RANGO

I spent the past several days enjoying a vacation halfway across the country, and am consequently getting my reviews written a few days later than usual. In terms of reviewing the animated Rango, though, I'm quite grateful for the delay, because I so rarely get the chance to write about movies that I love after I've seen them a second time. Had the vacation lasted longer, I might've even gone for a third.

I AM NUMBER FOUR

A handsome, troubled, rebellious transfer student dealing with alienation and the wrath of bullies at his new high school. The kid's ineffectual father, shrugging off his child's loneliness and conflicts with the authorities. The kid's one new friend, a withdrawn, frequently picked-on nerd with his own parental hang-ups. The kid's potential love interest, a pretty, popular girl who feels like an outsider herself, and appears to be the property of the kid's chief tormentor. If you've seen a certain iconic drama starring Natalie Wood, Sal Mineo, and a red-jacket-wearing James Dean, the aforementioned character descriptions might sound a teensy bit familiar.

THE KING'S SPEECH

A tony odd-couple comedy in the guise of a historical prestige pic, The King's Speech boasts a pair of exceptional performances by Colin Firth and Geoffrey Rush, and is a terrific amount of fun. But am I alone in thinking that its central storyline is the least interesting thing about it?

MEGAMIND

Since Universal Pictures' fizzy, funny animated hit Despicable Me was released a mere four months ago, it's hardly possible that DreamWorks' new Megamind could be considered an intentional ripoff, despite a plot that also finds an über-villain gradually morphing into an über-hero. And despite the film's haughty, antagonistic protagonist performing his evil deeds alongside a goofy, tag-along minion. And despite this blobby little homunculus being named Minion. (Seriously, are there no fresh ideas in Hollywood?)