For Oedipus Rex, veteran director and actor Michael Callahan was wise to choose a translation by Ian Johnston, written in contemporary English, rather than an archaic version (i.e., one employing 17th-century "thou"s). We're also spared a script written in verse, as continued rhymes might've become irritating in a stage work lasting this long.

M: With its familiar storyline, a lot of talent on and off stage, and a full helping of over-the-top silliness, it really hits most of the right notes.

K: You know who was hitting all the right notes?

M: Could you possibly mean Lauren VanSpeybroeck and Casey Scott?

K: I could!

The Avenue Q book writer, a Tony Award-winning lyricist, a Pulitzer Prize-winning composer, and the creator of Hamilton collaborate on a musical that's a hybrid of Hairspray, Mean Girls, and Sister Act II. You in? You should be.

It’s really a shame there are only six performances left of Arthur & Friends Make a Musical!, because truly, the Circa '21 Dinner Playhouse's latest family entertainment was a fun show full of surprises and little touches that make the hour fly by. From the cast taking over the pre-show announcements to dancing off stage to a certain theme song, director Kiera Lynn’s small-but-mighty cast packs a big, big punch.

Kitty: For me, Fun Home is what would happen if Tennessee Williams made a musical.

Mischa: Okay, intriguing … could you spell that out more specifically?

It must be summer again, because on Friday night, I found myself on my annual pilgrimage north through hordes of mayflies to attend the start of the new Timber Lake Playhouse season. Critiquing shows is always a bit of a dice roll: Will it be moving or boring? Director Tommy Ranieri's Saturday Night Fever is more of the former, and an extraordinary start to the summer-stock season.

Given that the new Pope hails from Chicago, it’s likely you’ve heard an uptick of talk of that town in the last week or so. But let me tell you: There’s another Chicago you ought to be talking about, because the current production running at the Circa '21 Dinner Playhouse, directed and choreographed by Ashley Becher, is a visual spectacular and features, I wager, some of the best dancing I’ve ever seen on that stage.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Mischa Hooker, Kitty Israel, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

In Steel Magnolias, first-time director and backstage veteran Megan McConville has assembled an able cast and crew, and created an eye-pleasing, engaging experience with fine production values.

Featuring only two actors, Marry Me a Little involves The Boy (Thayne Lamb) and The Girl (Sydney Crumbleholme) – upstairs/downstairs apartment neighbors in New York City – and this piece, with no spoken dialogue, is told only through numbers boasting music and lyrics by Stephen Sondheim. Yet even with the songs, the show felt disjointed, and I never truly understood what creators Craig Lucas and Norman René wanted us to take from this collection.

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