If you don't think opera can be frivolous and fun, Opera Quad Cities will prove otherwise, with a big dollop of flair and abundant thrills for the ear and eye.

They're creepy and they’re kooky, but I must tell you: For a musical comedy about a clan that generally lacks enthusiasm for anything other than the macabre, the Clinton Area Showboat Theatre's The Addams Family was truly a high-energy showcase of talent and spectacle. Director Courtney Ryan Crouse, who's also the company's artistic director, brought the ghoulish tale to light in a way that was hysterically heartwarming.

M: With its familiar storyline, a lot of talent on and off stage, and a full helping of over-the-top silliness, it really hits most of the right notes.

K: You know who was hitting all the right notes?

M: Could you possibly mean Lauren VanSpeybroeck and Casey Scott?

K: I could!

The Avenue Q book writer, a Tony Award-winning lyricist, a Pulitzer Prize-winning composer, and the creator of Hamilton collaborate on a musical that's a hybrid of Hairspray, Mean Girls, and Sister Act II. You in? You should be.

For Oedipus Rex, veteran director and actor Michael Callahan was wise to choose a translation by Ian Johnston, written in contemporary English, rather than an archaic version (i.e., one employing 17th-century "thou"s). We're also spared a script written in verse, as continued rhymes might've become irritating in a stage work lasting this long.

It’s really a shame there are only six performances left of Arthur & Friends Make a Musical!, because truly, the Circa '21 Dinner Playhouse's latest family entertainment was a fun show full of surprises and little touches that make the hour fly by. From the cast taking over the pre-show announcements to dancing off stage to a certain theme song, director Kiera Lynn’s small-but-mighty cast packs a big, big punch.

Kitty: For me, Fun Home is what would happen if Tennessee Williams made a musical.

Mischa: Okay, intriguing … could you spell that out more specifically?

It must be summer again, because on Friday night, I found myself on my annual pilgrimage north through hordes of mayflies to attend the start of the new Timber Lake Playhouse season. Critiquing shows is always a bit of a dice roll: Will it be moving or boring? Director Tommy Ranieri's Saturday Night Fever is more of the former, and an extraordinary start to the summer-stock season.

In Steel Magnolias, first-time director and backstage veteran Megan McConville has assembled an able cast and crew, and created an eye-pleasing, engaging experience with fine production values.

Featuring only two actors, Marry Me a Little involves The Boy (Thayne Lamb) and The Girl (Sydney Crumbleholme) – upstairs/downstairs apartment neighbors in New York City – and this piece, with no spoken dialogue, is told only through numbers boasting music and lyrics by Stephen Sondheim. Yet even with the songs, the show felt disjointed, and I never truly understood what creators Craig Lucas and Norman René wanted us to take from this collection.

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