Nate Karstens, Abbey Donohoe, and Ian Sodawasser in Young FrankensteinOn at least three occasions during Thursday's preview performance, Quad City Music Guild's Young Frankenstein achieved a transcendent silliness - the kind you get with stunning regularity in Mel Brooks' film-spoof inspiration. If you include everything said and done by Nate Karstens' hunchback Igor, it was more like 203 occasions, but in the spirit of this tasty musical confection, let's save the sweetest for dessert.

Jake Weary and Maika Monroe in It FollowsIT FOLLOWS

Any horror fan who came of age with Halloween, Friday the 13th, and their many sequels knows the ironclad rule regarding imperiled teens: If they have sex, they're gonna die. So maybe you'll have to be of a certain generation - or have an affinity for a certain breed of shocker - to get the most from It Follows, writer/director David Robert Mitchell's intensely witty, pretty damned scary tale of a young woman diagnosed with a literally murderous, and ambulatory, STD.

Blake Rayne, Ashley Judd, and Ray Liotta in The IdenticalDirector Dustin Marcellino's The Identical is for anyone who ever wanted to see a fictionalized account of the birth of the Elvis-impersonator movement. Or anyone who'd enjoy Presley's songs more if their melodies weren't so complex and their lyrics weren't so depraved. Or anyone who's been yearning to see Ray Liotta play a devout evangelist who explains to his congregation why he just lit eight candles on a menorah, when, as we can see, he clearly lit nine.

Ellar Coltrane in BoyhoodBOYHOOD

Late in writer/director Richard Linklater's Boyhood - the finest movie yet by the creator of Dazed & Confused and the Before Sunrise/Sunset/Midnight trilogy - there's a simple scene between a mother and her son. The son, who is either nearing or has just turned 18, is heading to college and is packing a bag in his room; he and his mom talk while she pays bills in the kitchen. Then, seemingly out of nowhere, the mother starts weeping. Her son enters the room and nonchalantly asks what's wrong (this is hardly the first time he's seen her cry), and she replies with a litany of romantic, professional, locational, and maternal decisions that we've watched her make over the course of the film. She asks where all that time went. Her son, offering a slight smile of empathy, goes back to his room and continues packing. The mother buries her face in her hands, and says, "I just thought there would be more."

The Lego MovieTHE LEGO MOVIE

Two of the characters in The Lego Movie are Lego Minifigures of Superman and Green Lantern, the latter of whom, here, is an obsequious suck-up whom the Man of Steel can't stand. That's a good joke. These decided non-friends are voiced by Channing Tatum and Jonah Hill, who famously played best friends in 21 Jump Street. That's a good in-joke. The Lego Movie is directed by Phil Lord and Christopher Miller, who also directed 21 Jump Street. That's a good in-in-joke. But the news that this new animated release is not only the cleverest, most hysterical comedy since 21 Jump Street, but an altogether stronger, more audacious piece of work than at least 90 percent of everything Hollywood gave us last year? No joke at all.

Steve Carell, Steve Buscemi, and Jim Carrey in The Incredible Burt WonderstoneTHE INCREDIBLE BURT WONDERSTONE

A mere week after the release of Oz the Great & Powerful, the garish, boring box-office smash that's neither great nor powerful, Misnomer March continues with The Incredible Burt Wonderstone, a comedy about warring Las Vegas magicians that's awkwardly cast, overly sentimental, and decidedly not incredible. Yet considering how roundly disappointing the 2013 film year has been thus far, you can still have a fair amount of fun at director Don Scardino's outing, despite this slapstick with heart being scattershot at best, and despite the movie almost appearing apologetic about its most unexpected and mordantly funny bits.

Leslie Bibb, Justin Long, and Jason Sudeikis in Movie 43MOVIE 43

Ordinarily, Movie 43 would be the sort of unsatisfying, throwaway release that I'd dispense with in a paragraph, or maybe just a sentence or two. And it's not as though its opening-weekend box-office intake - a meager $5 million, despite the presence of nearly every star in Hollywood - necessitates longer consideration of the film. But this anthology comedy in the style of those '70s cult classics Kentucky Fried Movie and The Groove Tube seems to me a special case. How often, after all, do you get the chance to write about what might be your all-time least-enjoyable experience at the cineplex - including that time during the early '90s when you had to leave a screening for emergency root-canal surgery?

Zach Galifianakis, Jason Sudeikis, Dyan McDermott, and Will Ferrell in The CampaignTHE CAMPAIGN

As the movie's trailers have been running since what feels like the last presidential campaign, it's understandable if viewers enter the Will Ferrell/Zach Galifianakis political spoof The Campaign worried that all of the hilarious bits have already been spoiled for them. The wonderful surprise of director Jay Roach's comedy, however, is that they haven't - not unless viewers have somehow been privy to a trailer that lasts 85 minutes.

Jonah Hill and Channing Tatum in 21 Jump Street21 JUMP STREET

As an undercover police officer who, in 21 Jump Street, can say to his platonic partner "I cherish you, man" in a way that's both hysterical and intensely touching, Jonah Hill possesses a rare gift for completely unembarrassed sincerity. By now, it should go without saying that Hill is a sensational verbal comedian and a fearless physical one. But as in his bro-mantic scenes opposite Michael Cera in Superbad, the actor brings to this action comedy something few others would think to: absolute honesty and emotional transparency. Hill is funny as hell here, but his character is never a joke.

Best Actress Meryl StreepThe first trophy handed out at the 2012 Academy Awards ceremony was for Best Cinematography, a prize that I predicted would go to The Tree of Life but that instead went to Hugo. (Seriously, after his undeserved losses for 2006's Children of Men and now the Terrence Malick film, exactly whom does Emmanuel Lubezki have to do to win an Oscar?) But that was actually my second incorrect assumption of the evening, because as soon as host Billy Crystal stepped on stage, I said to the others at my viewing party, "Here comes the standing ovation," and the audience - despite giving the man a warm reception - remained seated. Did the crowd have a collective premonition of just how spectacularly Crystal would bomb last night?

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