10
Oct
2016
In an October filled with local theatre that includes the likes of Shakespeare, Sam Shepard, and Flowers for Algernon, I was shivering with anticipation: What show would I be assigned this month? Could I handle the depth and power of a classic? Finally, the e-mail came, and I was given the sweetly daunting task of examining one of the most astounding, bucket-list theatrical works I could ever review. Yes! Yes!! YES!!! Thank the theatre gods! I could finally revisit my late teens to dissect the '70s cult classic The Rocky Horror Show!
Odd as it may seem now, there actually was a period in the Harrison Hilltop Theatre's history - a run of 12 shows, to be precise - in which the company didn't produce any musicals whatsoever. Yet after staging a dozen plays between June 2008 and May 2009, co-founders Tristan Tapscott and Chris Walljasper chose to open the theatre's second season with a production of Jonathan Larson's rock musical tick ... tick ... BOOM!
I had a great time at Thursday night's performance of The Rocky Horror Show at the Harrison Hilltop Theatre. I laughed, quite hard at times, and sang along (in my head, so as not to annoy those around me), and almost jumped to my feet to do "The Time Warp." The group of 50- and 60-year-old men and women in the crowd did dance along, as well as throw rice, toilet paper, and other items at the appropriate times, all of which upped the fun ante. Still, Harrison Hilltop's show could use a bit more of something to take it over the top and make it more memorable. Actually, it's more accurate to say it needs to lose something: inhibition.
Maybe it's because co-founders Tristan Tapscott and Chris Walljasper are finally appearing in one of their venue's shows, or maybe because it's tough not to have fun when watching a dozen people in heavy eyeliner singing and dancing "The Time Warp." But whatever the reason, the Harrison Hilltop Theatre's joyous and fearless production of The Rocky Horror Show feels, to me, like the very first production that's truly the Harrison Hilltop's. Not the author's, not the performers', but the company's as a whole. And it's an inspiring sight to see.
