Kevin James and Adam Sandler in I Now Pronounce You Chuck & LarryI NOW PRONOUNCE YOU CHUCK & LARRY

Movies released by Adam Sandler's Happy Madison production company have always been easily described in a sentence. With I Now Pronounce You Chuck & Larry, we finally have one that can be described in a title.

John Travolta and Nikki Blonsky in HairsprayHAIRSPRAY

Adam Shankman's Hairspray, adapted from the long-running Broadway musical, is like a sugar high that lasts 105 minutes. Yet it's a high that you don't crash from afterwards; days after seeing it, you may still find yourself in thrall to its infectious exuberance. Not only is the film the happiest surprise of the summer, it's the happiest surprise of the year - a giggly pop fantasia exploding with exhilaration and imagination. Audience members who don't like Hairspray won't be people who don't care for musicals; they'll be people who don't much care for movies.

Spiro Bruskas, Craig Michaels, and Scott Naumann in Flaming Idiots On Friday night, I attended a comedic farce that featured slamming doors, mistaken identities, gunshots, an unhelpful cop, a heavily accented mobster, an attractive woman getting sloppy drunk, and a finale that found characters staring with amazement at a briefcase filled with cash.

And on Saturday, I attended another one.

Alison Nicole Luff, Jennifer Gilbert, Joshua Estrada, and Joshua Wright in I Love You, You're Perfect, Now ChangeI Love You, You're Perfect, Now Change is composed of 20 comic vignettes that explore the difficulty of modern relationships, and at the Clinton Area Showboat Theatre's Wednesday-night performance of the musical, one scene found a young man (Joshua Estrada) overwhelmed by the kid-crazy perkiness of his new-parent friends (Alison Nicole Luff and Joshua Wright).

As the pair gabbed incessantly about baby's first words and his poop, they juggled baby monitors and toys, and at one point, Wright accidentally dropped one of the child's playthings on the floor. Without missing a beat, Luff, in an obvious ad lib, instructed her husband, "Sterilize that," and the vignette would have continued uninterrupted if our audience's delighted, laughing-and-applauding reaction to the improvisation hadn't forced them to pause.

Angie Keeney, Don Hazen, Jim Pearce, and Don Faust in A Few Good Men Imagine an episode of TV's The West Wing performed at half-speed, and underwater, and you may begin to approximate the experience of the Richmond Hill Barn Theatre's opening-night performance of A Few Good Men.

Daniel Radcliffe in Harry Potter & the Order of the PhoenixHARRY POTTER & THE ORDER OF THE PHOENIX

I have no idea whether Alan Rickman, who portrays the impenetrable, vaguely sinister wizard Severus Snape in the Harry Potter films, realized that the Harry Potter & the Order of the Phoenix movie would hit screens 10 days before the release of J.K. Rowling's seventh (and purportedly final) Potter book. But Rickman's portrayal seems so shrewdly tied in to readers' hunger for a new installment - and their passionate "Is Snape a villain or isn't he?" debate - that, with very little screen time to do it in, he practically emerges as the film's star.

Issue 641 Like most family reunions, this one starts with a scrapbook.

I'm sitting with three of the early, still-active members of Rock Island's improvisational comedy troupe, ComedySportz: Jeff Adamson, Don Abbott, and Brad Hauskins. Original team member - and current Californian - Tom Hart is joining us, and for this gathering of improv veterans, Jeff has brought along an album, filled with ComedySportz photographs and news clippings from the early 1990s.

Some of those in the photos are still with the organization. Most aren't. And when Brad lands on a picture that features the smiling visages of Jeff, Don, Tom, and himself, he's quick to point out that something else is no longer with the organization, either.

"Look at that," Brad says, pointing at a 15-years-younger version of himself. "Hair."

ComedySportz circa 1990 Founded by Wisconsin native Dick Chudnow, ComedySportz originated in Milwaukee in 1984, and has grown to include troupes in 21 cities nationwide, with another based in Manchester, England. As its name implies, this stage entertainment turns the art of improv into something of a team sport. (In America, at least, the show even begins with the singing of the National Anthem.)

Dallas Drummond, Chris Castle, and Nathan Batles in Joseph & the Amazing Technicolor Dreamcoat When I learned that Quad City Music Guild's new presentation of Joseph & the Amazing Technicolor Dreamcoat would feature a cast of nearly a hundred - 98, to be exact - I was both thrilled and slightly concerned. Thrilled because ... well, come on, what fan of musicals wouldn't want to see and hear an assemblage of that many performers?

But my concern stemmed from wondering what director Harold Truitt was going to do with them all. Even with 56 members of the children's chorus seated on both sides of the stage, apart from the main action, 42 seemed a rather excessive number of participants for this enjoyably featherweight biblical piece. Would Joseph's enormity prove beneficial, or detrimental?

Boib Hanske, Patti Flaherty, and James J. Loula in Medea Euripides' Medea, the title character of the Greek drama currently being produced in Rock Island's Lincoln Park, is a vengeful sorceress who - after discovering the unfaithfulness of her lover, Jason - kills Jason's wife, the king of Corinth, and, in her most monstrous act, her two young sons. And while I'm not sure what it says about me, I may have had more sheer fun at this Genesius Guild endeavor than at any other I've seen over the past two years. With superior direction by Peggy Hanske, this Medea is a vibrantly dramatic, unexpectedly funny, and completely accessible version of the classic tale, and it's the most consistently well-acted Genesius Guild production I've yet seen.

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