Essentials Tyson Danner (left) and James Bleecker (standing), with Jackie Madunic and Jason Platt, in Angels in America: Perestroika For the third year in a row, I've composed a list of 12 area-theatre participants who devoted their time, energy, and skills to numerous theatrical organizations and venues during the past year. And once again - happily and inspiringly - it hasn't been necessary to repeat names from one year to the next; local theatre, to the great good fortune of local audiences, never seems to run out of talent.

Andy Koski and Aisha Ragheb in Romeo and Juliet More than a third of the area productions I attended this year - a whopping 35 of them - I saw in the 91-day span from May 17 to August 15. And more than half of those shows - 19 in all - were produced by a combined five theatre organizations: Rock Island's Genesius Guild, Eldridge's Countryside Community Theatre, the Clinton Area Showboat Theatre (CAST), Mt. Carroll's Timber Lake Playhouse, and Davenport's newly established Riverbend Theatre Collective. My experiences with this quintet formed a fascinating theatrical journey, one boasting plenty of highs, occasional lows, randomly bitchy Web-site comments ... .

Maggie Woolley and Jake Walker in As Bees in Honey Drown If you diagrammed the experience of the Riverbend Theatre Collective's As Bees in Honey Drown, it would look something like a roller coaster: There'd be an extended incline followed by a precipitous drop, several more inclines each followed by lesser drops, a few twists, and an eventual return to your point of origin. And as with a roller coaster, you might find yourself having a terrific time during Bees' ride, even if your enjoyment wears off quickly, and a few of its shakier moments give you a headache.

Aaron Sullivan, Denise Yoder, Dustin Oliver, Jaci Entwisle, and Peggy FreemanIn a theatre weekend that found me attending a Rodgers & Hammerstein musical, a Kaufman & Hart play, a Shakespeare, and a pseudo-Shakespeare, I have to admit that, with the Riverbend Theatre Collective's presentation of Kimberly Akimbo, I was so psyched to see actors in modern dress screaming obscenities at one another that I could barely contain myself.

the cast of Elegies: A Song Cycle From the opening minutes of Elegies: A Song Cycle, the debut presentation by the Riverbend Theatre Collective, it's clear that the production is going to be beautifully performed. An uninterrupted, 90-minute collection of reminiscences by composer William Finn, the revue finds Allison Collins-Elfline, Patrick Gimm, Jackie Madunic, Dana Joel Nicholson, and Bryan J. Tank offering musical tributes to people (and pets) that Finn loved and lost, and they form an intimidatingly strong vocal ensemble, excellent in their solos and even finer in harmony.

the Elegies ensemble Describing composer William Finn's Elegies: A Song Cycle, the first presentation by the Quad Cities' new theatrical company the Riverbend Theatre Collective, artistic director Allison Collins-Elfline says of the show, "It's quirky, it's fun, it's upbeat ... ."

Yet it's also a considerable risk for a fledgling theatrical organization's first outing, as the subject of the Tony-winning composer's quirky, fun, upbeat musical revue is, as its title suggests, death. "An elegy is a hymn of praise for someone who has passed on," states Collins-Elfline, "and Elegies is about all the people William Finn knew that he's lost."