10 Oct 2010

Bringing Up the Rearing: "Life as We Know It," "It's Kind of a Funny Story," "My Soul to Take," and "Secretariat"

By Mike Schulz

Katherine Heigl, Josh Duhamel, and Alexis, Brooke, or Brynn Clagett in Life as We Know ItLIFE AS WE KNOW IT

For whatever else it is, the romantic comedy Life as We Know It is certainly the year's most inaptly titled movie, since it doesn't present a version of life as anyone would know it.

26 Sep 2010

Blah, Blah, Blah ... and Surprisingly Fun - Notes on a Quadruple Feature: "You Again," "Legend of the Guardians: The Owls of Ga'Hoole," "The Virginity Hit," and "Wall Street: Money Never Sleeps"

By Mike Schulz

Billy Unger, Betty White, Jamie Lee Curtis, Sigourney Weaver, Odette Yustman, and Kristin Bell in You AgainFriday, September 24, 11:30-ish: I attend a morning screening of You Again, and pretty much know what I'm in for as soon as the Touchstone Pictures logo appears: a brightly lit, jauntily scored, aggressively manic entertainment with plenty of "heart" and no laughs whatsoever. (I half-expect a Tim Allen cameo, but instead get a Dwayne Johnson cameo, which probably should've been more expected.)

19 Sep 2010

Hughes Ruse: "Easy A," "Devil," and "Alpha & Omega"

By Mike Schulz

Emma Stone in Easy AEASY A

With the release of The Town, Ben Affleck's directorial career, in my opinion, now boasts a two-for-two success ratio. So does Will Gluck's, who follows last year's hilarious (and sadly under-praised) male-cheerleader parody Fired Up! with the current, also hilarious '80s-teen-flick parody Easy A. It's no doubt too soon - and maybe even too ridiculous - to ask this, but is it possible that Gluck is our long-awaited heir apparent to Christopher Guest?

12 Sep 2010

The Blunder Years: "Flipped," "16 to Life," and "Resident Evil: Afterlife"

By Mike Schulz

Madeline Carroll and Callan McAuliffe in FlippedFLIPPED

Rob Reiner's 1986 Stand by Me told us that we'll never have better, more meaningful friends than the ones we had when we were 12. His new film, Flipped, tells us that we'll never have better, more meaningful romances than the ones we had when we were 12. It's touching, if a little sad, that it's all apparently been downhill for the director since hitting his teen years, but does Reiner's nostalgic yearning somehow excuse his latest for being so bland, saccharine, and childish? Set just a few years after Reiner's summer-of-'59 hit, Flipped is like Stand by Me without profanity, dirty jokes, unforced camaraderie, and Kiefer Sutherland. In other words, it's just a stone's throw away from utterly excruciating.

22 Aug 2010

Gone to Seed: "The Switch," "Eat Pray Love," and "Nanny McPhee Returns"

By Mike Schulz

Jason Bateman and Jennifer Aniston in The SwitchTHE SWITCH

Since it's a romantic comedy starring Jennifer Aniston that actually doesn't suck, it's temping to overrate The Switch, which opens with Aniston's Kassie preparing to be artificially inseminated, and BFF Wally (Jason Bateman) - who secretly loves her - swapping her sperm donor's donation for one of his own.

15 Aug 2010

Ex Men (and a Woman) United: "Scott Pilgrim Vs. the World" and "The Expendables"

By Mike Schulz

Michael Cera and Mary Elizabeth Winstead in Scott Pilgrim Vs. the WorldSCOTT PILGRIM VS. THE WORLD

Is there any working film director who adores actors more than Edgar Wright? I ask this after recently viewing (for maybe the sixth time) the British helmer's action spoof Hot Fuzz and (for maybe the millionth) the untouchable zombie satire Shaun of the Dead, comedies with the rare distinction of being populated entirely with sharp, funny performers; even the walk-ons - or, in Shaun's case, the lurch- and stumble-ons - are charismatic. And after seeing the director's latest, Scott Pilgrim Vs. the World, I think a wholly reasonable case can be made for Wright being the best friend that anyone with a SAG card and a dream could ever hope for. You could fill 110 movies with the joyous onslaught of personality on display in this movie's 110 minutes.

09 Aug 2010

Beat(en) Cops: "The Other Guys"

By Mike Schulz

Mark Wahlberg and Will Ferrell in The Other GuysTHE OTHER GUYS

I'm not going to pretend that I understood the crime plot in director Adam McKay's The Other Guys, which concerns Wall Street chicanery, bureaucratic red tape, a pension-fund swindle, and a suicide or a murder, though I'm hesitant to state exactly which. Seriously, when did goofy-ass Will Ferrell comedies get so complicated?

01 Aug 2010

Guess-Who's Coming to Dinner: "The Kids Are All Right" and "Dinner for Schmucks"

By Mike Schulz

Annette Bening, Julianne Moore, Josh Hutcherson, Mia Wasikowska, and Mark Ruffalo in The Kids Are All RightTHE KIDS ARE ALL RIGHT

In general terms, explaining what director Lisa Cholodenko's The Kids Are All Right is "about" is a pretty easy task: 18-year-old Joni (Mia Wasikowska) and 15-year-old Laser (Josh Hutcherson) - the children of a contented and devoted lesbian couple (Annette Bening's Nic and Julianne Moore's Jules) - arrange a first meeting with their shared sperm-donor father (Mark Ruffalo's Paul), and through several more meetings, watch as his casually disruptive presence gradually, irrevocably alters their family dynamic. Yet while this is an accurate, if simplified, plot synopsis, it doesn't come remotely close to explaining what this buoyant, original, altogether extraordinary dramatic comedy is actually about.

25 Jul 2010

Novel Spy: "Salt" and "Ramona & Beezus"

By Mike Schulz

Angelina Jolie in SaltSALT

Leaving a recent screening of Cyrus, my friends and I noted how refreshing it was to see a movie in which, right up until its final seconds, you had no idea where events were going to lead; the creepy indie comedy could've ended with either a Happily Ever After or a vicious display of bloodletting, and neither finale would've seemed unjustified. (No spoilers here. You've still got a few days to catch it locally.) And the best I can say about director Phillip Noyce's Salt - and it's a considerable compliment - is that it, too, is totally unpredictable, a gripping, over-the-top action flick that makes you gasp and then giggle, and then giggle at yourself for gasping. Audiences seeking loud, defiantly ridiculous escapist fare should have a blast. Speaking as someone with a low tolerance for spy thrillers, stunt-heavy summer blockbusters, and (more often than not these days) Angelina Jolie, I had a pretty fantastic time myself.

18 Jul 2010

Mother Lovers: "Cyrus" and "The Sorcerer's Apprentice"

By Mike Schulz

Jonah Hill, Marisa Tomei, and John C. Reilly in CyrusCYRUS

Splice came and went in the blink of an eye and Predators sucks. So if you're jonesing for a good horror movie these days, you're advised to catch Jay and Mark Duplass' Cyrus, even though it isn't any kind of conventional scare flick; Jonah Hill's title character, however, could stand proudly next to Anthony Perkins' Norman Bates in the Crazy-Ass-Mama's-Boy Hall of Fame.

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