Brent Gorski and Eli Kranski in Holding TrevorHOLDING TREVOR and ICE BLUES

Even though they share the "gay film" label, the two evening presentations at the Quad Citians Affirming Diversity's November 15 film festival - Holding Trevor and Ice Blues - don't have that much in common: The former is a frequently comedic drama about gay youths in Los Angeles; the latter is a mystery featuring a gay detective in upstate New York.

Yet the movies do share one rather inspiring trait: Instead of making pious assertions that gays are "just as good as everyone else," they make the point - and make it subtly - that gays are just as goofy and messed up and human as everyone else, which is a far more inspiring and realistic message. They also share another trait: Both movies are really entertaining.

Madagascar: Escape 2 AfricaMADAGASCAR: ESCAPE 2 AFRICA

Dreamworks' animated hit Madagascar concerned a group of Central Park Zoo denizens who, en route to Africa, find themselves stranded on the island of the film's title, and ended with the citified animals forcibly, though not unhappily, taking residence in their newfound environs. Not having seen Madagascar since its 2005 release, I'll admit that I had to look up this last bit of information before catching Madagascar: Escape 2 Africa. And if and when there's a Madagascar 3, I'll no doubt have to look up the details on its predecessor, because a mere two days after attending this sequel, I've already forgotten nearly everything about it.

Angelina Jolie in ChangelingCHANGELING

Clint Eastwood's Changeling finds John Malkovich giving a thoughtful, restrained performance as a righteous pastor, and Michael Kelly giving an exceptional one as a dogged detective. Oh, and the period design for the film's 1928 Los Angeles setting is quite good. Having gotten that out of the way, the rest of the movie is so awful - so maddeningly phony and contrived - that I wanted to hurl things at the screen.

Seth Rogen and Elizabeth Banks in Zack and Miri Make a Porno The consensus that Kevin Smith's Zack & Miri Make a Porno and Clint Eastwood's Changeling were poor performers - the weakest Halloween weekend in a decade! - certainly isn't based on the track records of the filmmakers.

Zac Efron and Vanessa Hudgens in High School Musical 3: Senior YearThe theatrical success of High School Musical 3 begs a question: Was Disney too slow to capitalize on the success of the original, which drew an audience of nearly 14 million the first two nights it aired in January 2006?

High School Musical 2, after all, got 17 million pairs of eyes with its American television premiere. Maybe it was about building the brand, but that seems like a lot of ticket cash foregone to me.

Vanessa Hudgens and Zach Efron in High School Musical 3: Senior YearHIGH SCHOOL MUSICAL 3: SENIOR YEAR

Sure, its storyline is simplistic and its romantic ballads are pretty dull (and compose half of the film's soundtrack), but in nearly every other way High School Musical 3: Senior Year is fantastic - a supremely spirited, candy-colored pop extravaganza that sends you out of the cineplex on an exultant high.

stone-w.jpgOliver Stone's W. didn't win this week's Box Office Power Rankings, but it did better in every measure than I expected: $10.5 million in box office (fourth place), $5,175 per theater (third), 55 on Rotten Tomatoes (fourth), 56 on Metacritic (fourth). Consistency can pay off, and all that led to a second-place overall finish, behind the just-ahead-in-every-category The Secret Life of Bees (third, first, second, third).

Josh Brolin in W.W.

I'm not exactly sure what kind of movie Oliver Stone's W. is trying to be, but that just makes it easier to appreciate it for what it is: A terrifically entertaining political comedy (with tragic undertones) that plays a bit like a sequel to Hal Ashby's 1979 Being There, in which a series of borderline-ludicrous circumstances find a friendly, well-meaning simpleton elected commander-in-chief. Now what?

chart-small.jpg Quarantine won this week's Box Office Power Rankings, and my first thought was that, with Rotten Tomatoes and Metacritic scores of 61 and 54, respectively, the horror flick would have done even better a few weeks ago. Sure enough, those scores would have secured an additional five points for Quarantine because of weaker competition.

Pickman's Song There are low-budget films and there are low-low-budget films. And then there are low-low-low-budget films.

And then there's Octopoid Productions' Pickman's Song.

"We clocked the budget in at around a hundred dollars," says Octopoid co-founder Joshua Bentley of his East Moline company's 31-minute homage to a 1926 H.P. Lovecraft story. "A hundred dollars with plenty of guerrilla-film locations. You know, basically storming an old abandoned school in the middle of the night ... .

"The outside of the school," he quickly amends. "Not the inside. Nobody was inside any place they weren't supposed to be."

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