A quintet that, according to WSUM.org, “incorporates rock, bluegrass, jazz, and a little folk, creating nothing but an upbeat atmosphere,” the Chicago-based Old Shoe plays Davenport's Redstone Room on October 4 in a co-headlining bill with the Windy City's Ernie Hendrickson & the Citizens of Love, the ensemble that Glide magazine says “delivers elements of jazz, fusion, rock, soul, and reggae, and handles these styles with enough grace and confidence to make even first-time listeners believers.”

Its 2019-20 Masterworks repertoire devoted to an aural exploration of the human experience, the Quad City Symphony Orchestra and conductor Mark Russell Smith kick off the new season with the October 5 and 6 presentations of Masterworks I: Statement, with the Adler Theatre and Centennial Hall performances boasting thrilling works by Brahms, Korngold, and other composers and electrifying solos for cello player Hannah Holman and soprano Katherine Jolly.

Delivering what The Big Takeover describes as “muscular, meat-and-potatoes-style blues rock” and what The Dead Hub calls “old souls making incredible new music,” the Minneapolis-based rockers of The 4onthefloor enjoy an October 5 headlining engagement at Maquoketa's Codfish Hollow Barn, treating audiences to what Music in Minnesota deemed “an exciting, drums-driven show with much-promised dancing, howling, and fun.”

Stunning examples of mixed-media artwork will be on display at Black Hawk College's ArtSpace Gallery from September 30 through November 1 as the venue houses Sarah Rehmer's A Tenuous Space, the latest exhibition by the lauded Illinois artist whose works have been showcased in such esteemed art magazines as Studio Visit, Encaustic Arts, and Shadow & Light.

Arriving in advance of Halloween, the latest book by local authors Michael McCarty and Mark McLaughlin will explore roughly two dozen purportedly haunted locales in Ghosts of the Quad Cities, with the co-writers, on September 28, appearing at Davenport's The Book Rack to sign copies of this new work highlighting the supernatural histories of many of our area's most well-known sites.

Composed of of violinists Hyun Jeong Helen Lee and David Do, violist John Batchelder, and cellist Brooke Scholl, the award-winning Julius Quartet performs locally as part of Quad City Arts' Visiting Artists series, the musicians' September 23 through 27 engagements demonstrating why, according to a Collegiate Times concert review, “The group left the audience mesmerized by its resonant sound.”

A renowned country-music legend brings his signature talents, and his award-winning ensemble, to the Rhythm City Casino Resort Event Center on September 27 as the venue presents a night with the Charlie Daniels Band, with Daniels performing from a nearly 50-year repertoire crowned by the chart-topping, Grammy-winning smash “The Devil Went Down to Georgia.”

With the band's formidable list of credits and accomplishments including five Grammy Awards, two American Music Awards, a star on the Hollywood Walk of Fame, and status as one of the best-selling music acts of all-time, the pop-rock musicians of Chicago bring the group's legendary sound to Davenport's Adler Theatre on October 2, its 52-year repertoire including such chart-topping smashes as “If You Leave Me Now,” “Look Away,” and “Hard to Say I'm Sorry.”

In addition to being adored for his rock, pop, blues, and seasonal hits, Elvis Presley was, of course, one of the world's most beloved interpreters of gospel, and much of The King's iconic output will be heard when the Circa '21 Dinner Playhouse hosts two October 3 performances of How Great Thou Art: The Gospel Music of Elvis Presley, a thrilling touring production boasting the talents of famed impersonator Robert Shaw and his Lonely Street Band.

With the Washington Post calling the play “mystical, arresting, and quirkily amusing” and the New York Daily News deeming it “irresistibly odd and exciting,” the dark romance Gruesome Playground Injuries, from September 20 through October 6, serves as the opening production for the 2019-20 season at Davenport's QC Theatre Workshop, its author Rajiv Joseph described by the New York Times as “an artist of original talent” with a “darkly funny, piquant sensibility.”

Pages