01 Jan 2015

100 Favorite Movies, 2000-2014: Mike Schulz

By Mike Schulz

Wa-a-a-a-ay back at the tail end of 2009, my editor Jeff Ignatius and I thought it'd be fun to compose lists of our 100 favorite movies of the millennium. That, of course, led to a completely predictable fight over which year the millennium actually started in ... .

But once we put that past us, it was a lot of fun. So we decided, with five additional years behind us, to do it again - if, in Jeff's case, slightly differently this time around. Creature of habit that I am, though, I stuck to a good-ol'-fashioned ranking of 100 favorites in preferential order. In doing so, I also made some interesting discoveries.

01 Jan 2015

100 Favorite Movies, 2000-2014: Jeff Ignatius

By Jeff Ignatius

When Mike Schulz suggested revisiting and updating our lists of favorite movies of the 2000s, I looked back at my early-2010 article and thought: "Ghost Town? What the hell is that?" Sorry, Ricky Gervais, but it took a few seconds to recall anything at all about a movie I'd listed as one of my top 100.

Such are the perils of composing lists covering long periods of time with a memory as leaky as mine. Unlike my colleague Mike, I don't have a record of my thoughts about most of the movies I've seen, and therefore I can't say with much certainty whether I still like the 100 favorite movies I selected for 2000 through 2009. So I started from scratch here, with the idea that I wouldn't include anything so poorly (if fondly) remembered as Ghost Town. (Favorites from the 2010 list that aren't included here haven't necessarily fallen in my esteem; in many cases, I just don't have a recent experience or firm memory of them to rely on).

28 Dec 2014

True Defective: "Unbroken," "The Imitation Game," and "Big Eyes"

By Mike Schulz

Jack O'Connell in UnbrokenUNBROKEN, THE IMITATION GAME, and BIG EYES

Among other titles, Christmas Day brought with it the area releases of Angelina Jolie's Unbroken, Morten Tyldum's The Imitation Game, and Tim Burton's Big Eyes. Each of them opens with a title-card variant on "This is a true story." Each of them ends with a series of title cards informing us what happened to characters after the films' narratives concluded. And each of them, for occasional better and more frequent worse, feels absolutely, 100-percent Hollywood.

28 Dec 2014

Into the Weeds: "Into the Woods" and "The Homesman"

By Mike Schulz

Emily Blunt and James Corden in Into the WoodsINTO THE WOODS

"Do you know what you wish? Are you certain what you wish is what you want?" - lyrics from Into the Woods

21 Dec 2014

Unclean and Sober: "Top Five," "Wild," and "Night at the Museum: Secret of the Tomb"

By Mike Schulz

Rosario Dawson and Chris Rock in Top FiveTOP FIVE

Chris Rock is on-record as being a fan of Woody Allen movies and Richard Linklater's Before Sunrise/Sunset/Midnight trilogy, and the comedian's funny and thoughtful Top Five - Rock's first film as a writer/director since 2007's I Think I Love My Wife - is like a 100-minute blend of those influences. Then again, Allen, and certainly Linklater, would be much less likely to cap a scene with the image of a naked man getting a Tabasco-soaked tampon shoved up his ass.

19 Dec 2014

Where There's a Will, There's a Way: "Annie" and "The Hobbit: The Battle of the Five Armies"

By Mike Schulz

Cameron Diaz, Jamie Foxx, Quvenzhane Wallis, and Rose Byrne in AnnieANNIE

Sony's last-remaining grab for the holiday box office, the much-downloaded reboot of Annie, opened this weekend, and it must be said that as a musical - especially as a musically faithful interpretation of the stage show - it kind of sucks. The choreography's a shambles and the mixing is poor and the original numbers are terrible, while familiar, enjoyable Annie tunes such as "Little Girls" and "Easy Street" are merely sampled, their melodies and lyrics awkwardly woven into new pop and hip-hop arrangements. (Three of the film's myriad producers are Jay-Z and Will and Jada Pinkett Smith, so I guess we should just be grateful that the titular orphan is played by Quvenzhané Wallis and not Willow. Or Jaden.)

12 Dec 2014

Holy Moses!: "Exodus: Gods & Kings" and "Whiplash"

By Mike Schulz

Christian Bale in Exodus: Gods & KingsEXODUS: GODS & KINGS

You can tell a lot about a movie by its trailers. I don't mean the trailers for the movie itself, although that's also, usually, the case. I'm talking about the ones that play before the main attraction - the previews for future releases that generally share a genre or overall flavor with whatever film you're paying to see, collectively acting as a sort of "Because you watched ______" recommendation list on Netflix.

07 Dec 2014

Hawking: "The Theory of Everything"

By Mike Schulz

Felicity Jones and Eddie Redmayne in The Theory of EverythingTHE THEORY OF EVERYTHING

After being released in larger markets several weeks ago, the Stephen Hawking bio-pic The Theory of Everything has finally landed locally. For those of you who loved the trailers, it's probably going to be exactly the warm, touching, inspirational romance you were led to expect. For those of you who rolled your eyes at the trailers, as I did, it's probably going to be exactly the banal, formulaic, desperately Oscar-bait-y domestic drama you feared it might be, and perhaps even worse.

07 Dec 2014

Foreign Affairs: "Force Majeure," "Goodbye to Language 3D," and "The Pyramid"

By Mike Schulz

Force MajeureFORCE MAJEURE and GOODBYE TO LANGUAGE 3D

On Friday, I caught a foreign-language double-feature at Iowa City's FilmScene venue, and was happy to do it. In retrospect, I might've been even happier had I only stuck around for half of it.

30 Nov 2014

Fight or Flightless: "Penguins of Madagascar," "Horrible Bosses 2," and "Rosewater"

By Mike Schulz

Penguins of MadagascarPENGUINS OF MADAGASCAR

Penguins of Madagascar opens with a sweeping overhead shot of an (animated) Antarctic expanse, which eventually lands on an orderly march of flightless waterfowl. This introduction is narrated by a documentarian voiced by Werner Herzog, who informs us, in the director's unmistakable German-accented English, that we're to witness penguins in all their natural glory - right before he orders a crew member to shove a few off a cliff, just to see what will happen. Between Herzog, the environmental-doc satire, and the sheer goofiness of it all, this prelude is such a fantastically funny way to start directors Eric Darnell's and Simon J. Smith's spin-off that it immediately leaves you anticipating a movie that'll be smart and hilarious throughout. Would you settle, though, for smart and moderately amusing?

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