Jennifer Garner, Queen Latifah, and Kylie Rogers in Miracles from HeavenMIRACLES FROM HEAVEN

If you’ve seen its previews, which appear to give away every nanosecond of its plot, you’d be right in guessing that the inspirational drama Miracles from Heaven is not for those who like surprises. (Although you won’t realize it until you see the film, even the narrative’s climactic shot is given away in the preview.) But as wholly surprise-free outings go, director Patricia Riggen’s adaptation of Christy Beam’s memoir is an earnest and effective tearjerker, and sometimes even more than that. On at least three separate occasions, my stomach muscles were aching from withholding those trying-not-to-audibly-sob sobs that can make movie-viewing indistinguishable from a lower-ab workout.

Heart on May 17Events

i wireless Center

March through June

 

Shall we commence? If you’re a staff member at Moline’s i wireless Center, the only answer to that question is “Heck, yeah, we shall!” Because in its season featuring two-dozen events open to the public, a full 11 of them are commencements, as students and their families – from May 15 to June 5 – celebrate graduations from area colleges (Augustana, Scott, Black Hawk), universities (St. Ambrose, Western Illinois), and high schools (Rock Island, Pleasant Valley, North Scott, and Davenport North, West, and Central). Consequently, a bunch of you will already be spending time at the i wireless at least once this spring. But I urge you to also consider several additional visits, considering how many springtime engagements will leave patrons with the urge to cheer and throw their hats in the air.

Brushville @ RIBCO - March 19MUSIC

Thursday, March 17 – The Beggarmen. A St. Patrick’s Day concert with the Celtic musicians. Coralville Center for the Performing Arts (1301 Fifth Street, Coralville). 7:30 p.m. $10-15. For tickets and information, call (319)248-9370 or visit CoralvilleArts.org.

Friday, March 18 – Spring-Queening. Tribute concert to Queen featuring Alan Sweet as Freddie Mercury, Bret Dale as Brian May, David Abdo as John Deacon, and Erik Wilson as Roger Taylor, plus The Dawn delivering a David Bowie tribute. Redstone Room (129 Main Street, Davenport). 9 p.m. $16.75-20. For tickets and information, call (563)326-1333 or visit RiverMusicExperience.org.

Friday, March 18 – Bucktown Revue. Celebration of Mississippi River Valley culture through music, storytelling, poetry and humor; with emcee Scott Tunnicliff and special guests. Nighswander Theatre (2822 Eastern Avenue, Davenport). 7 p.m. $13 at the door. For information, call (563)940-0508 or visit BucktownRevue.com.

Saturday, March 19 – Brushville. Concert with the nationally touring country musicians. Rock Island Brewing Company (1815 Second Avenue, Rock Island). 9 p.m. For tickets and information, call (309)793-1999 or visit RIBCO.com.

Saturday, March 19 – Téada. Internationally touring Irish musicians in concert, with a performance by dancer Brian Cunningham. Ohnward Fine Arts Center (1215 East Platt Street, Maquoketa). 7 p.m. $13-25. For tickets and information, call (563)652-9815 or visit OhnwardFineArtsCenter.com.

Sunday, March 20 – The Billy Foster Quartet. A 6 p.m. concert in Polyrhythms’ Third Sunday Jazz & Matinée Series featuring pianist Billy Foster and vocalist Renee Miles-Foster, preceded by a 3 p.m. “Demystifying Jazz” workshop. Redstone Room (129 Main Street, Davenport). $10-15 concert, $5 workshop (free for kids). For information, call (309)373-0790 or visit Polyrhythms.org or RiverMusicExperience.org.

John Gallagher Jr., Mary Elizabeth Winstead, and John Goodman in 10 Cloverfield Lane10 CLOVERFIELD LANE

If your biggest complaint about a movie lies with its title, that movie is probably pretty great, and director Dan Trachtenberg’s 10 Cloverfield Lane is pretty great – a splendidly acted, hugely entertaining nail-biter that continually surprises despite its claustrophobic setting and cast of characters that can be counted on the fingers of one hand. But while it may lure fans of 2008’s astoundingly irritating “found footage” monster mash Cloverfield, did that title really need to be baked into this one, effectively establishing Trachtenberg’s outing as some kind of sequel or prequel? Theoretically, the thrill of 10 Cloverfield Lane lies in our not knowing where its true threat lies. It’s a measure of the film’s success that it works despite a title implying exactly where that threat lies.

Tina Fey in Whiskey Tango FoxtrotWHISKEY TANGO FOXTROT

Two of my favorite repeat-viewing movies, for wildly different reasons, are Broadcast News and The Hurt Locker. But as much as I love them, I would never have dreamed they’d wind up loving each other, getting married, and having a baby – which is kind of what we have in the new Whiskey Tango Foxtrot. On the surface, it would seem an uneasy, if not unholy, blend: James L. Brooks’ snappy workplace comedy meets Kathryn Bigelow’s intense war thriller. In the hands of directors Glenn Ficarra and John Requa, however, what results is a humane and thoughtful entertainment that, blessedly, doesn’t sentimentalize or cheapen the subject of Middle Eastern conflict. It’s the film last fall’s Rock the Kasbah could have been if it had a brain in its head.

Christian HowesMusic

An Evening with Christian Howes

Redstone Room

Wednesday, March 9, 7 p.m.

 

On March 9, Davenport’s Redstone Room will host a hugely acclaimed, virtuosic jazz violinist in “An Evening with Christian Howes.” In its 2011 critics’ poll, DownBeat magazine voted Howes number one in the category “Rising Stars/Violin.” DownBeat called his 2012 album Southern Exposure “a masterful journey.” DownBeat praised Howes’ musicality by writing, “Everything about the way he moves across each string seems to express another emotion.” That’s an awful lot of DownBeat for someone who makes listeners so darned happy.

the team behind Best Picture winner SpotlightWhether it was a conscious decision on their parts is something, of course, that we’ll never know. But faced with #OscarsSoWhite outrage and numerous categories seemingly locked tight as drums, voters for last night’s Academy Awards did the smartest, and perhaps only, thing they could do: They changed the story, so that instead of talking about the controversy, we talked about the winners – more often than not, the surprise winners.

Brenton Thwaites and Nikolaj Coster-Waldau in Gods of EgyptGODS OF EGYPT

When the first preview for the mythological-sci-fi-fantasy-action-adventure something-or-other Gods of Egypt landed last fall, it was met with widespread derision due to the overwhelming whiteness of its cast of “Egyptians.” To their credit, film studio Lionsgate and director Alex Proyas quickly issued statements of apology for the movie’s lack of diversity. But now that the ghastly embarrassment in question has been released, I’m hoping for a statement of rebuttal from slighted Egyptian actors everywhere: "Hey, you know what? No apology necessary."

Tammy PescatelliIt’s 8:08 a.m. when comedian and former Quad Cities resident Tammy Pescatelli calls for our arranged interview, and right off the bat, she apologizes, unnecessarily, for running eight minutes behind schedule.

“I’m calling you late because the principal from my son’s school called,” she says. “Whenever you hear that the principal is calling, you get nervous. First, you see that the school is calling, so you’re like, ‘Oh no ... is he sick?’ And then when it’s the principal, you’re like, ‘Oh, God ... what now?’ I mean, he’s never been in trouble, but you know ... . You become a kid when the principal calls your house.”

It turned out, however, that the principal was calling with good news: Pescatelli’s son Luca, who turns eight on February 26, had qualified for the gifted program. I tell her that’s great, and also congratulate Pescatelli on her 2013 comedy special Finding the Funny, the Netflix-streaming title I’ve viewed and enjoyed numerous times over.

“Then you know how excited I am to find out that my son’s in the gifted program,” she says upon hearing that I’ve seen her stand-up act. “’Cause you know the other side of his genes.”

Anya Taylor-Joy and Harvey Scrimshaw in The WitchTHE WITCH

Good horror movies make you jump. Great ones make you unable to move. And writer/director Robert Eggers’ feature-film debut The Witch may be as close to great as this decade’s horror movies have yet come – a mesmerizing, stomach-tightening descent into madness completely devoid of irony. Its trappings may portend a literal-minded take on Arthur Miller’s The Crucible, but the wickedness here is in no way theoretical or the product of mass (McCarthy-influenced) hysteria. Eggers’ ballsy achievement suggests, rather, that true evil can be an entity as real as those who believe in it, a physical presence conjured through excessive pride, fear, suspicion, lust, and, most critically, lack of faith. The Witch is a haunting experience, and the more you think about it, the more haunting it gets.

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