As I watched the opening-night production of the Timber Lake Playhouse’s Always … Patsy Cline, I kept thinking of the word “harmony.” Thinking about musical harmony certainly was appropriate, as this was, after all, a stage musical. Then I reflected on how harmonies can be calming and tranquil or dissonant and disparate. Yet I still hadn’t been able to place why “harmony” kept going through my mind until it hit me that what I was seeing, hearing, and experiencing was true balance – an interweaving of two very different stories that were connected in the nearly perfect parallel of two actresses' performances. “Yes!”, I thought. “Harmony!”


It struck me, during Saturday's matinée performance of Big River at the Timber Lake Playhouse, that theatre is my church, considering I repeatedly wanted to raise my hands in praise and shout "Amen!" at various points, and in ways I used to while attending Sunday services in my younger years. Theatre, for me, is a spiritual experience, and this Big River served as a big-tent revival that reminded me of that truth.
If the goal of Happy Days: A New Musical - making its Midwestern debut at the Circa '21 Dinner Playhouse - is to have the feel of the 1970s TV series, then playwright (and series creator) Garry Marshall and songwriter Paul Williams are working against each other. The book is reminiscent of the sitcom, with similar character dynamics and situations, but it comes across as a caricature of the TV show - purely wholesome, without the slight edge and hints of rebellion present in its televised incarnation. Williams' songs, meanwhile, don't suggest the series at all; it's as if the tunes were taken from some other 1950s-themed musical, and plopped into an episode of Happy Days without consideration for whether they fit the characters.
As the title character in the Timber Lake Playhouse's Buddy: The Buddy Holly Story, Chris Froseth is a spectacularly confident dork. With his slender frame, curly mop of brown hair, and iconic horn-rimmed glasses, he nails the physicality to perfection, and his cascading drawl and thrilling rock vocals are oftentimes uncannily similar to Holly's. Yet what's even more impressive is how completely the actor seems to capture the singer/songwriter's gawky yet fantastically determined spirit.






