Robyn Hitchcock Robyn Hitchcock, one of the three greatest living songwriters (in my humble opinion), is having a good year. With a handful of new reissues, two cool live benefit tributes, the Sundance Channel documentary Sex, Food, Death, & Insects, and an upcoming visit to IFC's Henry Rollins Show, there's not a better time to discover the acid wit and romantic entomology of this psychedelic spiritual son of John Lennon and Syd Barrett. This past December Hitchcock & His Heavy Friends brought down the house in London's Three Kings pub as the band performed Pink Floyd's The Piper at the Gates of Dawn in its entirety, raising more than 4,000 pounds for the charitable Doctors Without Borders organization.

One day and less than 60 miles separate local performances by three stellar musical acts - two of them at the pinnacles of their respective genres, and one a genre all to himself. Alt-country royalty Wilco will perform at the Adler Theatre in Davenport on Wednesday, June 13, with minimalist-rock pioneers Low opening, while Richard Thompson will play Iowa City's Englert Theatre the night before.

Wilco One reviewer has called Sky Blue Sky the best Eagles record the Eagles didn't make, and it's impossible to shake the timeless soft-rock vibe in the sound, the vocals, and the easy pace.

"A Ghost Is Born was to me really jagged ... abrasive," Stirratt said of his band's last studio album. "And this record has a certain warmth."

But while Sky Blue Sky at first sounds like a retreat for the band that embraced noise and electronics on Yankee Hotel Foxtrot and A Ghost Is Born, Wilco hasn't abandoned experimentation. "Side with the Seeds" features guitar and Mellotron detours that, combined with slightly muffled drums and throbbing bass spikes, recalls King Crimson's disparate In the Court of the Crimson King and Red.

Low The lyrics that open Low's Drums & Guns are as forceful as singer/guitarist Alan Sparhawk is tentative.

"Pretty People," over a stark wave of fuzz, sets the tone for the record: "All the soldiers / They're all gonna die / All the little babies / They're all gonna die / All the poets / And all the liars / And all you pretty people / You're all gonna die."

It's a grim assessment, and the mood doesn't abate for the Minnesota band, known for its minimalist, slow songs and the often-haunting vocal interplay between Sparhawk and drummer Mimi Parker. (The two are married.) Low's 2005 album, The Great Destroyer, was louder, faster, and more accessible than anything the band had done, but Drums & Guns is a return to glacial pacing, with an experimental sound and a preoccupation with violence.

Richard Thompson An unscientific survey of River Cities' Reader employees revealed that many people have never heard of Richard Thompson.

The lack of recognition is not exactly a surprise, because Thompson has never been able to parlay intense respect into sales. But he is an important artist, and one who has no difficulty bridging the gap between folk music and hard-edged rock. He also has a fantastic sense of humor, a rarity among "serious" artists.

So allow me to introduce him.

In a sea of multi-day music festivals trying to make their mark with the ultimate modern-rock lineup, one upcoming festival rises up - literally - like a mountain above all the others. With sponsorship by the oddly suited actuaries at Esurance, the Monolith Festival will debut the weekend of September 14 in Colorado's Red Rock Amphitheatre, an unforgettable natural environment. Five stages will keep things busy for the 9,000 ticketholders, with the Flaming Lips, Cake, Earl Greyhound, Juliette & the Licks, Brian Jonestown Massacre, Kings of Leon, and Flosstradamus among the 50-plus participants.

great_american_taxi.jpg Fans of the self-described "polyethnic Cajun slamgrass" band Leftover Salmon have reason to rejoice this summer, as the outfit is reuniting for a few festival dates in July. But washboard player, vocalist, and guitarist Vince Herman said those shows aren't a sign that the band is back together. His priorities are elsewhere.

Tesla CD cover artNow resigned to "classic rock" status, two of the 1980s' biggest arena-rocking bands are back next week with all-new cover collections. Poison passes - thankfully - on the eyeshadow and puckers up with Poison'd on Capitol Records, featuring eight new sessions and other rarities including a take on the Kiss party anthem "Rock & Roll All Nite," from 1987's Less Than Zero soundtrack. The party-people-pleasing set list features Alice Cooper's "I Never Cry," Tom Petty's "I Need to Know," The Cars' "Just What I Needed," and the Marshall Tucker Band's "Can't You See."

EOTO When I put the album from the electronic duo EOTO in a CD player at work, my office mate Mike Schulz asked - after about five seconds of music - "You're not watching porn, are you?"

I'm guessing that question would please Jason Hann, a percussionist with jam-band/bluegrass favorites String Cheese Incident and half of EOTO. While he's more than happy to talk about the impressive technical elements of the live-looping project - which will be performing at the Redstone Room on Monday, May 28 - he'd rather you just dance.

Radio On Mark your calendars and beg your local record store to hold you a copy of the June 6 NME magazine, as that week's issue will come with a limited-edition white-wax seven-inch of The White Stripes' new single, "Icky Thump." While the UK retail CD and seven-inch single bear the rare B sides "Catch Hell Blues" and "Baby Brother," respectively, the NME bonus bears an artistic, etched flip side instead of another song.

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