Entering the Playcrafters Barn Theatre for Friday’s opening night of Little Women, I had a certain number of expectations. Like most people, I’m familiar with Louisa May Alcott’s story, so I was prepared for some joys, some sorrows, and the four March sisters. I wasn’t, however, anticipating Reader reviewer Roger Pavey Jr.’s scenic design to blow me out of the water before the show even began.

It was a familiar sort of tale at the Richmond Hill Barn Theatre on Thursday’s opening night. Girl dates boy. Boy is set to propose but girl overhears and misunderstands the situation. Hijinks ensue. And, though things inevitably turn out okay, there’s still a plot twist or two to be had. But instead of just seeing the action, we also get to hear the action that’s running through our main character’s head thanks to her five Egos.

Othello is one of the great Shakespearean tragedies – but Genesius Guild’s take on Shakespeare's material was much more than tragic.

Directors Noah Hill and Rebecca Casad, and music directors Ryan J. Hurdle and Katie Griswold, make this smooth production – which boasts ample vulgar language – more delightful and engaging than my already-high hopes anticipated.