It was a familiar sort of tale at the Richmond Hill Barn Theatre on Thursday’s opening night. Girl dates boy. Boy is set to propose but girl overhears and misunderstands the situation. Hijinks ensue. And, though things inevitably turn out okay, there’s still a plot twist or two to be had. But instead of just seeing the action, we also get to hear the action that’s running through our main character’s head thanks to her five Egos.

Are you in need of refreshment? The Circa '21 Dinner Playhouse offers us an Escape to Margaritaville – just the sunny, tropical-fruit-garnished tonic for those of us who'd love a Caribbean getaway, but can't get away.

Othello is one of the great Shakespearean tragedies – but Genesius Guild’s take on Shakespeare's material was much more than tragic.

If fellow Reader reviewer Alex Richardson can publicly declare his distaste for Rodgers and Hammerstein, I feel safe sharing my own opinion that Tennessee Williams and The Glass Menagerie are overrated.

Directors Noah Hill and Rebecca Casad, and music directors Ryan J. Hurdle and Katie Griswold, make this smooth production – which boasts ample vulgar language – more delightful and engaging than my already-high hopes anticipated.

This Rodgers and Hammerstein classic is another one of those shows that I appreciate, but am not necessarily a huge fan of. However, after attending the Saturday matinėe of the Timber Lake Playhouse’s production, the musical grew on me. It was a touching, endearing, and eventually somber theatre experience.

If you’re finding yourself sick of the heat and air-quality alerts of 2023, then boy oh boy does Countryside Community Theatre have a cool '80s throwback treat for you: their current production of Footloose.

Director Dee Canfield and assistant director Mischa Hooker are accomplished actors, and know this stage, the material, and this mythos very well. They've assembled a fine production – one absorbing and enjoyable for everyone, whether you're a Greek geek or not.

As the second professional production of the Clinton Area Showboat Theatre’s summer season, Young Frankenstein delivered a show of monstrously impressive proportions.

My exposure to Alfred Hitchcock's work has been fairly minimal, and aside from seeing a few clips, my total time spent with his films is close to zero. But several years ago, I did attend a stage version of Hitchcock's movie The 39 Steps, a play adapted by Patrick Barlow from John Bucan’s novel. And this past Friday, I caught in another in director James Beaudry's Timber Lake Playhouse’s production, which was largely a fun romp in the woods.

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