With the professional company's annual, yet all-new, presentation of Love Stories being staged at Davenport's Outing Club on February 10 and 11 – audiences for the 2023 edition will be treated to a little bit of everything: classical dance, modern dance, lyrical dance; Bach, Debussy, Sonny Rollins with the Modern Jazz Quartet. But while the performances come with either a served dinner or desserts available for purchase, Artistic Director Courtney Lyon has has another food reference for what patrons can expect: “It's kind of like a buffet,” she says. “You get to try to a lot of different things.”

The January 24 reveal of this year's Oscar nominees brought with it the usual amount of pleasures, disappointments, and surprises, as well as our annual reminder that not every movie voters get to see is one Quad Citians have been able to see. Two of the stragglers, however, managed to secure local releases this past weekend. Another contender has been available for rental and purchase for weeks, but found itself as perhaps the title that Academy Awards completists wanted/needed to catch up with above all others.

While the announcement itself provided a bunch of welcome confirmations and surprises, as well as the obligatory less-welcome ones, the most gratifying thing about the roughly 20-minute presentation of Oscar nominees was our again being able to hear in-the-moment gasps, whoops, and even, for one category, laughs with the lists of names and titles. Especially titles. But we'll get to that.

If any movie this season can truly unify parents with their teenagers, it'll likely be Missing, the new mystery thriller whose morals can be effectively boiled down to “You need to always be honest with me, Mom” and “You need to pick up when I call, sweetie.”

Blockbuster sequels to 13- and 36-year-old films nominated for Best Picture with no correlating nods for directing, acting, or writing, An independent release cited for directing, acting, and writing nods with no corresponding Best Picture acknowledgment. The most nods of the year – 11 in all – awarded to a foreign-language remake that debuted on Netflix. Welcome, folks, to my official, inevitably misguided attempts at predicting the January 24 Oscar nominations!

I, personally, found the experience of Skinamarink extremely tiresome and legit-scary for maybe 100 seconds of its 100-minute running length. Dammit, though, if I can't get this thing out of my head.

There's no doubt a smarter, meaner movie tucked inside director Gerard Johnstone's M3GAN, but the largely dopey, relatively tame one we're given is a lot of fun, too.

Before composing my annual list of adored movies from the past year, I gave serious thought to continuing the presentation I initiated in the first year of COVID, with write-ups on 20 favorites from 2020 followed by 21 favorites from 2021. Certainly, there were 22 winners from 2022 to emphatically celebrate, yes? Well … yes and no.

Over the course of three hours and nine minutes, there's one sensationally effective, entertaining, and even educational sequence in Damien Chazelle's Babylon even if, like everything else in this wildly indulgent and obnoxious old-Hollywood saga, it, too, eventually gets royally effed up.

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