True to Steve Martin’s storytelling sensibility, Bright Star is full of heart, laced with tragedy, and balanced by moments of laugh-out-loud humor. Oh, and there’s plenty of banjo.

I’ve never been disappointed to spend a Sunday in the park with Shakespeare, though I am grateful that, this past Sunday night, the weather was fairly mild for July. I admit to being only vaguely familiar with Antony & Cleopatra before the evening commenced, but I was not fully anticipating the story to be as epic as it was in director Alaina Pascarella’s production.

The Timber Lake Playhouse continues its hot streak with Waitress, directed and choreographed by Jennifer Hemphill. A crowd-pleaser through and through, with a charming book that's further buoyed by a wonderfully diverse cast of performers, this production is a saccharine slice of heaven.

Alexander Richardson calls this "a love letter to community theatre," and if you've ever been in a show, played on a team, had a job, been part of a family, or met at least one other person in your life, you may recognize at least some of these situations.

Consider this a "prom-vitation" to enjoy Quad City Music Guild's tuneful, touching, terrifically funny The Prom, its music by Matthew Sklar, lyrics by Chad Beguelin, and book by Beguelin and Bob Martin.

M: The comedy relies a lot on broad stereotypes, if you know what I mean.

K: (rolls eyes)

Kitty: I just want to start by saying that Harmoni Eiland is such a strong lead.

Mischa: Absolutely!

I now know how the Grinch felt when his heart grew three sizes, because I surprisingly, actually, thoroughly enjoyed the Clinton Area Showboat Theatre's and director/choreographer Jenna Schoppe’s production of Joseph & the Amazing Technicolor Dreamcoat. Which will be a shock to anyone who knows me, because they also know how much I hate(d) Joseph. But Clinton’s latest has made me a believer.

There are three main villains from childhood fiction that still occasionally haunt my nightmares – my terror trifecta, if you will: the Child Catcher from Chitty Chitty Bang Bang, Barnaby from Babes in Toyland, and Miss Viola Swamp from Miss Nelson Is Missing! So naturally, I was both excited and terrified when I took my seat at the Playcrafters Barn Theatre.

T Green's and Calvin Vo's production hooked me from the start – the performers are lively, fully present, and engaged in their scenes, and usually moved and spoke naturally, with excellent projection and diction.

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