29 Sep 2013

Give Him This Day His Daily Porn: "Don Jon," "Baggage Claim," and "Cloudy with a Chance of Meatballs 2"

By Mike Schulz

Joseph Gordon-Levitt and Scarlett Johansson in Don JonDON JON

Writer/director/star Joseph Gordon-Levitt's Don Jon casts its auteur as a New Jersey bartender obsessed with pornography, and you can view the film as an extremely raunchy romantic comedy, or an untraditional coming-of-age saga, or a mostly lighthearted exploration of the perils of addiction. But I prefer to think of Gordon-Levitt's sprightly, confident filmmaking debut more as a modernized Pinocchio, in which, through lessons learned and a touch of magic, a creature made of wood - or rather, one sporting wood - eventually becomes a real live boy.

27 Jan 2013

Skit-ish: "Movie 43," "Parker," and "Hansel & Gretel: Witch Hunters"

By Mike Schulz

Leslie Bibb, Justin Long, and Jason Sudeikis in Movie 43MOVIE 43

Ordinarily, Movie 43 would be the sort of unsatisfying, throwaway release that I'd dispense with in a paragraph, or maybe just a sentence or two. And it's not as though its opening-weekend box-office intake - a meager $5 million, despite the presence of nearly every star in Hollywood - necessitates longer consideration of the film. But this anthology comedy in the style of those '70s cult classics Kentucky Fried Movie and The Groove Tube seems to me a special case. How often, after all, do you get the chance to write about what might be your all-time least-enjoyable experience at the cineplex - including that time during the early '90s when you had to leave a screening for emergency root-canal surgery?

20 May 2012

Off the Grid: "Battleship," "What to Expect When You're Expecting," and "The Dictator"

By Mike Schulz

Taylor Kitsch and Rihanna in BatleshipBATTLESHIP

In the latest effects-heavy entertainment by Hancock director Peter Berg, a group of heroic U.S. Navy and Japanese-military officers team up to fight a race of marauding aliens, four of whose spaceships have crash-landed in the middle of the Pacific Ocean. Battleship? This thing should've been called KerPlunk.

08 Apr 2012

Up for a Slice: "American Reunion"

By Mike Schulz

Eugene Levy and Jason Biggs in American ReunionAMERICAN REUNION

You know that feeling you get when you receive a Facebook friend request from someone you went to high school with, and you don't quite recognize the name, and a smile slowly forms as you think, "Oh, ye-e-eah ... that guy!" That, in a nutshell, was my reaction to American Reunion, the third big-screen sequel to the beloved coming-of-age slapstick American Pie, and easily the most endearing of the lot. It took me a while to succumb to the movie's charms, but in the end I not only liked it; I would've happily "liked" it.

02 Oct 2011

Given Half a Chance: "50/50," "What's Your Number?", "Dream House," and "Dolphin Tale"

By Mike Schulz

Joseph Gordon-Levitt and Seth Rogen in 50/5050/50

Director Jonathan Levine's 50/50 casts Joseph Gordon-Levitt as a young man afflicted with a rare form of spinal cancer, and Seth Rogen as his loud, loutish, perpetually stoned best friend. Consequently, I expected the film's title and my chances of actually enjoying the movie to be one and the same. It's always great seeing Gordon-Levitt onscreen, but is there anyone left who isn't longing for a break from Rogen's braying, one-note shtick, even if, as he is here, the man isn't just presumably but damn near literally playing himself? (50/50's script is loosely autobiographical, and Rogen and author Will Reiser are real-life pals and frequent writing partners.)

23 Dec 2010

Hello. My Name Is Mattie Ross. You Killed My Father. Prepare to Die.: "True Grit" and "Yogi Bear"

By Mike Schulz

Jeff Bridges and Hailee Steinfeld in True GritTRUE GRIT

Over the course of their careers, the films of Joel and Ethan Coen have, of course, inspired a wide variety of responses: amusement (and quite a lot of it), excitement, fascination, terror, confusion, astonishment, mortification. (Oh, the depressing spectacle of Intolerable Cruelty ... .) But while we audiences have laughed and gasped and occasionally scratched our heads, we haven't, prior to the Coen brothers' True Grit, been moved to tears by scenes of unbridled yet honestly earned sentiment. Guess we can now scratch that one off the list, too.

20 Sep 2009

Whoppers, with Extra Cheese: "The Informant!," "Cloudy with a Chance of Meatballs," "Jennifer's Body," and "Love Happens"

By Mike Schulz

Matt Damon in The Informant!THE INFORMANT!

 

The film's madcap trailers -- to say nothing of the exclamation point in the title -- don't accurately capture the tone of Steven Soderbergh's The Informant! But I'll be damned if I know what kind of trailers would suggest the feel of this altogether remarkable corporate comedy, which starts off amusingly arch, becomes more funny and fascinating as it progresses, and winds up flat-out hysterical, with your laughter tempered by righteous anger, unanticipated pity, and stunned disbelief.

12 Apr 2009

Maul Cop: "Observe & Report" and "Hannah Montana: The Movie"

By Mike Schulz

Anna Faris and Seth Rogen in Observe & Report

OBSERVE & REPORT

It's been a couple of days, and I'm still not sure what to make of writer/director Jody Hill's unexpectedly disturbing broad comedy Observe & Report, in which bipolar security guard Ronnie Barnhardt (Seth Rogen) attempts to apprehend a shopping-mall flasher and win over the skank of his dreams (Anna Faris).

25 Jul 2006

Shymalan a Ding Dong: "Lady in the Water," "Clerks II," and "My Super Ex-Girlfriend"

By Mike Schulz

Paul Giamatti and Bryce Dallas Howard in Lady in the WaterLADY IN THE WATER

A mysterious publicity campaign used to work in M. Night Shymalan's favor; the less you knew about his forthcoming movies, the more you wanted to see them. Now, however, a lack of pre-release information on a Shymalan project seems less about building suspense than trying to quarantine bad buzz, and, in the case of Lady in the Water, with good reason.

This might be the most hysterically inane movie of the year. This might be the most hysterically inane movie of the next several years. I'm torn between urging you to stay as far away from the film as possible and demanding that you line up to see it immediately; a cinematic goof of this magnitude is almost too priceless to miss.

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