American Pioneer Music Says Campaign Songs Offer Unique Perspective on United States History

A new album of twelve 19th-century campaign songs, "Abraham Lincoln and the Election of 1864," explores the popular media that helped influence political history in the United States before the 24-hour cable news cycle, Twitter and presidential debates broadcast on YouTube, says American Pioneer Music Director of Research Stuart Schimler.

"Political campaign songs were a central part to how citizens perceived candidates in presidential elections, and the songs of 1864 give us insight into the critiques of Abraham Lincoln before he became a legend," says Schimler, whose company is the only record label to exclusively tackle this distinctly American folk and political history.

"Many of the themes expressed during 1864 are still relevant to today's topics, including the gold standard, income taxes, war profiteering, civil liberties and continuing a war that began to lose favor with the public."

To say the least, "Abraham Lincoln and the Election of 1864" is unusual - even for a concept album, says Schimler, who researched and selected the songs for the project.

Catchy campaign songs were an effective way of spreading messages. Promoters, politicians and supporters matched set their lyrics to popular Irish and Scottish melodies, minstrel songs and ballads.

In this compilation, American Pioneer Music offers a collection of interpretations of authentic songs from the political campaign of 1864, from both the Republican and Democratic parties. The powerful 19th century lyrics, with their accurate depiction of themes, language and sentiments of America at its critical juncture, are even more controversial in the 21st century.

Most 19th Century minstrels songs, such as "oh Susannah," "My Old Kentucky Home" and "Camptown Races" have offensive lyrics removed during recording sessions. American Pioneer Music decided to release the album with its original language as to not change the meaning of the songs. To fully understand the political culture of the time, listeners must be aware of the original lyrics. "Modern audiences can gain valuable insight into a heated presidential campaign," Schimler says. "This album is perfect for adults that want to experience American history."

About American Pioneer Music

American Pioneer Music L.L.C. was founded in 2013 to produce songs from the American experience, with an emphasis on presidential campaign tunes. The company is a one-of-a-kind entrepreneurial effort for a largely forgotten genre in both U.S. history and folk music. Its first release "Abraham Lincoln and the 1864 Election" is currently available on iTunes.

Mount Carroll, IL-- Timber Lake Playhouse (TLP) follows up its hit season opener, A Chorus Line, with the stage adaptation of Mitch Albom's Tuesdays With Morrie opening Thursday, June 20. Acclaimed Chicago director Chuck Smith returns to direct the show that stars longtime TLP favorites Robert Maher and Courtney Crouse in the story of an accomplished journalist who visits an old college professor and gets one final lesson on the meaning of life.

Mitch Albom's book has sold over 15 million copies worldwide since its release in 1997 and became a cultural touchstone. A TV movie starring Jack Lemmon was filmed in 1999. The stage adaptation was praised as "Unforgettable! No matter how well you tell the story, the play makes it more vivid, more humorous, more shattering."

To celebrate the life-affirming themes of the play, Timber Lake Playhouse is looking for people to share their own stories of their mentors. Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.

For Mitch Albom, that person was Morrie Schwartz, but most people have heroes in their lives they never thank. TLP will give away two tickets to each performance of Tuesdays With Morrie to people who have served as mentors to others. To nominate your mentor, email info@timberlakeplayhouse.org with your name, your mentor's name and contact information and a short explanation of how this person inspired you. TLP will pick 11 mentors to receive free tickets to the production.

Tuesdays With Morrie runs June 20-29 for 11 performances only. TLP is located at 8215 Black Oak Rd. in rural Mount Carroll, IL. Tickets are $15-23 and are available at the box office, by calling 815-244-2035 or visiting www.timberlakeplayhouse.org. Following Tuesdays With Morrie, TLP will present The Music Man July 5-14, Unnecessary Farce July 18-27, Monty Python's Spamalot August 1-11. Seussical, based on the books of Dr. Seuss, will be presented for children and families July 9, 11, 12 and 13 and August 6, 8, 9 and 10. All tickets to Seussical are only $6.


Full Production Credits:

TIMBER   LAKE   PLAYHOUSE presents

Mitch Albom's

Tuesdays With Morrie

by JEFFREY HATCHER AND MITCH ALBOM

BASED ON THE BOOK BY MITCH ALBOM

Directed by

CHUCK SMITH

Original New York production produced by

David S. Singer, Elizabeth Ireland McCann, Joey Parnes,

Amy & Scott Nederlander, Harold Thau,

Moira Wilson, Shadowcatcher Entertainment

Originally presented by New York Stage and Film Company and the Powerhouse Theatre at Vassar College, 2002.

Tuesdays With Morrie was supported by a playwright's residency and public staged readings at the 2001 O'Neill National Playwrights Conference of the Eugene O'Neill Theater Center, Waterford, CT.

Tuesdays With Morrie is presented through special arrangement with

Dramatists Play Service, Inc.

TLP Production Partner Sponsors:

Compliance Signs Kunes Country Auto Group

Suit Supply Chicago     Timber Lake Resort     Anonymous

This program is partially sponsored by a grant from the

Illinois Arts Council, a state agency.

Chuck Smith (Director) has served twelve consecutive seasons at TLP. A twenty-one year Goodman Theatre artistic staff member and an associate producer of Legacy Productions, a Chicago-based touring company, he recently received the 2012 Goodman Theatre August Wilson Award and the 2011  Lloyd Richards Directing Award with his production of Knock Me a Kiss at the National Black Theater Festival (winner of 11 New York  Audelco awards, including Director of a Dramatic production and Dramatic Production of the Year). Smith's Goodman credits include the Chicago premieres of By the way Meet Vera Stark, Race, The Good Negro, Proof and The Story; the world premieres of By the Music of the Spheres andThe Gift Horse; James Baldwin's The Amen Corner, which transferred to Boston's Huntington Theatre Company where it won the Independent Reviewers of New England (IRNE) Award for Best Direction; Lorraine Hansberry's A Raisin in the Sun; Pearl Cleage's Blues for an Alabama Sky; August Wilson's Ma Rainey's Black Bottom; the Fats Waller musical Ain't Misbehavin'; the 1993 to 1995 productions of A Christmas Carol; Crumbs From the Table of Joy; Vivisections from a Blown Mind; and The Meeting. He served as dramaturg for the world-premiere production of August Wilson's Gem of the Ocean at the Goodman. At Columbia College Chicago he was facilitator of the Theodore Ward Prize playwriting contest for 20 years and editor of the contest anthologies Seven Black Plays and Best Black Plays. He won a Chicago Emmy Award as associate producer/theatrical director for the NBC teleplay Crime of Innocence, and was theatrical director for the Emmy Award-winning Fast Break to Glory and the Emmy Award-nominated The Martin Luther King Suite. Mr. Smith is a 2003 inductee into the Chicago State University Gwendolyn Brooks Center's Literary Hall of Fame and a 2001 Chicago Tribune Chicagoan of the Year. He is the proud recipient of the 1982 Paul Robeson Award and the 1997 Award of Merit presented by the Black Theater Alliance of Chicago. He is currently a board member of the African American Arts Alliance of Chicago.

PRODUCTION STAFF

Production Stage Manager ...................................................................... Rena Waits

Stage Manager.............................................................. Mary-Catherine Mikalayunas

Scenic Designer........................................................................................... Loren Borja

Lighting Designer............................................................................ Tony Luetkenhaus

Costume Designer ............................................................................. Kelcey Matheny

Costume Shop Manager ...................................................................... Emma Crafton

Technical Director............................................................................... Roger Chapman

Properties Master ............................................................................... Tasha Sandage

Sound Designer/ Engineer........................................................................ Patrick Bley

Master Electrician.......................................................................... James Kolditz

Assistant Technical Director ................................................................. Carrie Peiffer

Scenic Artist ................................................................................. Catie DelleMonache

Carpenter ...................................................................................... Matthew Birchmeier

Costuming Assistant ...................................................................... Hollyann Lillie

###

A genius hero with a ridiculously long nose and a passion for poetry and love will have crowds roaring with laughter during Cyrano de Bergerac, July 11 - 13 and 18 - 20 at 8:00 p.m. The 18th annual production, directed by Richard Barker and starring Jason Alberty, will be one of the largest productions in the history of the Classics at Brucemore. The natural amphitheater near the estate's pond will provide an encompassing backdrop as sword-wielding brawls erupt amidst the audience and romantic verses gush on stage. The gates will open at 7:00 p.m.; audiences are encouraged to bring lawn chairs, blankets, picnics, and beverages to enjoy pre-show revelry.

Cyrano de Bergerac is an unabashed historical romance set in the 1640s featuring a swashbuckling hero. While first and foremost a passionate love story, the plot develops as a comedy with fast-paced action and a tragic ending. Despite his bravado, Cyrano suffers through unrequited love for Roxanne, whose eyes only see the dashing Christian. Many widely known adaptations have been made, including the film Roxanne, starring Steve Martin.

Advance tickets are $18 for adults and $15 for Brucemore members and students. All tickets at the gate are $20.  Tickets may be purchased online at www.brucemore.org, by calling (319) 362-7375, or by visiting the Brucemore Store located in the Visitor Center.

Sponsored by Rockwell Collins and media sponsored by The Gazette, KCRG-TV9, and Hoopla, Cyrano de Bergerac features a cast of the area's finest actors. Ten return to the Classics stage, including Jason Alberty, Angela Meisterling Billman, Andrew Clancey, Brett Engmark, Steve Ginsberg, Larry Hansen, Scott Humeston, Matthew James, Jim Kropa, Bill Lammers, Rob Merritt, David Morton, Marty Norton, Len Struttmann, and Cherryl Thomason. Making their Classics debut are Jon Day, Taylor Foster, Paul Freese, K. Michael Moore, Angie Toomsen, and Steve Worthington. For additional information, please visit the Brucemore website, www.brucemore.org.

The Classics at Brucemore began as collaboration between Torchlight Theatrics and Brucemore in 1996, thus launching outdoor theater in Eastern Iowa. The Classics celebrates a rich history of quality live theater, from Greek tragedy to Shakespearean comedy and twentieth century American drama. Much more than a play performed outdoors, the Classics fully utilizes the site as the natural amphitheater provides a lush backdrop and the outdoor environment is incorporated into the action ? actors emerge from the woods, get dunked in the pond, and help themselves to the audience's picnics.

Experience Brucemore, an unparalleled blend of tradition and culture, located at 2160 Linden Drive SE, Cedar Rapids, Iowa. At the heart of the historic 26-acre estate stands a nineteenth-century mansion filled with the stories of three Cedar Rapids families.  Concerts, theater, programs, and tours enliven the site and celebrate the heritage of a community.  For more information, call (319) 362-7375 or visit www.brucemore.org.

Join us for our Safety Fairs at either NorthPark or SouthPark Malls

Who: Safety is a top priority for our guests and retailers, and we strive to maintain a safe, enjoyable shopping environment at all times. This safety fair brings a heightened awareness to child and family safety by incorporating life-saving and family friendly activities for everyone.
Per Mar Security, Farmer's Insurance, the Chick-fil-A Cow and local Fire Departments will be on hand to talk about summer safety throughout both centers.

What: For more information on either Safety Fair, visit www.north-park-mall-ia.com/events or www.shopsouthparkmall-il.com/events, or follow us on Twitter @NorthParkMallIA or @SouthParkMallIL, and like us on Facebook at www.facebook.com/NorthParkMallIA or www.facebook.com/SouthParkMallIL.
For businesses that would like to participate or secure a booth, please contact Amanda at 563.391.6773 or amanda.vantheemsche@macerich.com.

Where:

NorthPark Mall - June 22, 2013 from 1p-4p
320 West Kimberly Road
Davenport, IA 52806

SouthPark Mall - June 29, 2013 from 1p-4p
4500 16th Street
Moline, IL 61265

Macerich is a fully integrated self-managed and self-administered real estate investment trust, which focuses on the acquisition, leasing, management, development and redevelopment of regional malls throughout the United States. Additional information about Macerich can be obtained from the Company's website at www.macerich.com.

By: Marsha Friedman

I was never a fan of the cocktail party-variety networking scene. I will never be one to dart around a room shoving business cards into people's hands. I prefer meaningful conversations with people, getting to know them and vice versa.

But social media networking? That's something different altogether. Done right, it's never a hit-and-run. Rather, it consists of building relationships over months and even years by sharing information - both professional and personal - through posts, comments and responding to questions in various online communities.

What's the return on investment, the ROI, for putting that kind of time into social media? Actually, it's called the RON - the "return on networking."

And for me, it's huge.

I've been on Facebook for five years; I also have Twitter, Google+ and LinkedIn accounts, among others. All totaled, I'm now approaching 100,000 friends, followers and connections. Those followers expose my name and message to their audiences every time they "like" one of my posts or share one of my links. Recently, someone re-tweeted something I'd shared on Twitter - he had 130,000 followers! That's a potential audience of 130,000 people I likely would have never reached otherwise.

Talk about exposure!

Who knows how many of those people may someday become my clients? Who cares? I'll still consider the exposure a good return on networking. Here's why.

The RON of social media isn't always tangible, not immediately, anyway. By establishing a continued presence online through regularly sharing content of use to my followers, I'm building my platform and my reputation as an expert. That grows in surprising ways - and it lives in surprising places.

A recent case in point: Late last year, I got a call from a prominent New York City hair stylist, the director of a salon in one of that city's premier department stores. He wanted to talk about some publicity needs and what my company could do to help him.

When I asked how he got my name, he explained he'd written some books over the years with a co-author, and she'd heard me at a speaking engagement.

Well, that made sense. Speaking at conferences is still a great way to get your name out while also building credibility.

But the next thing he said came as a complete surprise.

"So, then I contacted the corporate office (of the department store chain) and asked what PR agency they would recommend." And they recommended me and my company!

I don't know a soul in the corporate offices of that high-end retail chain. I can only guess they learned of me through social media.

Just being on Twitter or Google+ isn't enough, of course. You have to make a diligent effort to regularly post content that people find valuable, including links to informative articles, tips relevant to your topic, and/or informed insights on topics in the news.

You also have to "be a human," as our lead social media strategist, Jeni Hinojosa, likes to say. She and our other social media producers encourage clients to send photos when they go on vacation, celebrate milestones or engage in hobbies. Posting those photos with a comment adds a personal touch that allows followers to connect on a more emotional level.

Our social media producers also make sure clients' personalities shine in their posts, showing their sense of humor and letting followers in on the other things they care about, whether it's victims of a natural disaster or a favorite charity.

Interaction is equally important. Strive to respond to every comment or question posted on your networking sites. Interacting is engaging, and people who are engaged tend to be happy followers. The more you take part in conversations via comments and responses, the more lively and visible your presence becomes.

The RON includes increased traffic to your website; increased trust in your brand and what you're selling; and greater word of mouth than you could ever hope for by attending a cocktail party or even a speaking engagement.

About Marsha Friedman

Marsha Friedman is a 23-year veteran of the public relations industry. She is the CEO of EMSI Public Relations (www.emsincorporated.com), a national firm that provides PR strategy and publicity services to corporations, entertainers, authors and professional firms. Marsha is the author of Celebritize Yourself and she can also be heard weekly on her Blog Talk Radio Show, EMSI's PR Insider every Thursday at 3:00 PM EST. Follow her on Twitter: @marshafriedman.

Asbury United Methodist Church is hosting a "Partnering to EmPOWER" fundraising event for Winnie's Place on Tuesday, October 15th.  The team putting together the event is looking for vendors who would be interested in participating in this worthy cause. Booth fees are $15 for sales people and $25 for those providing a service (ALL booth fees will go to Winnie's Place). Vendors will also agree to donate 9% of their sales to Winnies Place, which corresponds to the statistic that every 9 seconds, a woman is abused. Interested vendors are asked to contact Heidi Lubben at hjlubben@aol.com for more details. Marketing packets for vendors will be available June 15th. The deadline for returning a signed vendor agreement is August 20th.

WELCOME

Tim Heim

Senior VP of  Sales & Marketing, Innkeeper Hospitality Services, LLP

&

Kristin McDaniel

Chief Marketing Executive, Royal Neighbors of America

 

They join current Board Members:

Frank Mitvalski, Board President, Califf & Harper

 

Jane Bahls, Secretary, Freelance Writer

 

Marty Kurtz, Treasurer, The Planning Center

 

Linda Bowers, LinguiSystems

 

Chad Ervin, US Bank

 

Suni Leinart, Vital Support Systems

 

Carol Ann Watkins, Arts Supporter

Amana -Join The Old Creamery Theatre for Young Audiences and follow the adventures of Worm, Spider and Fly from their first day of school through the last as they learn to dream big in this show filled with music and fun for all! Diary of a Worm, a Spider and a Fly opens June 15 on the Main Stage in Amana and runs through June 29.

The cast consists of Lou Petrucci, Beau Wilson, Hannah Spina, Jackie McCall, Lisa Crosby Wipperling and Eddie Skaggs. Directed by Sean McCall, Diary of a Worm, a Spider and a Fly was written by Joan Cushing.

Shows are at 1 p.m. on Saturdays, June 15, 22 and 29. Special weekday matinees are at 10 a.m. on Tuesday June 18, Thursday June 20, Wednesday June 26 and Thursday June 27. Tickets are $8.50 per person. Some weekday matinees are sold out so please call ahead to reserve your seats today. Diary of a Worm, a Spider and a Fly is sponsored by Scheels with Kiss Country 96.5 as the media sponsor.

The Old Creamery Theatre Company is a not-for-profit professional theatre founded in 1971 in Garrison, Iowa. The company is celebrating 42 years of bringing live, professional theatre to the people of Iowa and the Midwest.
Yarn Crafter Shares 4 Unexpected Benefits

The idea of "DIY" is definitely in vogue, bringing an upswing in popularity of knitting and crocheting, and there's no sign interest will wane anytime soon, says lifelong craftswoman Betty Hechtman.

"Pinterest and Etsy are two of the hottest websites online today, and they're brimming with hand-knitted items, from socks and scarves to purses and pretty much anything that can be made from yarn," says Hechtman, author of "Yarn to Go," (www.BettyHechtman.com), the first in a new cozy mystery series scheduled for publication in July by Berkley Prime Crime Books.

"The hand-knitted caps and sweaters that might have embarrassed us as kids are now a hip expression of artistry," she says. "Young adults appreciate originality and craftsmanship, and they're an innovative bunch. They're doing amazing things with yarn!"

Surprisingly, she notes, crocheting is even more popular than knitting. It's No. 3 on the top 10 U.S. crafts list compiled by the Craft and Hobby Association, with 17.4 million devotees. Knitting comes in at No. 9 with 13 million needle fans.

"What's interesting is people say they're drawn to yarn crafts because of the creativity," Hechtman says, citing a Craft Yarn Council survey of more than 5,000 knitters. "But once they get into it, they say they realize it also helps with stress."

That's just one of the unexpected benefits of time spent knitting and crocheting. Hechtman cites four more:

• Knitting (and crochet) actually produce beneficial physical changes! Spend enough time with your needles or a hook and yarn, and you can strengthen your immune system, lower your blood pressure, and change your brain chemistry to reduce stress hormones and increase the natural "happy" neurotransmitters, serotonin and dopamine. These findings were reported last year at an "academic study day" in England on the therapeutic benefits of knitting.

• It won't leave you feeling groggy in the morning. Having trouble sleeping? Instead of reaching for a pill, pick up a yarn project an hour or so before bedtime. The calming repetition of knitting or crocheting slows restless, racing thoughts and helps us transition from busy day to quiet, restful night.

• Keep your hands out of trouble. Are you trying to quit smoking and don't know what to do with yourself? How about biting your nails? Have you become obsessed with checking your social media? Crocheting or knitting keeps hands busy - and out of trouble - while you're traveling, waiting at the doctor's office or sitting at your kid's soccer game. And, unlike smoking, nail-biting and wasting time on Facebook, the result of knitting and crocheting is a positive one.

• Make new friends. An internet survey of 3,500 knitters found 90 percent made new friends through the craft. One of the beautiful aspects of yarn work is that you can do it alone or in a group. In fact, the opportunities to socialize seem to be driving the strong interest from young adults, who meet at bars, Starbucks and office lunchrooms for a good stitch session, according to the yarn council. People who are alone much of the time are more prone to depression and other mental health issues, getting together for a knit with friends is good for you!

About Betty Hechtman

Betty Hechtman is the author of "Yarn to Go," the first book in the Berkley Prime Crime Yarn Retreat mystery series, as well as the author of the best-selling Berkley Prime Crime Crochet  mystery series. The eighth book, "For Better or Worsted," comes out in November.  She has also written newspaper and magazine pieces, short stories and screenplays as well as a children's culinary mystery. She has a bachelor of fine arts degree and has been active in handicrafts since she was a small child. Hechtman divides her time between Los Angeles and Chicago.

Davenport, Iowa (May 30, 2013) - Questionable Architecture: Terry Rathje in Collaboration with Steve Banks and Monica Correia is the latest exhibition to open at the Figge Art Museum. The exhibition will be on view in the Figge's fourth floor gallery starting this Saturday June 1 and will be on view through August 25.

This multi-structure sculptural installation is the inspiration of Quad Cities artist and assistant professor of graphic design at Western Illinois University, Terry Rathje, who conceived of this "Village in the Figge" with the collaboration of designer Monica Correia and artist Steve Banks.  The installation explores the interaction of function and form in multiple structures designed digitally or scratch built by hand. Inspired by stupas, pagodas, ziggurats and roadside shrines, these structures are a mix of sculpture and architecture whose fanciful and imaginative designs have a visual impact completely unrelated to their use.

The show will include movable structures made of repurposed materials as well as a unique structure designed by computer and assembled onsite that visitors will be invited to enter. "After several years of building separate structures such as these which reference vernacular architecture, it was natural to imagine what many of them together might look like as a portable village, one that might pick up and move to a new location if conditions warranted," said Rathje.

The opening reception for this exhibition will be held at the museum beginning at 5:30 pm on Friday and is free with membership or paid admission.

About the Artists

Terry Rathje received his MFA in 3D Design from the University of Iowa, and has created site-specific sculptures in many venues throughout the region, in addition to exhibiting his constructions and assemblage pieces. Monica Correia is Associate Professor of Design at the University of Iowa. A native of Brazil, she has extensive experience as a designer in Brazil and in the U.S. Quad Cities artist Steve Banks, a graduate of Florida State University, creates multi-media works that combine sculptural and painted elements.

 

About the Figge Art Museum

The Figge Art Museum is located on the riverfront in downtown Davenport at 225 West Second Street. Hours are from 10 a.m. to 5 p.m., Tuesday through Saturday and Sundays 12-5 p.m. Thursdays the museum is open until 9 p.m. Admission to the museum and tour is $7. Admission is free to Figge members and institutional members and free to all on Thursday evenings from 5 p.m. - 9 p.m.. To contact the museum, please call 563.326.7804, or visit www.figgeartmuseum.org.

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