oh, who am I kidding? The movie still isn't worth your time. But as the scene in question is the only truly exhilarating one in the whole of this wildly over-produced and exhaustingly frenetic outing - an updating of the beloved radio and television serial that famously asked, "Who was that masked man?" - I might as well give it the praise it deserves.

Channing Tatum and Jamie Foxx in White House DownWHITE HOUSE DOWN

At the start of the Roland Emmerich thriller White House Down, Channing Tatum's military veteran John Cale is seen applying for a position with the president of the United States' Secret Service detail. By the film's end, he'll have rescued hostages, shot innumerable bad guys, ensured peace in the Middle East, averted nuclear apocalypse, and saved the commander in chief's life several times over. In short: most impressive job interview ever.

Mireille Enos and Brad Pitt in World War ZWORLD WAR Z

Beginning with the fact that it's directed by Marc Forster - a competent-enough craftsman whose previous works (including Finding Neverland, The Kite Runner, and the deadening James Bond entry Quantum of Solace) have hardly been known to quicken one's pulse - practically everything about the suspenseful and exciting zombie chiller World War Z feels a little bit off, and that's what I liked about it.

Henry Cavill in Man of SteelMAN OF STEEL

During the final third of director Zack Snyder's Superman reboot Man of Steel, Henry Cavill's caped crusader and Michael Shannon's villainous General Zod take turns pummeling each other into Smallville storefronts and Metropolis skyscrapers, and the combined force of their Kryptonian blows routinely causes the edifices to tumble to the ground. For most of the length of this relentlessly noisy and dour superhero outing, it felt as though they were tumbling directly on my head.

Julie Delpy and Ethan Hawke in Before MidnightBEFORE MIDNIGHT

Richard Linklater's Before Midnight - the third and possibly final installment in the director's ongoing screen romance that began with 1995's Before Sunrise and continued with 2004's Before Sunset - climaxes with a half-hour-long fight. You could, of course, say the same about most every superhero or Transformers picture released nowadays. The big difference, however, is that this particular battle royale takes place in the confines of one room and involves all of two characters. The bigger difference, speaking personally, is that this is one 30-minute screen fight that I actually wished would go on forever - though an eternal loop of the movie's first 70 minutes wouldn't have been unwelcome, either.

Ethan Hawke in The PurgeTHE PURGE

If you blended The Hunger Games, David Fincher's Panic Room, and Shirley Jackson's classic short story "The Lottery" with generous helpings of ice, you'd wind up with the scare-flick smoothie that is The Purge. An eventually underwhelming yet bluntly effective chiller by writer/director James DeMonaco, the movie, admittedly, does lose its way before its 90 minutes are up. But considering how few modern releases in its genre find their way at all, it's hard to deny the primal pleasures of DeMonaco's outing, even if the film remains more thought-provoking in concept than it proves to be on-screen.

Jesse Eisenberg, Isla Fisher, Woody Harrelson, and Dave Franco in Now You See MeNOW YOU SEE ME

Given its premise, its cast, and the fact that it's a summertime release without a superhero or a number (or both) in the title, it was easy to feel jazzed about the prospect of Now You See Me, director Louis Leterrier's effects-driven caper about larcenous Las Vegas magicians scoring the heist of the century. Unfortunately, it took all of three minutes for that anticipatory excitement to turn, for me, into irritation, which then turned into active aggravation, which then turned into a disengaged torpor that lasted until the end credits rolled. Ta da.

Pages