Daytrotter It's a relatively calm week at Daytrotter headquarters this week, but the few things that are happening are exciting.

Joe Strummer - The Future is Unwritten The Future Is Unwritten , last year's beautiful love letter to the life and passion of Joe Strummer, has just been released on DVD, packed with bonus material not seen in the original film. Even if you don't subscribe to the motto that The Clash was "the only band that ever mattered," I can't see how any beating heart couldn't tear up at director Julien Temple's salute to the purity and soul of a man who, despite his fame, walked with the common bloke in humble soles shared by Woody Guthrie and Bob Marley.

We here at Daytrotter have been overjoyed with the response to the last two Daytrotter Presents shows at Huckleberry's -- Amos Lee/Shelley Short and Justin Townes Earle/David Vandervelde. We have to thank everyone for coming out, and if you were one of those people, bring two others with you for the next one.

We promise to continue bringing in high quality acts -- putting together diverse bills that you're only going to be able to see here. The next two shows that we have upcoming promise to be just as eclectic.

Mississippi Valley Blues Festival cover To blues it may concern:

Peace and blues to you all, and welcome to the 2008 IH Mississippi Valley Blues Festival. Come hell or high water, the fest must go on! This year's Mississippi River flood only strengthened our resolve to bring you the best in blues, even if we can't be in LeClaire Park.

Carolina Chocolate DropsThree years ago, the Black Banjo Gathering was held in North Carolina to celebrate "the African American heritage of the banjo, which has not only a historic past, but also a resurgent present, and a great future," according to the event's Web site (http://blackbanjo.com).

Part of that future is the Carolina Chocolate Drops, an African American string trio whose members first met at the gathering. The young group - two members are in their mid-20s, and one is 31 - should help keep alive a rich tradition of the Piedmont string band.

The Kinsey Report The blues musicians of the Kinsey Report - composed of Kinsey brothers Donald on guitar, Kenneth on bass, and Ralph on percussion - haven't released a new CD since 1998's Smoke & Steel, and during a recent phone interview, Ralph states that "we don't tour as much as we want. One reason is because the venues aren't there anymore, and another reason is because we've been working on a new record for some time now, and we want to come out with something fresh."

Elvin Bishop Elvin Bishop, who lived outside the small town of Elliott, Iowa, as a child, attributes his connection with the blues community to his rural upbringing. "The reason I fell in so easy with the old blues guys," he said, "is because I knew the feeling of being out in the country and not much going on. ... You grew up with kerosene lamps and wood-burning stoves and shit like that."

Marie Knight "I got started singing when I was five years old," Marie Knight said in a recent phone interview. "My mother used to stand me up on the table in the church. That's been my life, the church."

Unlike those black sanctified singers who crossed over from gospel to pop (like Sister Rosetta Tharpe) or who started in blues but ended up preaching (like the Reverend Gary Davis), Knight's story has generally stayed within the bounds the church. And this year she's being inducted into the International Gospel Music Hall of Fame in Detroit.

Tinsley Ellis When Tinsley Ellis first came to the Mississippi Valley Blues Festival in 1989, he was just beginning his solo career. "I just remember we were a new band out of Georgia, got the deal with Alligator [Records], and the blues society booked a concert there," he said. "We started off that concert by being like, I think, one of the first bands to play of the day, and now, here I am being the closing act of the main stage."

Otis Taylor Any description of Recapturing the Banjo feels inaccurate.

It was released under the name of trance-blues artist Otis Taylor yet is more of an all-star collaboration, featuring Guy Davis, Corey Harris, Alvin Youngblood Hart, Keb' Mo', and Don Vappie on the titular instrument.

Yet that description would suggest an album dominated by the banjo, and overloaded with it, when the reality is that the instrument is merely an accent on some tracks, including "Hey Joe," with a ringing electric-guitar solo closer to Hendrix than anything traditional.

Pages