In New Ground Theatre's current production of playwright Julie Marie Myatt's Cowbird, Patti Flaherty is a glorious wreck.
The Harrison Hilltop Theatre's latest presentation is playwright Kathleen Anderson-Curado's La Llorona, and you won't be reading the review I originally set out to write, because after more than 1,000 words of trying, I couldn't find a way to finish it.
Few things are tougher, or more pointless, to explain than the reasoning behind why a joke is funny. I think I've got a topper, though: The reasoning for why a joke isn't funny - at least to you - even though a hundred-plus people are roaring at it.
With the current Much Ado About Nothing, I've now attended 10 presentations by the classical-theatre troupe the Prenzie Players, and perhaps fittingly, it's maybe the most sheerly Prenzie Prenzie production I've yet seen.
There's a special thrill you get from a stage work that seems not just beautifully, but perfectly cast, and following the curtain call for the Green Room's Friday-evening presentation of Doubt: A Parable - currently playing at the Harrison Hilltop Theatre - that thrill stuck with me for the rest of the night, and into the next day.
Granted, it's only February. But after seeing the Richmond Hill Barn Theatre's Thursday-night presentation of Almost, Maine, I thought a reasonable case could already be made for actors Jessica Nicol and Chris White emerging as area theatre's most endearing romantic pairing for 2009. Although, to be fair, the accolade could just as easily go to Nicol and Almost, Maine co-star Jason Platt. Or to Platt and co-star Stacy Herrick. Or to Herrick and co-star Alex Klimkewicz. Or to White and Platt. Whichever.
One of the great joys of having attended so many collegiate productions over the past several years has been in watching promising freshman performers grow into confident and inspired senior performers.
The Harrison Hilltop Theatre's opening-night production of True West, Sam Shepard's savage sibling-rivalry comedy, was an almost ridiculous amount of fun. Yet I'm hesitant about describing how much fun it was, because it's doubtful - if not impossible - that subsequent audiences will be witness to the astounding, downright magical blend of accident and inventive improvisation that accompanied Thursday's presentation. Unless, that is, actor Andrew Harvey is again able to pull off that bit with the spoon. And actor Eddie Staver III is again able to make the slice of bread stick to the wall. And the cuckoo clock is repaired.
Set in 17th Century France, Augustana College's production of the Molière comedy The Learned Ladies takes place in the salon of a Paris manor, and among the first things you notice about Adam Parboosingh's scenic design are the stacks of books standing five feet high from the floor. It's actually impossible not to notice them, as the (prop) books have been painted in a variety of bright colors that make them resemble oversize, rectangular Skittles, or perhaps the reading material for Belle's library in Disney's Beauty & the Beast. They're certainly eye-catching, but there's no way anyone could mistake them for, you know, real books, and The Learned Ladies itself turns out to be a lot like them - deliberately artificial, kind of amusing, and, unfortunately, pretty much divorced from real-world experience.Subscribe & Listen to Reader Podcasts
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