Jack Black in The School of RockSCHOOL OF ROCK

I've seen Sidney Poitier do it. I've seen Robin Williams do it. I've seen Kevin Kline, Michelle Pfeiffer, Edward James Olmos ... hell, I've seen Dame Maggie Smith do it. But I have never seen an actor playing The Inspirational Teacher connect with his students as believably, and oddly beautifully, as Jack Black does in The School of Rock.

Jason Biggs and Woody Allen in Anything ElseANYTHING ELSE

As a lifelong fan of Woody Allen's cinematic oeuvre, the last five years have been rather painful. Sure, Small Time Crooks was a lot of fun and Sean Penn delivered a truly inspired performance in Sweet & Lowdown, but The Curse of the Jade Scorpion, though intermittently amusing, felt pretty stale, and Celebrity and last year's Hollywood Ending were just plain awful. (Part of being a true fan includes admitting when your heroes fail, and feeling somewhat heartbroken when they do.)

Chris Klein in We Were SoldiersWE WERE SOLDIERS

We Were Soldiers is, in many ways, the oddest war movie I've ever seen. It's set during the Ia Drang battle of the Vietnam War, but it's performed and directed with such resolute patriotism and heroism that it feels like a product of World War II, or rather, movies about World War II.

Sean Bean, Orlando Bloom, and Viggo Mortensen in The Lord of the Rings: The Fellowship of the RingTHE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING

The Lord of the Rings: The Fellowship of the Ring has now been out for so long, has made so much money, and has been reaping so many critical accolades - it was just named the AFI's Best Picture in its inaugural awards ceremony - that I'm not sure much more needs to be said about it.

ZOOLANDER

Those of us who've been waiting, in film after film, for Ben Stiller to hit the comedic peaks he reached on his short-lived TV series The Ben Stiller Show might find Zoolander pretty irresistible.

Morris Chestnut, D.L. Hughley, Bill Bellamy, and Shemar Moore in The BrothersTHE BROTHERS

The Brothers, the comedy-drama debut from writer-director Gary Hardwick, is a good-and-bad movie in which the good parts far surpass the bad, and that alone makes it one of the finer movies of the year.

Chicken RunCHICKEN RUN

To discuss the numerous, simple joys of Chicken Run is to risk ruining what's great about the film; how beautifully it's underplayed, and how sly and gentle its considerable streak of humor is. Using Nick Park's miraculous Claymation, the film tells the story of a group of miserable, caged English chickens who are trying, in vain, to escape from their evil human captor (voiced by Miranda Richardson). Their days appear numbered until the arrival of Rocky (Mel Gibson), an American circus-escapee known for his "Flying Rooster" act. The chickens' hope is that he'll teach them to fly away to safety; Rocky's hope is that they won't discover he's a fraud.

Ben Stiller and Edward Norton in Keeping the FaithKEEPING THE FAITH

If you've seen the trailer for Keeping the Faith - a slapsticky montage featuring the sight of Edward Norton, as a priest, setting his clerical robe on fire (which he extinguishes by leaping into holy water), and Ben Stiller, as a rabbi, punching a woman in the stomach - you might be shocked at the sweetness and earnestness of the movie itself. The film's trailer is one of the biggest pieces of false advertising in recent movies.

Minnie Driver and David Duchovny in Return to MeRETURN TO ME

There's so much goodwill built into Return to Me - the promise of an audience-pleasing romantic comedy, the likability of the cast, the presence of director/co-writer/co-star Bonnie Hunt, the prospect of David Duchovny smiling - that I feel like something of a heel for saying that the movie itself is pretty crummy.

Pages