Narrowing down 2009's sensational stage portrayals into a list of 12 "favorites" is a hopeless task, really, so don't take this as any kind of last word on the subject; you'll find mention of amazing stage work all throughout my year-end coverage. Still, here's hoping you were able to catch at least a few of the following performances, which helped underline just how crazy with theatrical talent our area actually is.
As Ouiser Boudreaux, the easily agitated Southern matriarch with the permanently fixed scowl and "more money than God," Dee Canfield enters the Green Room Theatre's production of Steel Magnolias as though shot through a cannon.
There's a special thrill you get from a stage work that seems not just beautifully, but perfectly cast, and following the curtain call for the Green Room's Friday-evening presentation of Doubt: A Parable - currently playing at the Harrison Hilltop Theatre - that thrill stuck with me for the rest of the night, and into the next day.
Into the Woods (August 10 - 12, 2007): The Green Room's debut production was Stephen Sondheim's and James Lapine's fairy-tale musical, and many of its cast members had previously worked with director Derek Bertelsen (also the venue's Executive Director) and music director Tyson Danner (the Artistic Director) in the pair's previous, fund-raising performances for the Children's Therapy Center of the Quad Cities: 2005's Ragtime and 2006's The Secret Garden. Both vividly remember opening night.
Chris Walljasper isn't exactly a new face in area theatre, as the actor (and recent co-founder of Davenport's Harrison Hilltop Theatre) appeared in Genesius Guild's and Opera @ Augustana's Patience last year summer, the Circa '21 Dinner Playhouse's Buddy: The Buddy Holly Story this past winter, and, most memorably, Carousel and A Year with Frog & Toad for Rock Island's The Green Room.
The way I see it, the only real problem with the Prenzie Players (and it's more a problem for me than them) is that their performance standard is so consistently high that when they produce a show that satisfies even beyond that standard, you don't quite know how to describe it. Regarding the theatrical troupe's current production of The Taming of the Shrew, then, let me just state that it's the best time I've had at an area show in all of 2008. And, quite possibly, in all of 2007. And 2006. The invention and commitment and laugh-'til-you-cry hilarity of director Jeremy Mahr's presentation is truly staggering; it transports you to a state of complete happiness that you don't ever want to return from.
Before praising the Green Room's lovely, charming production of Eleemosynary - the Lee Blessing comedy/drama that ran February 22 through 24 - I feel compelled to also praise the show's Friday-night audience. Actually, I feel compelled to praise the audiences at each of the productions I've attended in this Rock Island space; for fellow theatre devotees who tend to grow hostile near patrons who routinely cough, shift in their seats, slowly open cellophane-wrapped candies, and forget to turn off their cell phones, the Green Room is easily the area's venue of choice.Subscribe & Listen to Reader Podcasts
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