Christina Marie MyattIn 2005, Christina Marie Myatt - president of the Countryside Community Theatre's board of directors and owner/artistic director of Davenport's Center Stage Performing Arts Academy - was diagnosed with breast cancer. And not long afterward, as she recalled in our interview, she received a visit from her parents.

"They came out when I was getting ready to go for chemotherapy for the first time," says Myatt, "and my dad said, 'I brought you a gift.' I opened it, and it was his Purple Heart from when he was in Vietnam. And I said, 'Why would you give this to me? I can't take this.' And he said, 'When they hand you this medal, they tell you that this medal is for bravery in the face of an unseen enemy. And watching you, that is what you are doing right now.'"

Andy Koski and Aisha Ragheb in Romeo and Juliet More than a third of the area productions I attended this year - a whopping 35 of them - I saw in the 91-day span from May 17 to August 15. And more than half of those shows - 19 in all - were produced by a combined five theatre organizations: Rock Island's Genesius Guild, Eldridge's Countryside Community Theatre, the Clinton Area Showboat Theatre (CAST), Mt. Carroll's Timber Lake Playhouse, and Davenport's newly established Riverbend Theatre Collective. My experiences with this quintet formed a fascinating theatrical journey, one boasting plenty of highs, occasional lows, randomly bitchy Web-site comments ... .

Hairspray at the Adler Theatre On August 17, the Richmond Hill Barn Theatre's production of Tom Stoppard's Arcadia marked the last theatrical production I'd see this summer - the 29th show I caught over the span of 12 weeks - and in truth, I'm kind of bummed that the season is over. But it will be nice to have a few days when I'm, you know, not working, so I'm also looking forward to the fall, when instead of 29 shows, theatre-goers only have the opportunity to see ... 38.

the Seussical ensemble No childless adult should feel the least bit silly about attending the Countryside Community Theatre's madly enjoyable production of Seussical.

But just in case the thought of a family-friendly evening of candy-colored costumes and rhyming couplets gives you pause, know that by missing this production, you'll miss what might stand as the musical-comedy performance of the year. As the Cat in the Hat, Nathan Meyer is giving the sort of fiercely committed, ceaselessly inspired portrayal that feels like the reason God invented musical comedy.